Lorenz Holder: What's in the Bag?

In 2013, Lorenz Holder was crowned the Overall Winner of Red Bull Illume in Hong Kong. The accomplishment capped an amazing night for him, as six of his submissions placed in the Top 250. Red Bull Illume caught up with Lorenz to talk about what gear he uses to capture his extraordinary images.

© Lorenz Holder

What’s your favourite camera / lens combo? 
"The Canon 5D mkiii and the Canon 70-200mm / 2.8. This combo is pretty much what I use for 70% of my shots. I love the full sensor-size on the camera and the ability to shoot at 2.8 with the lens all the way to 200mm. It just gives the pictures a very natural look and a nice bokeh to the parts of the image that are not in focus. I just love this combo."

What’s the latest addition to the bag?
"The latest addition was the Canon 700D that is infrared modified. I had an analog Hasselblad back in the day - I just loved to take colour infrared on film, but unfortunately Kodak stopped producing those films a while ago. So last summer I just wanted to shoot infrared again and bought this small camera. It took me a while to get the same look than I had on the Kodak film, but now I’m super happy that I can create the same images in a digital way."

If you could add any one item to the bag, what would it be?
"That’s a tough question. Does this mean, that I also have to carry it? Right now I just pack in my backpack what I really need for a certain shoot - so when I go in the backcountry I try to be as light as I can. So I probably won’t bring the tilt & shifts. But you can also give me a sherpa and a really long lens like a Canon 600mm."

What’s up with the snowboard?
"Nitro gave me the chance to design 5 of their snowboards with ‘photo-graphics’. So it took me a while to figure out what kind of pictures I wanted on the board. The only thing I knew pretty much straight away, was that I didn’t want just random old photos mixed together. I wanted to shoot pictures just for the boards so my idea was to shoot double exposures of urban and nature things. I went into the nature for one week and spent one week in Berlin to mix it all together on camera. I’m pretty stoked with how it turned out, especially because there was no Photoshop involved, it was all composed straight in the camera."

You entering Illume this year?
"Yes I will enter again. Let’s see how it turns out.."

Lorenz’s full gear list:

Tripod:
- Manfrotto 190 with MHXPro 3-Way-Head

Backpack:
- F-Stop Loka

Bodies:
- Canon 5D mkiii
- Canon 5D mkii
- Canon 700D infrared modification

Lenses:
- Canon 8-15mm / f4 Fisheye
- Canon 24-70mm / f2.8
- Canon 70-200mm /f2.8
- Hartblei 45mm Tilt/Shift
- Hartblei 80mm Tilt/Shift
- Carl Zeiss 50mm / f1.4
- Carl Zeiss 18mm /f3.5

Filter:
- Heliopan Polarizer
- Heliopan ND 3.0
- Lens cloth
- Dust blower
- Kenko Tele-Converter Teleplus Pro 1.4

F-Stop Redfern Pouch:
- All the small stuff, cables, flash connectors, etc.

Flash:
- Canon 550ex

F-Stop Elkhorn Pouch:
- 6 Pocket Wizard Plus III
- LPA Pre-release cable for remote camera
- Canon remote controller TC-80N3

Board:
- Nitro "Team Double Exposure 157“ Lorenz Holder collaboration board

For more of Lorenz Holder’s work, head to his website and Instagram.

The world's greatest action and adventure sports photography contest closes in just 8 days, so get your submissions in NOW! Download the Ultimate Guide to Red Bull Illume here and mark March 31, 2016 on your calendars!

Need more motivation to enter? Read this.

Visit the Red Bull Illume on Facebook or Instagram for regular updates.

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In A Flash: Shooting the Perfect Key Visual

Red Bull Illume In A Flash returns with its latest installment, focused on the most crucial element of any commercial campaign; the key visual.

Shooting a striking key visual is no easy task and it's something that comes down to the finest details. Use the pointers in the video above to help you along the way.

It all starts with brainstorming - nail down the concept and the message you want the visual to bring across. What definitely helps is scribbling what you want your final product to look like, this will help guide you while you're shooting.

Organize the shoot - do you need models, a location or props? Will you shoot in- or outdoors? How are you going to shoot? How many people do you need? These are all things to consider before you head out to the shoot.

