Double-vision: shooting 3D with 2 cameras

Double-vision: shooting 3D with 2 cameras

Judging by the presence of 3D camera technology at Photokina this year, 3D is gaining some serious momentum with manufacturers. For professional photographers though, the last year has been a time of experimentation with a brand new "old" technique. Especially if you don’t have a 3D camera, how do you get the 3D effect?

Markus Berger at Red Bull Photofiles gave this video tutorial on how to perfect the photoshop method. Pro photographer Ian Coble used the other logical approach – he used two cameras. Read on to find out about his shoot with pro kayaker Tao Berman.

What brief did you get for the shoot?
What made this shoot so incredible wasn't just the sheer athleticism of Tao in front of the camera, but the amount of creativity I was afforded. When organizing the shoot, Red Bull essentially gave me free reign to shoot it however I wanted.

When did you start getting interested in 3D?
For the last few months I've been dying to try shooting something in 3D. Since I saw the James Cameron movie Avatar, I wanted to test 3D technology and see how it translated from video to still images. When this shoot with Tao came about, I knew this was the shoot to make it happen.

3D photography is still pretty new. What research did you do for the shoot?
I'd come across plenty of other 3D photos, but none of them were action or motion based. Everything I was coming across was static – whether it was a landscape, portrait or still life. Not finding any 3D (also called anaglyph) photos of sports got me really excited. This was going to be something relatively new. Also, it's always fun to be the guinea pig on new things as you never know what you're going to encounter or how it's going to turn out.

What shooting method did you use?
With new versions of Photoshop, it's now easier to create 3D images in post-production with a single camera and manipulate the single resulting image. But that's not what I wanted to do here.

With this shoot, I wanted to achieve a true 3D image, by shooting two cameras offset from one another. The advantage in using two cameras is that the resulting 3D image has more detailed depth and texture as it does not require Photoshop to extrapolate and create new information. Even with two camera method though, you still have to do some post-production editing.

When you have your two images, what post-production work is required?
The basics behind creating a 3D image in Photoshop are to stack images in layers. Once there, you have to determine the focal point of your image and align the two frames. From there, you have to remove the red channel from the right eye‘s image and remove the green and blue channels from the left eye’s image.

You can do this for example in the levels window by selecting the appropriate channel and changing the output level from 255 to 0. Once you have a right eye image (which will look green) and a left eye image (which should appear red) you need to adjust your blending mode from normal to screen. This will leave you with a 3D image that you can make any final density or color corrections to.

What camera settings did you use?
I shot these images with 2 Nikon D3’s. Both cameras were set to manual exposure mode with a shutter speed of 1/500th and an aperture of f/ 5.6. Given the dark nature of the canyon we were shooting in, I had to bump the ISO up to 1600 in order to be able to shoot at a fast enough shutter speed to freeze the action.

I set the focus of both cameras by pre-focusing on a rock near the lip of the drop. Once set, I locked the focus off so that it wouldn’t slip during the sequence.

How did you mount the camera?
I mounted one of the cameras on a Manfrotto tripod with a Manfrotto 3265 joystick head. The second camera was mounted on a Manfrotto 244 Magic Arm, which was clamped to one leg of the tripod. This positioned both cameras on a relatively even plane, which would not have been achievable with two tripods, given the rocky terrain of the river bank.

Did you have to experiment to get the right distance between the camera bodies?
Determining the distance between the camera bodies was quite tough to figure out. I had to do a lot of research online, and eventually discovered that the ideal distance apart between the cameras is determined by how far away your subject is.

An easy way to determine the distance between cameras – this isn’t 100% accurate, but it’s pretty close – is to separate the cameras by a factor of 1/30th of the distance to the focal point of your frame. The further away the subject is, the further apart the cameras must be in order to achieve a 3D affect. For this location, I worked out that a distance of about 12 inches (30 centimeters) would provide enough separation to give the resulting image enough depth.

When shooting 3D, the cameras have to be perfectly level – or at least on the same angle “off” of level – or the resulting image will cause the viewer to get a headache as their eyes try to focus on two non-corresponding horizons. To achieve a level frame on each camera, I secured my iPhone to each camera and used the iHandy Level App to zero in on the horizons.

