Lucas Gilman: What's in the bag?

Red Bull Illume’s exploration into the bags of action and adventure sports photographers continue, as we take a look at what Lucas Gilman has stashed away. Turns out, there's a lot.

© Lucas Gilman

Impressive collection you have there! How long has it taken to build it up?

“I’ve been shooting professionally for almost 18 years. My first camera was a Nikon FM2 with a NIKKOR 50mm lens back in the film days and I’ve continued with Nikon through my journey as a photographer and now filmmaker. There’s something about being comfortable with your gear. It becomes an extension of you. When that happens you can really focus on being creative and not on the technology. There’s a camera and lens for every job. I use the Nikon D5, D500, D810 & D4s along with a grocery list of NIKKOR lenses. The Nikon D5 is so fast. It seems like you can never fill the buffer. The only bummer is I come back with like 16,000 images from an afternoon of shooting at 12 frames-per-second.”

What’s your go-to body and lens combo?

“My go-to camera and lens has to be the Nikon D810 and the Nikkor 24-70mm VR f/2.8 lens. I’m always looking to squeeze as much quality out of each frame as possible and the 36+ MP and super fast 24-70mm allows me to do that. If I’m going to take one lens the 24-70mm is it. It’s wide enough to shoot landscapes and at 70mm it’s a great short telephoto. Recently I’ve been using the Nikon D500 more for shooting surfing as it shoots 10 fps and the autofocus points cover almost the entire frame. Plus the D500 is a crop sensor so I get an apparent 1.5 crop from my full-frame lenses. So my 300mm f/2.8 becomes a 450mm f/2.8, which is rad.”

What’s up with the machete?

“I’ve been shooting kayaking for years in some of the deepest darkest jungles in the world. It pays to have a solid machete when bushwhacking your way through snakes, spiders and God knows what.”

Got anything else no one else has?

“A Gerber tactical pen. It could help you out of a sticky situation if you get cornered by a mugger/kidnapper or break a car window if you are trapped inside. I’ve almost been kidnapped by Zapatista’s in Mexico and held up by knifepoint in the past. I also carry a first aid kit decked out like it could be in a war zone. You can never be too prepared.”

Any items you wish you could add to your bag? 

“The kitchen sink! Jokes aside, I travel with a lot of gear. This gear list doesn’t even take into account the video production gear. The last thing I want to have happen is to get to a location and be like, “Man if I only had X, Y and Z.” My dream piece of gear would be a 100+ MP camera with a global shutter that would sync at any flash speed. That would be epic. Oh and it would shoot 6K, 8K, 10K or whatever the video K is on the horizon.”

What keeps you excited and fresh?

“When you shoot professionally it’s easy to get into a creative rut. I like to do things that I don’t get paid for and try out new techniques and technology. Recently I’ve started shooting motion control time lapses with the Kessler Second Shooter Plus and the Elysia Visuals RamperPro. I’ve been working on the Holy Grail: day-to-night and night-to-day time lapses. The RamperPro allows for auto bulb ramping, which is a huge advancement. On the stills side, I’m working on using more battery powered portable strobes in the field like the Profoto B1’s or now the new broncolor Siros L’s to make my images more dynamic and visually impactful. I like to try out new techniques and then implement them into the paid gigs once I’ve got them down.”

Any tips for aspiring photographers?
"Yeah for sure. I do as much research as possible on the location I'm heading to. The important things to me are:

What time is sunrise/sunset and where does the sun rise and set (I use an iPhone app called Sun Surveyor on location for this as well)

Create a daily shoot plan to maximize your shooting and focus on being at the prime locations at the golden hours.

What's the projected weather - You want to be warm and dry and also keep your gear safe. So you can focus on being creative.

Are there any interesting landmarks I should put on my shoot list? Google Earth has millions of images geotagged with different locations use it to your advantage.

Figure out how much memory you’ll need for the project. I shoot with the D810 which is 36+ megapixels so I bring plenty of SanDisk CF & SD cards. Remember, you will probably shoot more than you think and the last thing you want to be doing as the light is getting perfect is deleting images. Also, plan on backing up your images onto multiple drives. The G-Technology G-DRIVE ev ATC is my go-to in the field because it’s waterproof and shockproof. The reason I backup in the field is you never know when your gear will get nabbed so keeping backup copies geographically separated is key. For instance I’ll have one of the athletes on the expedition hold on to a drive in case my gear is stolen. There is no second chance to make a Red Bull Illume winning image. You’d hate to lose it."