Spend some time doing test shots. Make sure you've got your settings dialed in, so that when it's crunchtime, you're good to go and you know you'll get the shots you wanted.

Edit your shots. This is where you make your key visual really shine and come together.

Want more photo tips? Make sure to check out our other In A Flash videos by heading over to our YouTube channel!

Wakeboarding meets Architecture

Danish action sports photographer Jesper Grønnemark is known for pushing boundaries when it comes to photography and has an eye for incorporating objects or elements into his photos that you wouldn't think of. For his latest project, he fused elements of architecture with wakeboarding. Read the full story and see the results below...

© Jesper Gronnemark

How do you push the boundaries of what people believe possible in sports photography?

That exact question is the drive behind Jesper Grønnemark, who as a sports-photographer has become used to facing situations with a flexibility and fast thinking only few can brag about.

Location! Location! Location!

The shoot was in a small canal located in front of the Tietgen Residence Hall. A wish to combine sports-photography with architecture contributed to the selection of this very untraditional wakeboard scenario in the heart of Copenhagen.

“I saw this location a couple of years ago, and thought it was perfect for a wakeboard shoot. It is a minimalistic setup, but there is a great contrast between the murky water and the clean lines of the building”.

Did you hear the story about the two guys in the canal?

A wakeboarder in a small canal by the Tietgen Residence Hall is a rare sight and it attracts quite a few curious people. In the different tall houses around the shoot, people gathered in their windows to see what was going on.

Jesper floats in the water in a wetsuit and gets out of the water several times, running around to keep warm; a great example of Jesper’s dedication and hard work getting the perfect image.

The cold and not too clean water doesn’t stop wakeboarder Dres Damgaard either. He gets in as soon as the winch, which will pull him towards the bridge, is on.

“It was quite a challenge I had given myself. The water was very cold, so it didn’t take long before Dres and I were freezing. I had to use a lot of energy not to shake when Dres was being pulled by the winch, and I had to take pictures.”

Patience and equipment

This was an assignment that required patience, endurance and precision to create a great result, but it also demanded having the right equipment.

“This situation puts high demands on the equipment to function each and every time. Since I couldn’t afford to miss a shot it was amazing shooting with the flash system I use, which delivers the power, quality and speed necessary.”

So long, summer!

The Scandinavian summer sun is slowly setting, it has been a tough shoot for both Jesper and Dres. Even though they are tired, wet and longing to go home and take a shower, there is still a sense of satisfaction in the air. The hard work paid off and the images are even better than anticipated.

To see more of Jesper's work, head over to his Instagram, but not before checking out the results and some behind the scenes shots below!

Dusty Walls with Matt Hunter

Sterling Lorence fell in love with photography after biking through what he calls "the moody forests of the North Shore" and has been in the game for over 20 years. Collecting Red Bull Illume Finalist honors on multiple occasions, we decided to take a closer look at one of his more iconic images.

Red Bull Illume 2013: Sterling Lorence, Energy category finalist

© Sterling Lorence / Red Bull Illume

Matt Hunter has a reputation in freeride mountain biking for finding and building very progressive lines. Matt built this air for the filming of his segment in the film, 'Follow Me'. It is a 45-foot air to wall ride move that he hadn't done much practice on.

It is always stressful as a photographer to show up to a shoot like this, with a film crew, and have the majority of the pressure falling onto the athlete to throw down. Especially when the action is dangerously progressive like this and we all are unsure of what the outcome will be. We all want to shoulder more of the responsibility, but ultimately it is the athlete that has to be the most prepared.

I framed up this shot from this perspective to be able to express the entire story of his line and the size of the gap he had to make. I originally thought I would shoot it as a sequence so that the viewer would be able to understand the extreme journey more.

With my motor drive running, Matt nailed his line and I watched him hit the wall and carve out the finish. I was completely floored and in awe by the explosion of dust he had created. I never expected or predicted such a dramatic dust trail to happen as he smashed across the cliff face. As I sat back and reviewed my images, I saw this one frame and I realized that I no longer needed the full sequence. The entire story, speed, impact and energy of this huge air was captured in this single frame. That is why I love photography, telling so much of a story in a single image.

