Catching up with the Winners: Fred Mortagne

Following the recent celebration of Red Bull Illume’s 10th anniversary, it was time to find out what the winners have been up to. Fred Mortagne, aka French Fred, was the winner of the very first contest back in 2007.

© Christian Pondella

It’s been 10 years since you won the first ever Red Bull Illume. How have things been since and what are some memorable projects you have worked on?

I never stopped working and shooting passionately, so it’s always been good. I just released my first major publication, which is so far the highlight of my photographic career.

Can you tell us a bit about your publication ‘Attraper Au Vol’ ?

It compiles 15 years of work, although it is not a massive book. We went through a very selective editing process. It was published by Um Yeah Arts, the entity of Thomas Campbell who I love to work with. As of now, the book is already sold out. It has been a huge success and I’m glad it can be found in great bookstores, not just through the skateboarding network. I guess we have to print a second edition! You can still find the remaining copies in some stores, as well as on eu.elementbrand.com for example.

What do you think makes Red Bull Illume special, or different from other contests?

Its diversity and its modernity; focusing strictly on the new school extreme sports, while television for example still mostly cares about the classic stuff. I like the format of the contest, with all these different categories that highlight various aspects of the sports such as “Playground” which is about the location. This of course for me has always been an important category. For many years, in skateboarding for example, the focus was strictly on the action and nothing else. It was a big surprise to win in 2007 with a picture that was the opposite of the current standards.

Do you think Red Bull Illume helped you to get your work out there?

In life, I learned that sometimes things come much later on; sometimes even years after you do an exhibition. It’s wrong to have instant expectations.  So to my good surprise, when Leica became a partner of Red Bull Illume in 2013, a collaboration was started with them that has been very enjoyable and productive. Although winning the competition didn’t lead to any direct jobs, it eventually brought something very important to my career.

What tips would you give to beginners who are planning to enter Red Bull Illume?

Maybe I can just say that when I first entered, I thought I didn’t stand a chance, so it doesn’t matter what expectations you have.

There have now been 4 Red Bull Illume contests. What do you think is the winning formula?

If I would know, I would have won 4 times! But I’m glad that I made it to the finals twice, and to the semi-finals twice. Looking at the 4 winning images, it seems that they all brought something that you are not used to seeing within these sports, something that is not the standard, a little surprising, a little refreshing. They were unformatted expressions of individuals who want to bring something new and dare to step outside of the norm.

What has changed in adventure and action sports photography in the last 10 years? 

I think it became a little less formatted. People have started to experiment more and are not following any so-called rules. I always say that there shouldn’t be any rules to follow except those that you create for yourself. This is the best way to create your own unique style and will help you to stand out from the rest.

Any advice for up and coming adventure/action sports photographers that you could share?

As I also always say, anyone can become a photographer… and in the age of social networks, this is totally obvious. No one has specific genes to become a great photographer. Indeed we become photographer by chance, coincidence, and also often because we are passionate about something. We all have the potential. Then it’s about developing a unique view on life to bring something interesting. I like to make little photo competitions on Instagram to create some energy around photography, just like Illume is doing on a much larger scale!

Where do you see action and adventure sports photography going in the next 10 years?

Every athlete will shoot themselves without any outside help other than technology. All the devices are here already. Is it the end of professional photographers? Surely not, but we will have to adapt and work with it. It will require us to have a much more conceptual approach rather than focusing on just capturing the action. This is what I have been doing and it is stronger than ever right now. 

What plans and projects do you have lined up for the future?

I will keep on doing stuff to do with the book for a while and shoot for my personal projects. Working on the book gave me a lot of ideas for stuff to shoot, within and outside of skateboarding. Also, as I am an advocate for Element Skateboards, I will keep on shooting for them and their great Element Perspective programs which beautifully showcase photography.

Check out more of French Fred's work by checking out his website and give him a follow on Instagram

Read the latest stories

In A Flash: Shooting the Perfect Key Visual

Red Bull Illume In A Flash returns with its latest installment, focused on the most crucial element of any commercial campaign; the key visual.

Shooting a striking key visual is no easy task and it's something that comes down to the finest details. Use the pointers in the video above to help you along the way.

It all starts with brainstorming - nail down the concept and the message you want the visual to bring across. What definitely helps is scribbling what you want your final product to look like, this will help guide you while you're shooting.