 

The Full Gear List:

Top Left Tile:Nikon D5Nikon D4sNikon D810Nikon D500Nikon 1 AW1 + NIKKOR 10mm f/2.8 AWAF-S NIKKOR 200mm f/2 VRAF-S NIKKOR 300mm f/2.8AF-S NIKKOR 800-400mm f/4.5-5.6 VRAF-S NIKKOR 70-200mm f/2.8 VRIIAF-S NIKKOR 300mm f/4 PF VRAF-S NIKKOR 24-70mm f/2.8 VRAF-S NIKKOR 14-24mm f/2.8AF-S NIKKOR 105mm f/2.8 Micro VRMF NIKKOR 500mm Reflex f/8 (mirror)AF-S NIKKOR 16-35mm f/4 VRAF NIKKOR 105mm F/2 DCAF-S NIKKOR 60mm f2.8 Micro AF-S NIKKOR 35mm f/1.4AF-S NIKKOR 50mm f/1.8AF-S NIKKOR 85mm f/1.8AF-S NIKKOR 24mm f/1.4AF NIKKOR 16mm f/2.8 FisheyeNikon R1 Wireless Close-Up Speedlight SystemTC-14e III TeleconverterTC-20e III TeleconverterNikon Extension Bellow PB-6eNikon SB5000 SpeedlightsFenix 1000 Lumen FlashlightGiottos Rocket Air BlasterWR-R10 Wireless Remote Controller WR-A10 Wireless Remote Adapter MINDSHIFT Hive Mini Filter Case x 2Formatt-Hitech 3 Stops Firecrest ND or ProStop IRNDFormatt-Hitech 6 Stops Firecrest ND or ProStop IRNDFormatt-Hitech 10 Stops Firecrest ND or ProStop IRNDFirecrest ND 1.8Formatt-Hitech ND Soft Edge Grad 0.6Formatt-Hitech  ND Reverse Grad 0.6Formatt-Hitech  Aluminum Filter Holder Pelican CF Card WalletPelican SD Card WalletSanDisk Extreme Pro 128GB & 256GB CF CardsSanDisk Extreme Pro 256GB SD CardsHonl Photo Black/White Speed GoboHonl Photo Black/Zebra Speed GoboHonl Photo 1/8 Speed GridEneloop Rechargeable Batteries

Top Right Tile:

Pelican 1535 Air Case + TrekPak inserts
TetherTools USB3 Tether Cable + TetherTools Jerkstopper
TetherTools USB3 TetherBoost
Profoto standard Reflector
Profoto Zoom2 Reflector
Profoto Magnum Reflector
Profoto TeleZoom Reflector
Profoto RFi 1,3x2 Softbox
Leatherman Skeletal CX Multitool
Benchmade Griptilian Drop-point AXIS Knife
Profoto Air Remote
Profoto Air TTL Remote N
Profoto B1 500W/s AirTTL Battery Powered Flash x 3
Avenger Turtle Base C-Stand Grip Arm Kit
Quick-Grip 58300 Spring Clamps 

Middle Left Tile:

Fiber Optic Light Painting Brush + Coast HP7 Flashlight
F-Stop Gear Tilopa Backpack
Therm-a-Rest NeoAir Xtherm Sleeping Pad
Orca Tactical MOLLE Rip-Away EMT Medical First Aid Kit
FUGOO Tough Waterproof Bluetooth Speaker
Nikon Aculon 10 x 50 Binoculars
Climbing Harness + Petzl Slings + Petzl Locking Carabiners
Black Diamond ATC
Petzl Climbing Helmet
Gerber Gator Machete
Supernova Halo 180 Extreme Rechargeable LED Lamp
Arc’teryx Theta Gore-Tex Jacket
Persol Di Siena Wayfarer Sunglasses Polarised Lenses
Arc’teryx ACRUX² FL Approach Shoes
Light My Fire Original BPA-Free Tritan Spork
Apple iPhone 6 Plus
Sterling Ultraline Water Rescue Rope
Manfrotto Mini Tripod
Snake Bite Kit
Sea To Summit Talus TS I 23 degree Sleeping Bag
Lucas Gilman Productions Custom Team Hat
Nemo OBI LS 2 Person Tent
GOALZERO VENTURE 30 Recharger
GOALZERO NOMAD 20 Solar Panel
Sterling 200FT SuperStatic2 Rope
Hydro Flask Vacuum Insulated Stainless Steel Water Bottle
Platypus Softbottle Water Bottle

