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© Philip Platzer /Red Bull Content Pool

Philip Platzer’s Rowing Shoot

Austrian photographer Philip Platzer recently tackled a tough assignment, shooting a relatively un-photographed sport: rowing. Platzer was tasked with shooting the Lightweight Double team of brothers Paul and Bernhard Sieber as they trained for their next big goal – the 2016 Olympic Games in Rio.

Due to his experience in shooting motorsports, Platzer decided to take a different approach by using a rig-shot and triggering the camera remotely even though the conditions were not ideal: “Through the longer exposure time one can get great movement photos with the subject crystal clear in the centre of pure movement. Sounds great, only here, there was no car, and the oars would add to the rocking of the boat creating a parallel movement which makes the photos unfocused,” says Platzer.

After discussing this problem with the Sieber brothers, they agreed to try a movement shot with the oars still: “I secured the camera with suction cups and a tripod to the boat, secured the whole thing with leashes, with the hope that should it fall into the water, it wouldn’t detach itself from its moorings and sink. I employed an ND-Filter to enable me to use daylight to achieve an exposure time of 1/10 to work with. I took the shots with a Pocket Wizard from a secondary boat, travelling slightly behind the main boat.”

However things were a bit rocky: “As we began, it became apparent that we had a problem – in order to capture both athletes, the camera had to be positioned at least 50cm from the middle of the boat to one side. This, however, along with a tripod, camera and rig. This created a balance problem for the boat, which had become side heavy, making it extremely strenuous for the brothers to travel at full speed, whilst shifting their balance to compensate for the weight – however, the brothers maintained this long enough for me to get some shots.”

Platzer was happy with the final results: “As I was unsure of the results of the shots, we then did a second take with the camera in a more central position, to ensure we got our action shot. As it turned out, all of the shots came out perfectly, achieving exactly what we had been hoping for, a credit to the brothers and their balance!”

© Alex Steinbauer
© Alex Steinbauer
© Alex Steinbauer
© Alex Steinbauer
© Philip Platzer /Red Bull Content Pool
© Philip Platzer /Red Bull Content Pool

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Making of: Shooting news pictures

The latest in our Throwback Videos series, sees us rejoining Romina Amato, a freelance photographer from Switzerland who specializes in news. In this vid, Romina offers her advice on launching a successful career in news photography and explains the many skills an aspiring news photographer must demonstrate. She also offers her insight on different camera lenses, image format, delivery, and most importantly, creativity.

 

Equipment

Cameras:
z.B. Canon 1D Mark 4, Canon 7D

Lenses:
z.B. Canon Fisheye 15mm f2.8 , Tokina 11-16mm f2.8, Canon 16-35mm f2.8, Canon 50mm f1.2, Canon 100mm f2, Canon 24-105mm f4, Canon 70-200 mm f2.8, Sigma f120-300mm 2.8, Canon 400mm f2.8

Memory card: SanDisk Extreme

Tools: z.B. Photoshop CS4 & CS5 , Photo Mechanic, Adobe Bridge 

 

Photographer: © Romina Amato
www.romina-amato.ch

Making of: Red Bull winter athlete shoot

In our next video throwback, Red Bull Illume joins photographer Markus Berger at his shoot with Red Bull's winter athletes. The concept of the shoot, supported by Red Bull Creative, was to create a set of unique action shots and portraits with a continuous theme that revealed the athletes as individuals but also part of a team. Each athlete was shot 'in action', sometimes using climbing ropes to hold them in place. The shoot also included a light-hearted and experimental aspect to showcase the athlete's individual character.

© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool
© Markus Berger/Red Bull Content Pool

Making of series: Using a sun bouncer

For the third video in our throwback series, Red Bull Illume revisits photographer Leo Rosas' shoot with skateboarder Philipp Josephu. Leo demonstrates using a sun bouncer and its uses in a variety of settings, showing how it can be used as an effective way to fill-in shadows on an action shoot.

Catch Leo on Instagram, Facebook & Twitter.

© Leo Rosas Morin
© Leo Rosas Morin
© Leo Rosas Morin
© Leo Rosas Morin
© Leo Rosas Morin

Making of series: Multiple exposures

The second video we revisit in our Throwback Thursday series is our video with photographer Marcelo Maragni, who demonstrates how to create multiple exposures at the Red Bull BC One Rio de Janeiro with b-boys Ronnie and Taisuke. Enjoy!

Equipment and settings:
Camera: Nikon D800
Lens: Nikkor 24-70mm
Shutter-speed: 1/250
ISO: 200
F-Stop: f/2.8

Athletes: Ronnie Abaldonado and Taisuke Nonaka
Credits: Photographer: Marcelo Maragni / Red Bull Content Pool

© Marcelo Maragni / Red Bull Content Pool
© Marcelo Maragni / Red Bull Content Pool
© Marcelo Maragni / Red Bull Content Pool

Making of: Morphing Sequence

In a Throwback Thursday style series, we’ll be revisiting some old Red Bull Illume videos. The first video we’ll be showcasing is this fantastic shoot on a Frankfurt rooftop with photographer Max Riché and trial-biker Petr Kraus. The pair took the idea of movement deconstruction and sequence shooting to a whole new level as Petr Kraus ‘morphs’ from amateur to professional in one sequence.

Equipment and settings:
Camera: Nikon D800 shooting tethered into Capture One
Lens: 14-24mm f/2.8, 24-70mm f/2.8, and 50mm f/1.8
Lights: 3 broncolor Scoro 3200 S set on optimal flash speed, softboxes (for ambient and fill-in), a beauty dish for the key light and a pair of magnum reflectors, 1 kobold 800W HMI (creating the trail)

Athletes: Petr Kraus
Credits: Photographer: Maxime Riché / Red Bull Content Pool


© Maxime Riché / Red Bull Content Pool

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