Organize the shoot - do you need models, a location or props? Will you shoot in- or outdoors? How are you going to shoot? How many people do you need? These are all things to consider before you head out to the shoot.

Spend some time doing test shots. Make sure you've got your settings dialed in, so that when it's crunchtime, you're good to go and you know you'll get the shots you wanted.

Edit your shots. This is where you make your key visual really shine and come together.

Want more photo tips? Make sure to check out our other In A Flash videos by heading over to our YouTube channel!

Wakeboarding meets Architecture

Danish action sports photographer Jesper Grønnemark is known for pushing boundaries when it comes to photography and has an eye for incorporating objects or elements into his photos that you wouldn't think of. For his latest project, he fused elements of architecture with wakeboarding. Read the full story and see the results below...

© Jesper Gronnemark

How do you push the boundaries of what people believe possible in sports photography?

That exact question is the drive behind Jesper Grønnemark, who as a sports-photographer has become used to facing situations with a flexibility and fast thinking only few can brag about.

Location! Location! Location!

The shoot was in a small canal located in front of the Tietgen Residence Hall. A wish to combine sports-photography with architecture contributed to the selection of this very untraditional wakeboard scenario in the heart of Copenhagen.

“I saw this location a couple of years ago, and thought it was perfect for a wakeboard shoot. It is a minimalistic setup, but there is a great contrast between the murky water and the clean lines of the building”.

Did you hear the story about the two guys in the canal?

A wakeboarder in a small canal by the Tietgen Residence Hall is a rare sight and it attracts quite a few curious people. In the different tall houses around the shoot, people gathered in their windows to see what was going on.

Jesper floats in the water in a wetsuit and gets out of the water several times, running around to keep warm; a great example of Jesper’s dedication and hard work getting the perfect image.

The cold and not too clean water doesn’t stop wakeboarder Dres Damgaard either. He gets in as soon as the winch, which will pull him towards the bridge, is on.

“It was quite a challenge I had given myself. The water was very cold, so it didn’t take long before Dres and I were freezing. I had to use a lot of energy not to shake when Dres was being pulled by the winch, and I had to take pictures.”

Patience and equipment

This was an assignment that required patience, endurance and precision to create a great result, but it also demanded having the right equipment.

“This situation puts high demands on the equipment to function each and every time. Since I couldn’t afford to miss a shot it was amazing shooting with the flash system I use, which delivers the power, quality and speed necessary.”

So long, summer!

The Scandinavian summer sun is slowly setting, it has been a tough shoot for both Jesper and Dres. Even though they are tired, wet and longing to go home and take a shower, there is still a sense of satisfaction in the air. The hard work paid off and the images are even better than anticipated.

To see more of Jesper's work, head over to his Instagram, but not before checking out the results and some behind the scenes shots below!

Dusty Walls with Matt Hunter

Sterling Lorence fell in love with photography after biking through what he calls "the moody forests of the North Shore" and has been in the game for over 20 years. Collecting Red Bull Illume Finalist honors on multiple occasions, we decided to take a closer look at one of his more iconic images.

Red Bull Illume 2013: Sterling Lorence, Energy category finalist

© Sterling Lorence / Red Bull Illume

Matt Hunter has a reputation in freeride mountain biking for finding and building very progressive lines. Matt built this air for the filming of his segment in the film, 'Follow Me'. It is a 45-foot air to wall ride move that he hadn't done much practice on.

It is always stressful as a photographer to show up to a shoot like this, with a film crew, and have the majority of the pressure falling onto the athlete to throw down. Especially when the action is dangerously progressive like this and we all are unsure of what the outcome will be. We all want to shoulder more of the responsibility, but ultimately it is the athlete that has to be the most prepared.

I framed up this shot from this perspective to be able to express the entire story of his line and the size of the gap he had to make. I originally thought I would shoot it as a sequence so that the viewer would be able to understand the extreme journey more.

With my motor drive running, Matt nailed his line and I watched him hit the wall and carve out the finish. I was completely floored and in awe by the explosion of dust he had created. I never expected or predicted such a dramatic dust trail to happen as he smashed across the cliff face. As I sat back and reviewed my images, I saw this one frame and I realized that I no longer needed the full sequence. The entire story, speed, impact and energy of this huge air was captured in this single frame. That is why I love photography, telling so much of a story in a single image.