Middle Right Tile:

Avenger Turtle Base C-Stand Grip Arm Kit
Pelican 1535 Air Case + TrekPak inserts
G-Technology G-DRIVE ev ATC with Thunderbolt + 1TB SSD
G-Technology  G-DRIVE ev RaW 1TB SSD
X-Rite ColorChecker Passport
Jetboil Flash Cooking System
SPL A-SERIES D810 Waterhousing + Port
Churchill Makapuu Swimfins

Bottom Left Tile: 

Elysia Visuals Ramper Pro v3 Kit
Kessler Crane Stealth Pro Slider
Kessler Crane Second Shooter Plus
Petzl TIKKINA Headlamp
Kessler Crane Pocket Dolly Motor Mount
Kessler Crane DC0 Camera Cable Nikon
Kessler Crane Kwik SHORT Camera Plate
Manfrotto Midi-36 Hybrid LED Panel
ROR Optical Lens Cleaning Solution
Kessler Crane MagPak Battery x 3
Write in the Rain Field Notebook
Gerber Impromptu Tactical Pen
Nikon Micro Fiber Cleaning Cloth
Kessler Crane DC0 Camera Cable Nikon
Kessler Crane Pocket Jib Traveler
Kessler Crane Kwik Release Receiver x 3
Kessler Crane Kwik MINI Plate
Gitzo Series 2 6X Systematic Tripod
GOALZERO Sherpa 100 Power Pack Battery
Kessler Crane Stealth Crank Handle
Motorola Waterproof Walkabout Radios
Gitzo Series 5 6X TRAVELER MONOPOD
Apple iPad Mini + TetherTools Wallee Mountable Case
Sandisk iXpand 128BG Lightning/USB Flash Drive
Apple 13.3" MacBook Pro Laptop
SanDisk Extreme 510 Portable SSD 480GB 

Bottom Right Tile:

Manfrotto Spectra 1 x 1' Bi-Color LED Light (Flood) x2
Really Right Stuff Fluid Gimbal
Arca-Swiss C1 Cube Geared Head
Really Right Stuff Macro Focusing Rail
Avenger Triple Header Bar
Light and Motion Stella Pro Video Light
Gitzo Systematic Ball Head Series 5
Gitzo Series 2 6X Systematic 4S Tripod
Gitzo Series 5 6X Systematic 4S Tripod
Gitzo Series 2 6X Systematic 4S G-L Tripod
Manfrotto NanoPole Light Stand x 3
Manfrotto Super Clamp X 3


For more of Lucas’s work, visit his website, Facebook or Instagram.

While waiting for the unveiling of the winners on September 28, 2016, visit the Red Bull Illume social channels on Facebook, Instagram and Twitter for a sneak peek of this edition’s entries. These randomly selected shots showcase just-how impressive the 2016 Red Bull Illume submissions really were.

Read the latest stories

In A Flash: Shooting the Perfect Key Visual

Red Bull Illume In A Flash returns with its latest installment, focused on the most crucial element of any commercial campaign; the key visual.

Shooting a striking key visual is no easy task and it's something that comes down to the finest details. Use the pointers in the video above to help you along the way.

It all starts with brainstorming - nail down the concept and the message you want the visual to bring across. What definitely helps is scribbling what you want your final product to look like, this will help guide you while you're shooting.

Organize the shoot - do you need models, a location or props? Will you shoot in- or outdoors? How are you going to shoot? How many people do you need? These are all things to consider before you head out to the shoot.

Spend some time doing test shots. Make sure you've got your settings dialed in, so that when it's crunchtime, you're good to go and you know you'll get the shots you wanted.