Did the cameras have the same lenses?
Yes, both cameras had the same lenses on them (a Nikon 28-70mm f/2.8 AFS lens). Both cameras have to have an identical field of vision for 3D to work, so both lenses need to be the same.

How did you trigger the cameras at the same time?
I triggered my cameras with two Nikon MC-30 remote trigger releases. I sandwiched the two releases together and pressed down on the triggers at the same time. I practiced this at home prior to the shoot in order to make sure that both cameras would fire at exactly the same time.

I experimented with a few other methods, including remote triggering with pocket wizards, but the MC-30 route gave me the most reliable results. Right now, I’m in the process of re-wiring the MC-30’s for future shoots so that one trigger will fork off to each camera and eliminate the need to press two triggers simultaneously.


What challenges did you have on the day?
Given the inherent danger in running waterfalls, and not wanting to subject Tao to any more danger than necessary, we only had a few attempts to make the shoot work. Just to make sure, we used 3 cameras at all times. I had two cameras shooting 3D and one camera shooting an alternative angle to ensure we had maximum coverage and guarantee differing angles and vantage points.

The other challenge was the inability to check our results in the field. Given the remote location, the limited amount of daylight we had to work with and the amount of time it takes to process a 3D image, we weren’t able to review the 3D image on location. All our research had to be done in advance and we had to trust that what we were doing was accurate. In this age of digital, it’s tough to go back to the times when you can’t check your work in the field and make adjustments.

Were you happy with the final results? What could be enhanced or experimented with?
In the end, the shoot turned out great. The 3D image turned out better than I could have hoped.

For future shoots, in addition to re-wiring my MC-30 remote triggers, I’m also trying to fabricate a sliding mounting bracket that allows two cameras to be mounted on the same tripod.  This will allow me to make quick adjustments to the separation distance between the cameras. The method I employed on this shoot worked, but it wasn’t really efficient for making quick changes.

Additionally, I’d love to shoot at a location that has more depth to it. The location of this waterfall didn’t have a lot of separation between the foreground and background. I’d love to experiment more with a location that provided more depth to it, as I think the resulting 3D image would turn out even better.

I'm excited to put this technology to use again on some more shoots in the near future, stay tuned!

www.iancoble.com

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Record broken with a phenomenal 59,551 submissions!

The Image Quest 2019 submission phase is officially over and a new record for submissions has been set. We want to say a huge thank you to everyone that helped make this happen!

© Markus Rohrbacher / Red Bull Illume

Another milestone in the fifth edition of the Red Bull Illume Image Quest 2019 has been reached, and we’re stoked to announce that a new record for submissions has been set! Yes, that’s right, a total of 59,551 photos and moving images were submitted to the 11 categories that made up this year`s edition.

To put that into perspective, that’s an increase of 72% on submissions from 2016. We want to say thank you to our amazing partners Sony, SanDisk, Skylum, COOPH, Red Bull Photography and EyeEm for helping to make this happen.

Even more importantly we want to say thank you to YOU – everyone that took the time to submit! So, you’re probably wondering what happens next? So, let us explain!

Judging Phase

You can just sit back and relax now, as the judges will select the 264 semi-finalists, 64 finalists, eleven category winners and one overall winner! You can get to know the judges right here, and more will be added each week! The judging format in full can be found on our rules page!

264, 64, eleven, one

You will hear these numbers a lot in the coming months, so here’s a brief intro to why they are important. The 264 semi-finalist images will be on display in a gallery on our website, and also be published in the limited-edition coffee table book!

Should you be selected as one of the 64 finalists, you will be invited to the Winner Award Ceremony that takes place from November 18-20, and your images will be on display in the Global Exhibit Tour that begins immediately afterwards.

On November 20, the eleven category winners and one overall winner will be crowned during the ceremony at the Lumen – Museum of Mountain Photography on top of Kronplatz. They will take home an incredible set of prizes that you can see here.