Want to see more images by Sterling Lorence? Head over to his Instagram and check out his website!

From the backcountry to the streets of the Six

Scott Serfas might just be the most well-known Canadian snowboard photographer out there. He took to the streets of Toronto, a.k.a. the Six, during the recent Red Bull Illume Exhibit Tour Stop to show some love to the urban streets.

© Scott Serfas

What are some differences/similarities to shooting sport in the mountains vs urban streets? 

There are a lot of differences between shooting in the mountains versus shooting in the streets, but luckily for me, I grew up shooting skateboarding, so I’m quite comfortable with both.

In the streets, at times you have much more time to set up a shot and think more about placing artificial lighting to create dramatic effects.

On the other hand, in the case of shooting photos that will attract issues with the police or security guards you're going to want to set up your lighting plan ahead of time, metering everything offsite, so all you will need to do is drop the lights into place and shoot.

Or like in this case (the photo of Drew jumping gap) you will need to choose the right time of day to shoot all natural light. If that is not a possibility, then you will have to choose an angle depending on light. In the mountains, you're solely relying on what Mother Nature gives you. You're likely working with natural light, so choosing a location and time of day will be more crucial.

How did you shoot the street spots? (lighting, settings etc)

This particular shoot was a more run and gun style of shoot, so I would work around the existing light. Some locations and obstacles worked really well and others bombed.

On a normal day I would have either brought a few lights to help or shot things at a different time of day.

What’s the hardest part of shooting with a pro athlete?

There are three things that come to mind working with a professional athlete.

One, they are professional, so you likely won’t have their talent to blame when you make mistakes.

Two, because they are pro, your subject will likely have a large bag of tricks and will be able to preform the proper trick that looks better from the angle you choose to shoot from.

And three, one of the more difficult things manage as a photographer, likely they will be trying something so difficult that it becomes a “one and done” shoot. This means they will do it once, stick it and leave. So that means you have once chance to get the shot.

For me, shooting a one and done photo adds so much stress to the shoot.

Want to see more Scott Serfas shots? Head over to his website and give him a follow on Instagram!

Red Bull Illume Visits Home!

Following stops in Chicago and Toronto, the Red Bull Illume Exhibit Tour is coming home for the month of September.

The official tour-stop home of Red Bull Illume has always been the impressive Hangar-7 in Salzburg, and this year is no different. This unique building, which houses a collection of historical aircraft and Formula 1 race cars is the perfect home for the Red Bull Illume Exhibit Tour.

The Exhibit Tour officially opens in the evening on 6 September, and can be visited by the public from 7 September onwards. The exhibit can be visited all day, Hangar-7 opening hours permitting, but we recommend going later in the day when it starts to get dark, as that is when the lightboxes really shine!

The last night of the Exhibit Tour will coincide with the Lange Nacht der Museen, which takes place on 7 October, 2017.

Six Skate Photographers You Need To Know

Time to show some love to the photographers out there who pound the pavement day after day, hoping to capture that outstanding skate shot. Here are six skate photographers you need to know...

© Jonathan Mehring / Red Bull Illume

Davy van Laere

@philzwijsen #ElementWaterproof @elementeurope #Bilbao @soloskatemag @aproposskatemag

A post shared by DVL (Davy Van Laere) (@dvlphoto) on

"French" Fred Mortagne

Roberto Alegria

Jonathan Mehring

Roberto Bragotto

Jeroen Nieuwhuis

2/3 Red Bull Illume | CLOSE-UP FINAL IMAGE Early in 2016 I sat down with art director @ElroyKlee & cinematographer @ErikJournee from @NEWDAY.studio to come up with a concept for this year’s @redbullillume After pitching different ideas at each other we quickly agreed to try shooting something with mirrors. Instead of a street spot we decided to go indoors, but not to a typical skatepark. We contacted the guys at skatepark Pier 15 in Breda (The Netherlands). This skatepark is more like an indoor ‘street spot’, with concrete ramps, curbs and stairs. We knew this would fit the image we had in mind. We started cutting mirrors in our studio into different (small and large) shapes and tested them to see how big they needed to be to see the trick and different parts of the obstacle. We opted for triangle shaped mirrors to complement the obstacles in the background, to create a clean, even balanced look. Almost 12 mirrors later we finally had the pieces that would fit the picture. We headed out to Pier 15 together with Dutch skateboarder @RobMaatman. A couple of c-stands were used to angle the mirrors in a way that they almost looked like a puzzle; connect all the pieces and you see the entire obstacle. The outcome is a balanced action picture combined with graphic pieces and skatepark objects. #Photography #behindthescenes #RedBull #RedBullillume #mamiya #mediumformat #broncolor #skateboarding #skateboard #flash #robmaatman #newdaystudio #emerica #iso1200magazine #famousbtsmag