Edit your shots. This is where you make your key visual really shine and come together.

Want more photo tips? Make sure to check out our other In A Flash videos by heading over to our YouTube channel!

Wakeboarding meets Architecture

Danish action sports photographer Jesper Grønnemark is known for pushing boundaries when it comes to photography and has an eye for incorporating objects or elements into his photos that you wouldn't think of. For his latest project, he fused elements of architecture with wakeboarding. Read the full story and see the results below...

© Jesper Gronnemark

How do you push the boundaries of what people believe possible in sports photography?

That exact question is the drive behind Jesper Grønnemark, who as a sports-photographer has become used to facing situations with a flexibility and fast thinking only few can brag about.

Location! Location! Location!

The shoot was in a small canal located in front of the Tietgen Residence Hall. A wish to combine sports-photography with architecture contributed to the selection of this very untraditional wakeboard scenario in the heart of Copenhagen.

“I saw this location a couple of years ago, and thought it was perfect for a wakeboard shoot. It is a minimalistic setup, but there is a great contrast between the murky water and the clean lines of the building”.

Did you hear the story about the two guys in the canal?

A wakeboarder in a small canal by the Tietgen Residence Hall is a rare sight and it attracts quite a few curious people. In the different tall houses around the shoot, people gathered in their windows to see what was going on.

Jesper floats in the water in a wetsuit and gets out of the water several times, running around to keep warm; a great example of Jesper’s dedication and hard work getting the perfect image.

The cold and not too clean water doesn’t stop wakeboarder Dres Damgaard either. He gets in as soon as the winch, which will pull him towards the bridge, is on.

“It was quite a challenge I had given myself. The water was very cold, so it didn’t take long before Dres and I were freezing. I had to use a lot of energy not to shake when Dres was being pulled by the winch, and I had to take pictures.”

Patience and equipment

This was an assignment that required patience, endurance and precision to create a great result, but it also demanded having the right equipment.

“This situation puts high demands on the equipment to function each and every time. Since I couldn’t afford to miss a shot it was amazing shooting with the flash system I use, which delivers the power, quality and speed necessary.”

So long, summer!

The Scandinavian summer sun is slowly setting, it has been a tough shoot for both Jesper and Dres. Even though they are tired, wet and longing to go home and take a shower, there is still a sense of satisfaction in the air. The hard work paid off and the images are even better than anticipated.

To see more of Jesper's work, head over to his Instagram, but not before checking out the results and some behind the scenes shots below!

Dusty Walls with Matt Hunter

Sterling Lorence fell in love with photography after biking through what he calls "the moody forests of the North Shore" and has been in the game for over 20 years. Collecting Red Bull Illume Finalist honors on multiple occasions, we decided to take a closer look at one of his more iconic images.

Red Bull Illume 2013: Sterling Lorence, Energy category finalist

© Sterling Lorence / Red Bull Illume

Matt Hunter has a reputation in freeride mountain biking for finding and building very progressive lines. Matt built this air for the filming of his segment in the film, 'Follow Me'. It is a 45-foot air to wall ride move that he hadn't done much practice on.

It is always stressful as a photographer to show up to a shoot like this, with a film crew, and have the majority of the pressure falling onto the athlete to throw down. Especially when the action is dangerously progressive like this and we all are unsure of what the outcome will be. We all want to shoulder more of the responsibility, but ultimately it is the athlete that has to be the most prepared.

I framed up this shot from this perspective to be able to express the entire story of his line and the size of the gap he had to make. I originally thought I would shoot it as a sequence so that the viewer would be able to understand the extreme journey more.

With my motor drive running, Matt nailed his line and I watched him hit the wall and carve out the finish. I was completely floored and in awe by the explosion of dust he had created. I never expected or predicted such a dramatic dust trail to happen as he smashed across the cliff face. As I sat back and reviewed my images, I saw this one frame and I realized that I no longer needed the full sequence. The entire story, speed, impact and energy of this huge air was captured in this single frame. That is why I love photography, telling so much of a story in a single image.

Want to see more images by Sterling Lorence? Head over to his Instagram and check out his website!