Special Announcements

We have some big news to share with you in the lead up to the Winner Award Ceremony, so don’t forget to check your inbox regularly and to stay tuned to our social channels so you don’t miss a thing.

If you are selected as one of the 264 semi-finalists, you will be notified within the next few weeks!

So, once again a huge thank you to everyone that participated, and good luck!

Breaking news: you have 24 additional hours to enter!

You now have until August 1, 2019 and entries close at midnight (CEST). Submissions are quick, easy, and free; don´t wait any longer and submit your best adventure and action sports images now!

Red Bull Illume 2010: Maiko Mou, Close Up category finalist

© Maiko Mou / Red Bull Illume

Hundreds of photographers have reached out to us, to say that they need a bit more time to edit those last-minute shots and make those final image selections before submitting. Due to the huge amount of traffic and submissions on redbullillume.com currently coming in, the servers are also a little bit slower than usual. That is why we’ve extended the final deadline by 24 hours so you still have time to make sure you’re a part of this edition of the Red Bull Illume Image Quest.

So it really is your last chance to take your chance! There is still time to search through your folders, dig through your desktop files and submit that winning shot. Imagine attending the Winner Award Ceremony on top of a mountain, getting your work featured in a Global Exhibit and the Coffee Table Book, winning prizes to the value of €100,000. Choose the categories you want to enter and go do it already! You have an additional 12 hours, so now is the time for action.

This is your final call – Submit Now!

How to create stunning photos with a smartphone and drone!

Red Bull Illume finalist and SanDisk Extreme Team member Marcel Lämmerhirt teams up with Fabio Studer and Thomas Feurstein to show you how to create and take epic adventure and action sport photos with your smartphone or drone.

© Marcel Lämmerhirt

Whether shooting action, portraits or at night you don't need heavy camera equipment at all times, all that is required is your phone or drone, some apps and imagination. Let SanDisk Extreme Team Member Marcel Lämmerhirt guide you!

Submit your smartphone and drone photos to the Image Quest 2019: redbullillume.com/submission.

About the shot: 5 epic images from the Masterpiece Category

The Masterpiece by EyeEm Category blurs the line between adventure and action sports and fine art photography. One of the great things about Red Bull Illume is that it allows photographers total freedom of style and method and express themselves to a global audience – this category is the pinnacle!

© Ben Thouard / Red Bull Illume

With 5 days left to submit to the Image Quest 2019, we take a look at 5 phenomenal images from 2016 and hear the story of each shot, as told by the photographer.

1. Jeremiah Watt

Andrew Burr has a photo of thick ice, in deep desert sandstone. I’ve wanted both that shot and that experience ever since seeing it. Scott Adamson is an alpine climber who long suspected that Zion National Park held wild ice flows in deep, sandstone slots.

We drove out late in the evening, bivied on a shop floor and hoped for the best. This shot tells of the ice. It was huge, one the coolest spaces I’ve ever encountered – crisp desert air, sweeping pines and solid sandstone with flowing ice for hundreds of feet.

2. Elliott Bernhagen

This was the most unique moment of mountain light I have ever witnessed. It was a winter filled with struggle and scary conditions, but there were some glorious moments for those who put in the time.

We were very lucky to have this surreal light gracing the exact area we hoped to ski. By the time Tatum Monod got into position I was ecstatic – I knew we had the potential to create something special. Snow crystals were cascading from the sky and being backlit as they fell in front of my lens and onto the spines. 

3. Ben Thouard

I decided straight away to only shoot underwater photos that morning, because the waves were perfect – completely glassy as there was no wind at all. Also, it had not rained the last few days so the water clarity was just a dream. These were the conditions I was waiting for!

I spent four hours just shooting below the surface and the show was unreal! That wave came in, I dove under as the surfer was paddling for it, just early enough to be under and get the right position. Everything lined up perfectly and I was really happy with the result!

4. Alex Buisse

Mich Kemeter had already rehearsed the last pitch of Marches du Temps, which even though it only gets 6a, is quite tricky and technical. The biggest problem, though, is the exposure, as it’s a 300m straight drop to the canyon floor. 