A post shared by Jeroen Nieuwhuis (@jeroennieuwhuis) on


Did we miss a skate photographer you follow and we should check out? Let us know on Facebook or Instagram!

All Out with Ale di Lullo

We caught up with crazy Italian MTB photographer Ale di Lullo to talk about what's been going on with him since that fateful evening in Chicago, when he took home a Category Winner Award for his shot of Aaron Chase rolling over a New York taxi cab.

© Ale di Lullo

What’s been going on with you since the Winner Award Ceremony?

It's been a very busy off-season and my Air Miles Award program is just on fire. I've been shooting catalogs and some adventure stuff all over the world, from New Zealand to the Dolomites, passing through British Columbia, Oregon, California and most of Europe.

Has anything changed for you since making it to the Top 55 and in the Top 275?

It didn't change anything with clients and the kind of shooting I do, but it gave me more tranquility and confidence in trying to experiment a bit more, or at least as far as a mostly commercial bike photographer can go.

And you know what?

I think that the Red Bull Illume categories really make sense and summarize the shots in them really well. When I'm on assignment I often find myself thinking "Oh this could be a good shot for Spirit category...or for Wings or for Playground!"

So maybe it slightly changed the way I think when I'm shooting...at least it helped me to categorize things.

Actually, there is something that changed in me after the Red bull Illume finals...it was already an ongoing process, but now it's annoying...I became my own worst critic! I struggle to be happy with any of my shots!! (Fortunately, my clients still are...ahahah)

Any cool projects you’re working on?

I'm trying to bring a new way into what I do for my clients and bringing them more exclusive shoots and less contest/event stuff. More planning, more research, more exploration and bringing back the essence of mountain biking, which is just out there in nature.

Can we expect a new project with Aaron Chase? Involving other forms of transport?

I have some ideas following the transportation wave...but the shot was more on the point of view, the new angle. The car was just a medium, so my mind is roaming more for new angles or new things to ride.
But I cannot exclude that I won't be back with some new vehicles!

I also found a mountain location where I want to try a Masterpiece shot...I'm studying angles and light right now. Hopefully it will happen before the end of the year...but there is a lot of building involved.

Aaron is probably gonna be part of a couple of adventures during the summer, but nothing for a specific Red Bull Illume project...but you never know when the next Illume shot could happen, right?

I try to keep myself active and exposed to cool situations when the magic could happen and if Aaron is around, chances are just higher!

What do you think the secret is to an image doing well in Red Bull Illume?

I think it's a very unpredictable balance between the classic photography rules (like composition and light) and the ability to tell a story...also for people who don't practice the sport or are passionate about a specific sport, which is hard to keep in mind sometimes for insiders.

You need to put yourself in the shoes of someone who has no knowledge of that sport and get the outside perspective. It's easy to forget that a Regular Joe won't have the same perception of the shot... so I believe that, in the end, it has to be an simple, essential, perfectly executed shot that tells a great story or the lifestyle around it. It's not easy.

Working together with any other Red Bull Illume finalists?

Well, I do some Downhill World Cup and Rampage shoots where a few finalists shoot as well, but we are just at the same event and not really working together. But it's always great to share ideas when you're there together with them.

And what’s your personal favorite from Red Bull Illume?

I clearly remember Dean Treml's shot which won the Enhance category...and Jody MacDonald Lifestyle winner shot. Lifestyle shots are the hardest to take...when you see the moment you want to capture, it's gone. Most of the time you're living it and it's hard to understand when the right moment is that will tell the whole story.

What's one crazy photo assignment you've been on?