From the backcountry to the streets of the Six

Scott Serfas might just be the most well-known Canadian snowboard photographer out there. He took to the streets of Toronto, a.k.a. the Six, during the recent Red Bull Illume Exhibit Tour Stop to show some love to the urban streets.

© Scott Serfas

What are some differences/similarities to shooting sport in the mountains vs urban streets? 

There are a lot of differences between shooting in the mountains versus shooting in the streets, but luckily for me, I grew up shooting skateboarding, so I’m quite comfortable with both.

In the streets, at times you have much more time to set up a shot and think more about placing artificial lighting to create dramatic effects.

On the other hand, in the case of shooting photos that will attract issues with the police or security guards you're going to want to set up your lighting plan ahead of time, metering everything offsite, so all you will need to do is drop the lights into place and shoot.

Or like in this case (the photo of Drew jumping gap) you will need to choose the right time of day to shoot all natural light. If that is not a possibility, then you will have to choose an angle depending on light. In the mountains, you're solely relying on what Mother Nature gives you. You're likely working with natural light, so choosing a location and time of day will be more crucial.

How did you shoot the street spots? (lighting, settings etc)

This particular shoot was a more run and gun style of shoot, so I would work around the existing light. Some locations and obstacles worked really well and others bombed.

On a normal day I would have either brought a few lights to help or shot things at a different time of day.

What’s the hardest part of shooting with a pro athlete?

There are three things that come to mind working with a professional athlete.

One, they are professional, so you likely won’t have their talent to blame when you make mistakes.

Two, because they are pro, your subject will likely have a large bag of tricks and will be able to preform the proper trick that looks better from the angle you choose to shoot from.

And three, one of the more difficult things manage as a photographer, likely they will be trying something so difficult that it becomes a “one and done” shoot. This means they will do it once, stick it and leave. So that means you have once chance to get the shot.

For me, shooting a one and done photo adds so much stress to the shoot.

Want to see more Scott Serfas shots? Head over to his website and give him a follow on Instagram!

Red Bull Illume Visits Home!

Following stops in Chicago and Toronto, the Red Bull Illume Exhibit Tour is coming home for the month of September.

The official tour-stop home of Red Bull Illume has always been the impressive Hangar-7 in Salzburg, and this year is no different. This unique building, which houses a collection of historical aircraft and Formula 1 race cars is the perfect home for the Red Bull Illume Exhibit Tour.

The Exhibit Tour officially opens in the evening on 6 September, and can be visited by the public from 7 September onwards. The exhibit can be visited all day, Hangar-7 opening hours permitting, but we recommend going later in the day when it starts to get dark, as that is when the lightboxes really shine!

The last night of the Exhibit Tour will coincide with the Lange Nacht der Museen, which takes place on 7 October, 2017.

Six Skate Photographers You Need To Know

Time to show some love to the photographers out there who pound the pavement day after day, hoping to capture that outstanding skate shot. Here are six skate photographers you need to know...

© Jonathan Mehring / Red Bull Illume

Davy van Laere

@philzwijsen #ElementWaterproof @elementeurope #Bilbao @soloskatemag @aproposskatemag

A post shared by DVL (Davy Van Laere) (@dvlphoto) on

"French" Fred Mortagne

Roberto Alegria

Jonathan Mehring

Roberto Bragotto

Jeroen Nieuwhuis

2/3 Red Bull Illume | CLOSE-UP FINAL IMAGE Early in 2016 I sat down with art director @ElroyKlee & cinematographer @ErikJournee from @NEWDAY.studio to come up with a concept for this year’s @redbullillume After pitching different ideas at each other we quickly agreed to try shooting something with mirrors. Instead of a street spot we decided to go indoors, but not to a typical skatepark. We contacted the guys at skatepark Pier 15 in Breda (The Netherlands). This skatepark is more like an indoor ‘street spot’, with concrete ramps, curbs and stairs. We knew this would fit the image we had in mind. We started cutting mirrors in our studio into different (small and large) shapes and tested them to see how big they needed to be to see the trick and different parts of the obstacle. We opted for triangle shaped mirrors to complement the obstacles in the background, to create a clean, even balanced look. Almost 12 mirrors later we finally had the pieces that would fit the picture. We headed out to Pier 15 together with Dutch skateboarder @RobMaatman. A couple of c-stands were used to angle the mirrors in a way that they almost looked like a puzzle; connect all the pieces and you see the entire obstacle. The outcome is a balanced action picture combined with graphic pieces and skatepark objects. #Photography #behindthescenes #RedBull #RedBullillume #mamiya #mediumformat #broncolor #skateboarding #skateboard #flash #robmaatman #newdaystudio #emerica #iso1200magazine #famousbtsmag

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Did we miss a skate photographer you follow and we should check out? Let us know on Facebook or Instagram!