By luck, a highline had been set up right above the route, so I was able to use a pulley to suspend myself over thin air and get a really unique angle, looking straight down on Mich while still being nicely separated from the wall.

Mich was lowered by his girlfriend Karine, got to the next belay and slipped out of his harness which was promptly pulled up. He was committed to climbing out, ropeless. I held my breath and kept on shooting as he climbed smoothly and efficiently, taking no more than two or three minutes for the entire pitch.

5. Roman Neimann

Joosep came straight from a competition he competed in the day before, bringing a friend with him to help with the shot. But these guys came straight from the party so they were pretty tired!

For this shot I knew we needed morning sun with some haze or smoke, and those tired friends were responsible for the bonfire and the smoke we needed. It took a long time to get the correct shot and the angle I wanted, and the guardians of the bonfire fell asleep!

At the end though, we managed to pull it off. Not with the first sunlight of the day, not with the perfect smoke but still enough to make it look good.

There are just five days remaining to stamp your style on the Masterpiece by EyeEm Category, submit now!

For those that love the thrill, here comes the final rush!

We know that adventure and action sports imagery photography is full of thrills and the Red Bull Illume Image Quest 2019 is no different. We have reached the final week to enter your images, so, it’s time to take the opportunity to get your work shown to the world.

© Markus Berger / Red Bull Illume

That's right, there is just 1 week left to submit your images to the Image Quest 2019. Still not sure if you’ve got the winning images? Take a look at the 10 categories you can enter. We talk about the categories a lot, but with good reason - you could have the greatest image of all time, but if it doesn't match the category description it won't be selected by the judges!

Take a look at the 10 categories you can enter, and submit your images by July 31,2019!

  • Creative by Skylum: The only category that allows image manipulation and total creative freedom in your postprocessing endeavours. This is an open category so anything goes! 
  • Emerging by Red Bull Photography: The up-and-coming category is for rising talents to compete on similar footing – submissions accepted only from photographers 25 years old or less.
  • Energy: Images that demonstrate the force that powers an athlete to perform
  • Innovation by Sony: Images that reveal a unique angle, something that’s never been seen before! It’s the purely creative image.
  • Lifestyle: Images that visually capture the creativity of the lifestyle and culture that surrounds action and freesports, before and after the action.
  • Masterpiece by EyeEm: This category speaks for itself, submit your best shot! Show us your artistic skill, your personal best, your unique style.
  • Moving Image: This category is an open playing field for video sequences between 5 and 30 seconds. Ready… set… action!
  • Playground: Dedicated to epic images showcasing not only the athlete, but the landscapes, locations, platforms, and environments in which they play.
  • RAW: Uncropped, untouched, unfiltered. Images must be straight out of the camera!
  • Wings: Images that capture the point in a performance in which the athlete jumps, catches air, free falls, soars.

There so many opportunities to show off your creativity to the judges, and the world. It could be your chance to not only win prizes to the value of €100.000 but also get invited to the global Winner Award Ceremony and be featured in the Global Exhibit Tour as well as the limited Coffee Table Book.

So, make sure you submit your images into their best suited categories now!

Creating magic - with Dan Vojtěch!

As the old cliché goes: you don’t take a photograph you make a photograph – and this is certainly true of Dan’s method. So, in this short interview, and with the Image Quest 2019 in mind, we asked Dan to take us with him through his creative process.

© Daniel Vojtěch / Red Bull Illume

When you think of Dan Vojtěch you think of creative photography. Three of the 11 finalist images in the New Creativity category in 2016 were his, and he won the same category back in 2013.

As the old cliché goes: you don’t take a photograph you make a photograph – and this is certainly true of Dan’s method. So, in this short interview, and with the Creative by Skylum category of the Image Quest 2019 in mind, we asked Dan to take us with him through his creative process.

You started shooting analog, then moved into digital photography. How would say that’s influenced the way you create shots?

I think so. With an analog camera you are limited so you need to think about the final photo in advance. You need to know what film stock you are going to use, if you need any filters – there are many variables. Now I mostly shoot digital, but still love to shoot film when I can.