Want to see more images by Sterling Lorence? Head over to his Instagram and check out his website!

From the backcountry to the streets of the Six

Scott Serfas might just be the most well-known Canadian snowboard photographer out there. He took to the streets of Toronto, a.k.a. the Six, during the recent Red Bull Illume Exhibit Tour Stop to show some love to the urban streets.

© Scott Serfas

What are some differences/similarities to shooting sport in the mountains vs urban streets? 

There are a lot of differences between shooting in the mountains versus shooting in the streets, but luckily for me, I grew up shooting skateboarding, so I’m quite comfortable with both.

In the streets, at times you have much more time to set up a shot and think more about placing artificial lighting to create dramatic effects.

On the other hand, in the case of shooting photos that will attract issues with the police or security guards you're going to want to set up your lighting plan ahead of time, metering everything offsite, so all you will need to do is drop the lights into place and shoot.

Or like in this case (the photo of Drew jumping gap) you will need to choose the right time of day to shoot all natural light. If that is not a possibility, then you will have to choose an angle depending on light. In the mountains, you're solely relying on what Mother Nature gives you. You're likely working with natural light, so choosing a location and time of day will be more crucial.

How did you shoot the street spots? (lighting, settings etc)

This particular shoot was a more run and gun style of shoot, so I would work around the existing light. Some locations and obstacles worked really well and others bombed.

On a normal day I would have either brought a few lights to help or shot things at a different time of day.

What’s the hardest part of shooting with a pro athlete?

There are three things that come to mind working with a professional athlete.

One, they are professional, so you likely won’t have their talent to blame when you make mistakes.

Two, because they are pro, your subject will likely have a large bag of tricks and will be able to preform the proper trick that looks better from the angle you choose to shoot from.

And three, one of the more difficult things manage as a photographer, likely they will be trying something so difficult that it becomes a “one and done” shoot. This means they will do it once, stick it and leave. So that means you have once chance to get the shot.

For me, shooting a one and done photo adds so much stress to the shoot.

Want to see more Scott Serfas shots? Head over to his website and give him a follow on Instagram!

Red Bull Illume Visits Home!

Following stops in Chicago and Toronto, the Red Bull Illume Exhibit Tour is coming home for the month of September.

The official tour-stop home of Red Bull Illume has always been the impressive Hangar-7 in Salzburg, and this year is no different. This unique building, which houses a collection of historical aircraft and Formula 1 race cars is the perfect home for the Red Bull Illume Exhibit Tour.

The Exhibit Tour officially opens in the evening on 6 September, and can be visited by the public from 7 September onwards. The exhibit can be visited all day, Hangar-7 opening hours permitting, but we recommend going later in the day when it starts to get dark, as that is when the lightboxes really shine!

The last night of the Exhibit Tour will coincide with the Lange Nacht der Museen, which takes place on 7 October, 2017.

Six Skate Photographers You Need To Know

Time to show some love to the photographers out there who pound the pavement day after day, hoping to capture that outstanding skate shot. Here are six skate photographers you need to know...

© Jonathan Mehring / Red Bull Illume

Davy van Laere

@philzwijsen #ElementWaterproof @elementeurope #Bilbao @soloskatemag @aproposskatemag

A post shared by DVL (Davy Van Laere) (@dvlphoto) on

"French" Fred Mortagne

Roberto Alegria

Jonathan Mehring

Roberto Bragotto

Jeroen Nieuwhuis

2/3 Red Bull Illume | CLOSE-UP FINAL IMAGE Early in 2016 I sat down with art director @ElroyKlee & cinematographer @ErikJournee from @NEWDAY.studio to come up with a concept for this year’s @redbullillume After pitching different ideas at each other we quickly agreed to try shooting something with mirrors. Instead of a street spot we decided to go indoors, but not to a typical skatepark. We contacted the guys at skatepark Pier 15 in Breda (The Netherlands). This skatepark is more like an indoor ‘street spot’, with concrete ramps, curbs and stairs. We knew this would fit the image we had in mind. We started cutting mirrors in our studio into different (small and large) shapes and tested them to see how big they needed to be to see the trick and different parts of the obstacle. We opted for triangle shaped mirrors to complement the obstacles in the background, to create a clean, even balanced look. Almost 12 mirrors later we finally had the pieces that would fit the picture. We headed out to Pier 15 together with Dutch skateboarder @RobMaatman. A couple of c-stands were used to angle the mirrors in a way that they almost looked like a puzzle; connect all the pieces and you see the entire obstacle. The outcome is a balanced action picture combined with graphic pieces and skatepark objects. #Photography #behindthescenes #RedBull #RedBullillume #mamiya #mediumformat #broncolor #skateboarding #skateboard #flash #robmaatman #newdaystudio #emerica #iso1200magazine #famousbtsmag