All Out with Ale di Lullo

We caught up with crazy Italian MTB photographer Ale di Lullo to talk about what's been going on with him since that fateful evening in Chicago, when he took home a Category Winner Award for his shot of Aaron Chase rolling over a New York taxi cab.

© Ale di Lullo

What’s been going on with you since the Winner Award Ceremony?

It's been a very busy off-season and my Air Miles Award program is just on fire. I've been shooting catalogs and some adventure stuff all over the world, from New Zealand to the Dolomites, passing through British Columbia, Oregon, California and most of Europe.

Has anything changed for you since making it to the Top 55 and in the Top 275?

It didn't change anything with clients and the kind of shooting I do, but it gave me more tranquility and confidence in trying to experiment a bit more, or at least as far as a mostly commercial bike photographer can go.

And you know what?

I think that the Red Bull Illume categories really make sense and summarize the shots in them really well. When I'm on assignment I often find myself thinking "Oh this could be a good shot for Spirit category...or for Wings or for Playground!"

So maybe it slightly changed the way I think when I'm shooting...at least it helped me to categorize things.

Actually, there is something that changed in me after the Red bull Illume finals...it was already an ongoing process, but now it's annoying...I became my own worst critic! I struggle to be happy with any of my shots!! (Fortunately, my clients still are...ahahah)

Any cool projects you’re working on?

I'm trying to bring a new way into what I do for my clients and bringing them more exclusive shoots and less contest/event stuff. More planning, more research, more exploration and bringing back the essence of mountain biking, which is just out there in nature.

Can we expect a new project with Aaron Chase? Involving other forms of transport?

I have some ideas following the transportation wave...but the shot was more on the point of view, the new angle. The car was just a medium, so my mind is roaming more for new angles or new things to ride.
But I cannot exclude that I won't be back with some new vehicles!

I also found a mountain location where I want to try a Masterpiece shot...I'm studying angles and light right now. Hopefully it will happen before the end of the year...but there is a lot of building involved.

Aaron is probably gonna be part of a couple of adventures during the summer, but nothing for a specific Red Bull Illume project...but you never know when the next Illume shot could happen, right?

I try to keep myself active and exposed to cool situations when the magic could happen and if Aaron is around, chances are just higher!

What do you think the secret is to an image doing well in Red Bull Illume?

I think it's a very unpredictable balance between the classic photography rules (like composition and light) and the ability to tell a story...also for people who don't practice the sport or are passionate about a specific sport, which is hard to keep in mind sometimes for insiders.

You need to put yourself in the shoes of someone who has no knowledge of that sport and get the outside perspective. It's easy to forget that a Regular Joe won't have the same perception of the shot... so I believe that, in the end, it has to be an simple, essential, perfectly executed shot that tells a great story or the lifestyle around it. It's not easy.

Working together with any other Red Bull Illume finalists?

Well, I do some Downhill World Cup and Rampage shoots where a few finalists shoot as well, but we are just at the same event and not really working together. But it's always great to share ideas when you're there together with them.

And what’s your personal favorite from Red Bull Illume?

I clearly remember Dean Treml's shot which won the Enhance category...and Jody MacDonald Lifestyle winner shot. Lifestyle shots are the hardest to take...when you see the moment you want to capture, it's gone. Most of the time you're living it and it's hard to understand when the right moment is that will tell the whole story.

What's one crazy photo assignment you've been on?

That has to be shooting a bike catalog in British Columbia and California. 3 weeks, 15 bikes, 5 different riders, 10 different locations, 2 injuries, cold, hot, rain, snow, fog, high wind, customs delays with the bikes and the shortest daylight time of the year...and the specific request to shoot lifestyle in trashy and sketchy parts of different cities.