Let us in on your creative process. Do you already have the final image planned when you shoot the parts, or do you take the parts and then think of an image?

I usually have a clear vision of how the final image should look. Usually, the result is quite similar and I am happy. But sometimes I get another idea during photoshoot so I change it little bit or improvise. When you have a good group of people and a strong idea improvisation is made easier, and I like to do it. But the most difficult yet rewarding part of the creative process is to take the concept on paper and turn it into the real thing.

In your opinion, how can you submit an image that stands out to the judges in a such an open-ended category?

You never know what judges will like, so I don’t think about this too much. Maybe the best way is to aim for something you’ve never seen before, chances are that the judges won’t have seen it either! :)

Has Red Bull Illume motivated you to get more creative with your photography?

Red Bull Illume is a big motivation for sure. My first impulse is always to create something new and interesting, then I check gallery of winning images on the website. There are so many awesome photos which are always a real inspiration.

How do you select the final images that you enter?

I put my all good images to the one folder and then sort them to each category. My selections are quite tough so there are not too many photos in that folder. Next, I am trying to match each category to a good photo.

Will you be submitting to the Red Bull Illume Image Quest 2019?

Working on selections right now so I hope I will find some winning images for this year as well!

Not long left to submit your images, and take your chance at winning some great prizes. Submit Now!

The clock is ticking - just two weeks to go!

Here is your chance to stand amongst the past winners of this amazing imagery contest and claim your own fame. There are just 2 weeks left of the submission phase for Red Bull Illume Image Quest 2019. Submit now for the opportunity to win great prizes, fantastic experiences and worldwide exposure.

© Desré Pickers / Red Bull Illume

Here is your chance to stand amongst the past winners of this amazing imagery contest and claim your own fame. There are just 2 weeks left of the submission phase for Red Bull Illume Image Quest 2019. You have until July 31 to enter your best adventure and action sports images to the different categories.

Submissions are free, plus you can enter up to 10 images per category. So, don’t waste time and submit your incredible shots now!

But don't just take it from us, here are what some past finalists had to say about the effect Red Bull Illume had for them:

Christian Pondella:

“It’s definitely a great thing to be a finalist. Personally, I’ve been a pro almost 20 years now. If you’re a young photographer it will open up a lot of doors. If you win the whole thing it will help tremendously.”

Morgan Maassen:

“Overnight it really transformed my whole operation, my career, my artwork!”

Jimmy Wilson:

“It’s a good experience. It’s awesome that Red Bull supports photographers and gives them this platform. Usually it’s the athletes who always get the credit. They deserve it but it’s cool to see photographers get the recognition too.” 

Jody MacDonald:

“The great thing about Red Bull Illume is that it validates you as a professional photographer to the outside world. People definitely perceive you more as a professional and because of that you’re simply more inclined to get more work.”

Zak Noyle:

“Red Bull Illume is a huge platform and it was great exposure for me. But the best part of it was having my image displayed on those lightboxes over any prize. Having it displayed in these great cities; to me that was the great part. It was crazy…” 

This is the utimate way to gain worldwide exposure and recognition for your photography, emulating these guys and also previous winners Fred Mortagne, Chris Burkard and Lorenz Holder.

So, whether you’re a seasoned pro or you’ve just got amazing images just waiting to be seen; you have two weeks left - Submit Now!

Global Winner Award Ceremony to take place at 2275m!

Red Bull Illume is thrilled to announce that we will honor the winners of the Image Quest 2019 at the breathtaking LUMEN - Museum of Mountain Photography in South Tyrol, Italy. This stunning location on Kronplatz will host a celebration of Adventure and Action Sports Imagery at a three-day event from November 18-20, 2019. You don't want to miss this!

© Manuel Kottersteger

After cities like Chicago, Dublin and Hong Kong – now the Winner Award Ceremony is heading for the mountains, the place where the magic of these breathtaking photos happens! We are delighted to announce that the location for the announcement of the Red Bull Illume Image Quest 2019 Winners is on top of the mountain Kronplatz in the stunning Dolomites of South Tyrol, Italy: The LUMEN - Museum of Mountain Photography.