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Did we miss a skate photographer you follow and we should check out? Let us know on Facebook or Instagram!

All Out with Ale di Lullo

We caught up with crazy Italian MTB photographer Ale di Lullo to talk about what's been going on with him since that fateful evening in Chicago, when he took home a Category Winner Award for his shot of Aaron Chase rolling over a New York taxi cab.

© Ale di Lullo

What’s been going on with you since the Winner Award Ceremony?

It's been a very busy off-season and my Air Miles Award program is just on fire. I've been shooting catalogs and some adventure stuff all over the world, from New Zealand to the Dolomites, passing through British Columbia, Oregon, California and most of Europe.

Has anything changed for you since making it to the Top 55 and in the Top 275?

It didn't change anything with clients and the kind of shooting I do, but it gave me more tranquility and confidence in trying to experiment a bit more, or at least as far as a mostly commercial bike photographer can go.

And you know what?

I think that the Red Bull Illume categories really make sense and summarize the shots in them really well. When I'm on assignment I often find myself thinking "Oh this could be a good shot for Spirit category...or for Wings or for Playground!"

So maybe it slightly changed the way I think when I'm shooting...at least it helped me to categorize things.

Actually, there is something that changed in me after the Red bull Illume finals...it was already an ongoing process, but now it's annoying...I became my own worst critic! I struggle to be happy with any of my shots!! (Fortunately, my clients still are...ahahah)

Any cool projects you’re working on?

I'm trying to bring a new way into what I do for my clients and bringing them more exclusive shoots and less contest/event stuff. More planning, more research, more exploration and bringing back the essence of mountain biking, which is just out there in nature.

Can we expect a new project with Aaron Chase? Involving other forms of transport?

I have some ideas following the transportation wave...but the shot was more on the point of view, the new angle. The car was just a medium, so my mind is roaming more for new angles or new things to ride.
But I cannot exclude that I won't be back with some new vehicles!

I also found a mountain location where I want to try a Masterpiece shot...I'm studying angles and light right now. Hopefully it will happen before the end of the year...but there is a lot of building involved.

Aaron is probably gonna be part of a couple of adventures during the summer, but nothing for a specific Red Bull Illume project...but you never know when the next Illume shot could happen, right?

I try to keep myself active and exposed to cool situations when the magic could happen and if Aaron is around, chances are just higher!

What do you think the secret is to an image doing well in Red Bull Illume?

I think it's a very unpredictable balance between the classic photography rules (like composition and light) and the ability to tell a story...also for people who don't practice the sport or are passionate about a specific sport, which is hard to keep in mind sometimes for insiders.

You need to put yourself in the shoes of someone who has no knowledge of that sport and get the outside perspective. It's easy to forget that a Regular Joe won't have the same perception of the shot... so I believe that, in the end, it has to be an simple, essential, perfectly executed shot that tells a great story or the lifestyle around it. It's not easy.

Working together with any other Red Bull Illume finalists?

Well, I do some Downhill World Cup and Rampage shoots where a few finalists shoot as well, but we are just at the same event and not really working together. But it's always great to share ideas when you're there together with them.

And what’s your personal favorite from Red Bull Illume?

I clearly remember Dean Treml's shot which won the Enhance category...and Jody MacDonald Lifestyle winner shot. Lifestyle shots are the hardest to take...when you see the moment you want to capture, it's gone. Most of the time you're living it and it's hard to understand when the right moment is that will tell the whole story.

What's one crazy photo assignment you've been on?

That has to be shooting a bike catalog in British Columbia and California. 3 weeks, 15 bikes, 5 different riders, 10 different locations, 2 injuries, cold, hot, rain, snow, fog, high wind, customs delays with the bikes and the shortest daylight time of the year...and the specific request to shoot lifestyle in trashy and sketchy parts of different cities.