That has to be shooting a bike catalog in British Columbia and California. 3 weeks, 15 bikes, 5 different riders, 10 different locations, 2 injuries, cold, hot, rain, snow, fog, high wind, customs delays with the bikes and the shortest daylight time of the year...and the specific request to shoot lifestyle in trashy and sketchy parts of different cities.

That was very hard, but really rewarding from a strictly professional point of view. There was a lot of variety and that specific type of lifestyle shot that only comes from a long road trip. Priceless. Unfortunately, logistically, it was a nightmare for the client, so next year we'll probably go back to a more traditional way of doing a catalog shoot.

Last question: will we see you again in 2019?

I'll be submitting a few shots for sure!! The fact of having 4 shots in the top 275 and a Category Winner set the bar pretty high for me. I don't have the 'illuminated idea' as it was for Chase cab driver shot just yet... but I already have a few nugs ready for the 2019 submission from a different shoot I did and maybe a new idea will pop into my mind while I'm on the road, just as it was for the cab shot.

Make sure to follow Ale di Lullo on Facebook and Instagram!

How It's Made: Bike on Bike Action

Falling into photography through writing and after a crash course shooting BMX with some of the world's biggest photographers, Ryan Fudger's passion for still images was triggered.

© Ryan Fudger / Red Bull Illume

"I really don’t know anything about motorcycles. I’ve actually spent most of my life with an unnatural fear of them. There’s just something about BMXers and motorcycles that don’t go well together. Putting my personal fear aside I spent ten or so days on the road chasing Corey Martinez, Garrett Reynolds, and Tony Neyer through the South, as they mobbed through small towns on motorcycles with their bikes strapped to the backs.

This particular photo was shot on a stretch of road known as Tail Of The Dragon in Deals Gap, North Carolina – 318 curves in 11 miles, all of which I spent hanging out the back of a minivan maxing out the memory buffer on my Canon 6D to the point I actually got motion sickness.

This particular photo was shot with a Canon 20-200 F2.8L at a motion-blur inducing 1/50th of a second shutter speed at f4.5 and ISO 400.

In all seriousness, I had the easy part hanging out of that minivan, as it was only a few miles after this photo was shot that one of the crew ended up over-cooking a turn and crashing. Fortunately, no one was seriously hurt, and although the bike did need some repairs, we eventually continued south to Florida until we hit the Keys."

For more epic photos, head over to our Instagram and follow us on Facebook.

Behind the Shot: Neon Wakeskate

Daniel Vojtech is known for pushing his photography to the limit, and he's come up with some mindbending imagery. For this shot, he combined 3D printing with wakeskating. Not only that, he also used a contraption made up of over 130 DSLR's. Check the story behind the shot below!

© Daniel Vojtech / Red Bull Illume

"3D printing is new and a very popular industry so I wanted to see if it was possible to combine it with sports photography. My concept was to scan an athlete with a 3D scanner, print it and then reshoot this final 3D print in a real environment Wakeskating was a real challenge and also interesting to me so for this project I invited the best wakeskate female athlete Zuzana Vrablova.

For the final image Zuzana and I decided together to shoot a slide on the rail. The first part of the photoshoot was in the 3D scanner which was in a room with more than 130 DSLRs photographing Zuzana from all different angles. Because I wanted a more interesting and complex project I decided to shoot nine different positions instead of one, to show the entire sequence.

So we simulated the same positions as during the trick in the real environment. Rendering 3D models and creating final 3D prints took more than one month. When I had all the figures I started to think about an environment for them. Wakeskate is a water sport so water is must. After some time I created a night skyline with more than 300 liters of water in my studio. This took more than the next month.

The final photoshoot wasn’t so complicated because everything was built and ready. The only problem were the splashes. For this I had two assistants with small water pumps to create splashes from the board."

To see more epic shots, head over to our Instagram and make sure to give us a follow!

Climb through the Red Bull Illume years

Ever since Red Bull Illume started in 2007, it has been witness to some spectacular climbing imagery. Not only that, climbing photos have also consistently impressed the judges every single edition.

Red Bull Illume 2010: Adam Kokot, Spirit category winner

© Adam Kokot / Red Bull Illume

So let's take a look at some of the coolest climbing photos that have made it into the final rounds throughout Red Bull Illume history!

Make sure to follow Red Bull Illume on Facebook and Instagram for more amazing adventure and action shots!