This jaw-dropping venue will host the three-day-event from November 18 to 20 – in addition to the ceremony there are workshops, seminars, and more, in an inspiring environment for the 100 most influential photography minds of this scene including the finalists and judges. On November 20, the 64 finalist images, 11 category and the overall winner will be unveiled and they will pick up an incredible set of prizes valued at €100,000. Check out the video for more!

Kronplatz has granted the Red Bull Illume guests exclusive access to the LUMEN on top of the mountain a week before its official season opening. Throughout the year and regardless of the weather, the mountain can be explored because of its unsurpassed variety of hike and bike trails exuding a unique, magical appeal. The backdrop of the Dolomites surrounding Kronplatz provides the perfect place for the Winner Award Ceremony.

At this three-day-event a variety of workshops will be held by the global partners Sony, SanDisk, Skylum and COOPH with plenty of shooting opportunities. All of this will be reserved exclusively for finalists, so don’t miss your chance to become one and earn your invitation for the gathering of the 110 most influential people in adventure and action sports imagery!

At this time, we’re also happy to officially welcome Salewa, the Dolomites based company, to the Red Bull Illume Partner family for the Winner Award Ceremony. They will bring all their knowledge of the region, as well as tradition and innovation to engineer equipment intended to change the game of mountain sports equipment, making them the perfect fit as Local Partner for this event.

Do you want to be part of the Winner Award Ceremony? Submit your best shots to the world’s greatest adventure and action sports imagery contest now!

Red Bull Illume Grand Prizes: Even More Reason to Enter

The Red Bull Illume Image Quest 2019 prize packages include some serious camera equipment and accessories for each category winner and the overall winner.

© Morgan Maassen / Red Bull Illume

This year, the grand prizes get even grander. With the introduction of new categories and sponsors, the 11 category winners and 1 overall winner will pick up an incredible set of prizes valued at €100,000, to help them take even more incredible adventure and action shots.

Each category winner will pick up this unbelievable set of prizes:

  • The phenomenal Sony Alpha a7 III camera kitted out with the 24-105mm F4 G Master lens.
  • A bundle of memory cards & mobile workflow solutions from storage specialist SanDisk.
  • The award-winning company, Skylum, will provide photo-editing software including Luminar 3 and their Signature Presets. Skylum will also present a special prize for the winner of the ‘Creative by Skylum’ category, welcoming the winner as part of the Global Skylum Ambassador Team.
  • Red Bull Photography will award the winner of the ‘Emerging by Red Bull Photography’ category a spot at the Red Bull Rising Talent photography workshop in 2020. This includes travel, accommodation, and board expenses.
  • To top it all off, COOPH will provide high quality photography apparel and accessories to keep them equipped and protected for upcoming shoots.

In addition to this, the overall winner of the Red Bull Illume Image Quest 2019 will win a shooting experience with the SanDisk Extreme Team and take home the Sony Alpha a9 camera with a 24-70mm f2.8 lens from the G-Master range. The perfect camera for capturing high-speed action and adventure moments. It’s the perfect prize for the overall winner of the Image Quest 2019.

The 64 finalists will earn a place at the November 18-20, 2019 at the Lumen - Museum of Mountain Photography on top of Kornplatz at 2275m! This will be a gathering of the most influential photography people in the world. They’ll also gain immense exposure as their images tour around the world in the Global Exhibit Tour and be featured in the limited-edition Coffee Table Book. Stay tuned for further announcements on this, coming soon!

So, what are you waiting for? Submit your photos here!

Go on an adventure with the new Moving Image Category

If you are a storyteller, making short video sequences capturing the essence of adventure and action sports with a single take, it’s time to enter the new Moving Image category.

Whether you are a stop motion superstar, a big production filmmaker, or just making cool clips with nothing but your smartphone in hand – you have a great chance of winning this category. Images are no longer standing still, and you shouldn’t either! 

Don't wait, submit now!