That was very hard, but really rewarding from a strictly professional point of view. There was a lot of variety and that specific type of lifestyle shot that only comes from a long road trip. Priceless. Unfortunately, logistically, it was a nightmare for the client, so next year we'll probably go back to a more traditional way of doing a catalog shoot.

Last question: will we see you again in 2019?

I'll be submitting a few shots for sure!! The fact of having 4 shots in the top 275 and a Category Winner set the bar pretty high for me. I don't have the 'illuminated idea' as it was for Chase cab driver shot just yet... but I already have a few nugs ready for the 2019 submission from a different shoot I did and maybe a new idea will pop into my mind while I'm on the road, just as it was for the cab shot.

Make sure to follow Ale di Lullo on Facebook and Instagram!

How It's Made: Bike on Bike Action

Falling into photography through writing and after a crash course shooting BMX with some of the world's biggest photographers, Ryan Fudger's passion for still images was triggered.

© Ryan Fudger / Red Bull Illume

"I really don’t know anything about motorcycles. I’ve actually spent most of my life with an unnatural fear of them. There’s just something about BMXers and motorcycles that don’t go well together. Putting my personal fear aside I spent ten or so days on the road chasing Corey Martinez, Garrett Reynolds, and Tony Neyer through the South, as they mobbed through small towns on motorcycles with their bikes strapped to the backs.

This particular photo was shot on a stretch of road known as Tail Of The Dragon in Deals Gap, North Carolina – 318 curves in 11 miles, all of which I spent hanging out the back of a minivan maxing out the memory buffer on my Canon 6D to the point I actually got motion sickness.

This particular photo was shot with a Canon 20-200 F2.8L at a motion-blur inducing 1/50th of a second shutter speed at f4.5 and ISO 400.

In all seriousness, I had the easy part hanging out of that minivan, as it was only a few miles after this photo was shot that one of the crew ended up over-cooking a turn and crashing. Fortunately, no one was seriously hurt, and although the bike did need some repairs, we eventually continued south to Florida until we hit the Keys."

For more epic photos, head over to our Instagram and follow us on Facebook.

Behind the Shot: Neon Wakeskate

Daniel Vojtech is known for pushing his photography to the limit, and he's come up with some mindbending imagery. For this shot, he combined 3D printing with wakeskating. Not only that, he also used a contraption made up of over 130 DSLR's. Check the story behind the shot below!

© Daniel Vojtech / Red Bull Illume

"3D printing is new and a very popular industry so I wanted to see if it was possible to combine it with sports photography. My concept was to scan an athlete with a 3D scanner, print it and then reshoot this final 3D print in a real environment Wakeskating was a real challenge and also interesting to me so for this project I invited the best wakeskate female athlete Zuzana Vrablova.

For the final image Zuzana and I decided together to shoot a slide on the rail. The first part of the photoshoot was in the 3D scanner which was in a room with more than 130 DSLRs photographing Zuzana from all different angles. Because I wanted a more interesting and complex project I decided to shoot nine different positions instead of one, to show the entire sequence.

So we simulated the same positions as during the trick in the real environment. Rendering 3D models and creating final 3D prints took more than one month. When I had all the figures I started to think about an environment for them. Wakeskate is a water sport so water is must. After some time I created a night skyline with more than 300 liters of water in my studio. This took more than the next month.

The final photoshoot wasn’t so complicated because everything was built and ready. The only problem were the splashes. For this I had two assistants with small water pumps to create splashes from the board."

To see more epic shots, head over to our Instagram and make sure to give us a follow!

Climb through the Red Bull Illume years

Ever since Red Bull Illume started in 2007, it has been witness to some spectacular climbing imagery. Not only that, climbing photos have also consistently impressed the judges every single edition.

Red Bull Illume 2010: Adam Kokot, Spirit category winner

© Adam Kokot / Red Bull Illume

So let's take a look at some of the coolest climbing photos that have made it into the final rounds throughout Red Bull Illume history!

Make sure to follow Red Bull Illume on Facebook and Instagram for more amazing adventure and action shots!