That was very hard, but really rewarding from a strictly professional point of view. There was a lot of variety and that specific type of lifestyle shot that only comes from a long road trip. Priceless. Unfortunately, logistically, it was a nightmare for the client, so next year we'll probably go back to a more traditional way of doing a catalog shoot.

Last question: will we see you again in 2019?

I'll be submitting a few shots for sure!! The fact of having 4 shots in the top 275 and a Category Winner set the bar pretty high for me. I don't have the 'illuminated idea' as it was for Chase cab driver shot just yet... but I already have a few nugs ready for the 2019 submission from a different shoot I did and maybe a new idea will pop into my mind while I'm on the road, just as it was for the cab shot.

Make sure to follow Ale di Lullo on Facebook and Instagram!

How It's Made: Bike on Bike Action

Falling into photography through writing and after a crash course shooting BMX with some of the world's biggest photographers, Ryan Fudger's passion for still images was triggered.

© Ryan Fudger / Red Bull Illume

"I really don’t know anything about motorcycles. I’ve actually spent most of my life with an unnatural fear of them. There’s just something about BMXers and motorcycles that don’t go well together. Putting my personal fear aside I spent ten or so days on the road chasing Corey Martinez, Garrett Reynolds, and Tony Neyer through the South, as they mobbed through small towns on motorcycles with their bikes strapped to the backs.

This particular photo was shot on a stretch of road known as Tail Of The Dragon in Deals Gap, North Carolina – 318 curves in 11 miles, all of which I spent hanging out the back of a minivan maxing out the memory buffer on my Canon 6D to the point I actually got motion sickness.

This particular photo was shot with a Canon 20-200 F2.8L at a motion-blur inducing 1/50th of a second shutter speed at f4.5 and ISO 400.

In all seriousness, I had the easy part hanging out of that minivan, as it was only a few miles after this photo was shot that one of the crew ended up over-cooking a turn and crashing. Fortunately, no one was seriously hurt, and although the bike did need some repairs, we eventually continued south to Florida until we hit the Keys."

For more epic photos, head over to our Instagram and follow us on Facebook.

Behind the Shot: Neon Wakeskate

Daniel Vojtech is known for pushing his photography to the limit, and he's come up with some mindbending imagery. For this shot, he combined 3D printing with wakeskating. Not only that, he also used a contraption made up of over 130 DSLR's. Check the story behind the shot below!

© Daniel Vojtech / Red Bull Illume

"3D printing is new and a very popular industry so I wanted to see if it was possible to combine it with sports photography. My concept was to scan an athlete with a 3D scanner, print it and then reshoot this final 3D print in a real environment Wakeskating was a real challenge and also interesting to me so for this project I invited the best wakeskate female athlete Zuzana Vrablova.

For the final image Zuzana and I decided together to shoot a slide on the rail. The first part of the photoshoot was in the 3D scanner which was in a room with more than 130 DSLRs photographing Zuzana from all different angles. Because I wanted a more interesting and complex project I decided to shoot nine different positions instead of one, to show the entire sequence.

So we simulated the same positions as during the trick in the real environment. Rendering 3D models and creating final 3D prints took more than one month. When I had all the figures I started to think about an environment for them. Wakeskate is a water sport so water is must. After some time I created a night skyline with more than 300 liters of water in my studio. This took more than the next month.

The final photoshoot wasn’t so complicated because everything was built and ready. The only problem were the splashes. For this I had two assistants with small water pumps to create splashes from the board."

To see more epic shots, head over to our Instagram and make sure to give us a follow!

Climb through the Red Bull Illume years

Ever since Red Bull Illume started in 2007, it has been witness to some spectacular climbing imagery. Not only that, climbing photos have also consistently impressed the judges every single edition.

Red Bull Illume 2010: Adam Kokot, Spirit category winner

© Adam Kokot / Red Bull Illume

So let's take a look at some of the coolest climbing photos that have made it into the final rounds throughout Red Bull Illume history!

Make sure to follow Red Bull Illume on Facebook and Instagram for more amazing adventure and action shots!