Philip Platzer’s Rowing Shoot
Austrian photographer Philip Platzer recently tackled a tough assignment, shooting a relatively un-photographed sport: rowing. Platzer was tasked with shooting the Lightweight Double team of brothers Paul and Bernhard Sieber as they trained for their next big goal – the 2016 Olympic Games in Rio.
Due to his experience in shooting motorsports, Platzer decided to take a different approach by using a rig-shot and triggering the camera remotely even though the conditions were not ideal: “Through the longer exposure time one can get great movement photos with the subject crystal clear in the centre of pure movement. Sounds great, only here, there was no car, and the oars would add to the rocking of the boat creating a parallel movement which makes the photos unfocused,” says Platzer.
After discussing this problem with the Sieber brothers, they agreed to try a movement shot with the oars still: “I secured the camera with suction cups and a tripod to the boat, secured the whole thing with leashes, with the hope that should it fall into the water, it wouldn’t detach itself from its moorings and sink. I employed an ND-Filter to enable me to use daylight to achieve an exposure time of 1/10 to work with. I took the shots with a Pocket Wizard from a secondary boat, travelling slightly behind the main boat.”
However things were a bit rocky: “As we began, it became apparent that we had a problem – in order to capture both athletes, the camera had to be positioned at least 50cm from the middle of the boat to one side. This, however, along with a tripod, camera and rig. This created a balance problem for the boat, which had become side heavy, making it extremely strenuous for the brothers to travel at full speed, whilst shifting their balance to compensate for the weight – however, the brothers maintained this long enough for me to get some shots.”
Platzer was happy with the final results: “As I was unsure of the results of the shots, we then did a second take with the camera in a more central position, to ensure we got our action shot. As it turned out, all of the shots came out perfectly, achieving exactly what we had been hoping for, a credit to the brothers and their balance!”
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As drones become more and more affordable, an increasing number of photographers are getting in on the action. Red Bull Illume finalist Stu Gibson is one of the photographers who has been producing a lot of aerial footage recently as can be seen on his Facebook page, so we caught up with him to discuss…
What drone did you go for? What's your setup?
It changes from shoot to shoot. I use a range – from DJI Phantoms to octocopters, mostly with some home modifications.
Has it changed your approach to photography?
It’s made me very bored with normal stills, aerials are way more fun – but I can swap from stills to video on all rigs. Even on my phantom I use a Lumix for stills.
Are you getting more gigs because of it?
It’s just another piece of equipment to the kit now but I’m sure its helped get some jobs as the client knows I can do both. My drones come with me wherever I go!
Underwater Photography with Freedivers Alex & Alex
Freediving is a sport in which you should never dive alone, so it’s good to have a wingman. Ten years ago, two French freedivers Alex Roubaud and Alex Voyer teamed up and began taking every opportunity to travel to new dive spots. The pair also began Fisheye, a small association showcasing their breathtaking freedive photography from their dives.
What’s interesting are the benefits that freediving offers underwater photography: “Freediving allows us to see the world differently to a traditional scuba diver. It’s the most discreet way to get in the water, and to approach any animal in its environment. Although we can’t go as deep, we can dive faster in all directions,” explain the duo.
“We always alternate the dives, one on the surface and one in the deep – this is for security reasons but it also allows us to double the contact time with animals and get them used to our presence without undue stress for them. Working together is essential for us – we know each other perfectly and a few words are enough to understand each other.”
Enjoy the accompanying gallery of unique freedive photography from Alex & Alex, be sure to visit their website here, and hit them up on Facebook here.
To the Ends of the Earth with Krystle Wright
"I've an insatiable desire to explore with a camera. Adventure photography is a lifestyle I live and breathe. But, also a passion and obsession."
Red Bull Illume photographer Krystle Wright needs no introduction to the adventure photography community – yet the above video by Canon Austrialia showcasing the photographer’s lifestyle and philosophy will help you get to know her a little better. With stunning footage, examples of her brilliant work and some great BTS scenes, the video provides great insight into the lifestyle of an adventure photographer.
You can visit Krystle’s website here, and follow her on Facebook here.
Time to go CGI?
Creative duo Mike Campau and Tim Tadder recently created a series of commercial advertisements with sports athletes using CGI to create compelling effects.
As a concept, it is fair to say that the team nailed it with the final execution. Photography purists may be dismayed, but it’s hard to disagree with the fact that CGI creates infinite possibilities –and the eye-catching effects are what many clients will be looking for. The shoot was for tablet and phone case maker Lifeproof.
You can watch the full studio BTS video of the Lifeproof shoot here, and see the final results in the gallery.
(Thanks to Mike Campau, Tim Tadder & Lifeproof for permission to post the images)
Skate the Line
In his latest shoot, Red Bull Illume photographer Dan Vojtěch used reflective tape to produce an eye-catching series of images of athlete Maxim Habanec skating in a dark skatepark.
“There were no lights on at the skatepark, so we used 25 LED film lights to provide enough light for Maxim,” says Vojtěch.
“The main photo from the top was taken on a Nikon D4 via wifi transmitter, with a flash mounted on a helicopter and controlled from the ground by PC. We also had other two strobes on the ground. This session took from 7pm until 3am – it was really cold and windy so I would love to say thanks to all participants again!”
Be sure to check out Dan’s website & Facebook page for more creativity.