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Ray Demski's icy night shoot

Red Bull Illume recently caught up with Ray Demski, finalist from the 2010 Image Quest, to discuss his latest night ice shoot...



What was the idea behind the shoot?
I wanted to bring a different look to ice climbing, lighting an entire ice fall with high quality light to bring out the magic of the ice to create some stunning images! The whole idea started to form last Autumn while shooting bouldering in the Himalaya with Bernd Zangerl and Alex Luger. We did a night highball shot with flashes that got me thinking... that would be amazing to do with Ice!


Were you hanging from a rope to get the shots? 

All of the images from above were shot while hanging from a rope anchored from the cliff above the icefall.  The other shots were done from the bridge.



How was that? 

We had very solid anchors and a backup, so pretty much daily business.


Are you a climber? 

Yes, more than anything else I love to get outside and go climbing!


How cold was it? 

Probably bottomed out around -18°c, cold enough to keep you awake!



What equipment did you use? 

Along with all the climbing and rope access gear, I used the Phase One iq180, 80 mp back on the 645DF camera with Schneider Kreuznach and Phase One lenses all packed into an F-stop Kenti for easy access.
 Lighting was entirely Broncolor, with three of the new Move 1200L battery units. We used two with the new Para 88 reflectors and one alternately with a standard reflector or bare bulb. We also had a few of the Broncolor Kobold units for working light and the video crew.



How was it shooting with the Move?

This was my first time working with the Move, with a full 1200 w/s in such a small and light package it´s a dream for location work. First time I picked it up it felt so light I had to check if the battery was really in!
 The new heads are also very small and light, making it all very portable without technical compromise.



Towards the end of the shoot, we used just one unit for the action portraits with 2 Para 88 reflectors, trying out the full asymmetrical capability of the unit, just amazing flexibility! 
The blazingly fast flash durations completely froze the water and snow as it flew through the air, like no other battery flash I´ve ever used.



Were you happy with the shots? 

Very much so!  




What's next for you? 

After this shoot I had 3 weeks straight of shooting in the mountains for commercial clients. I have some exciting plans for expeditions this year and am also looking forward to doing further episodes of the Ice nights project!



Have you entered Red Bull Illume?

I´m putting together my selection to enter Red Bull Illume at this moment! 




See the full results of Ray's cool shoot over on his website.
The featured behind the scenes video was produced by LM-Media.

© Ray Demski / Climber:  Alex Luger
© Ray Demski / Climber:  Alex Luger
© Ray Demski / Climber:  Alex Luger
© Ray Demski / Climber:  Alex Luger
© Ray Demski / Climber:  Alex Luger
© Thomas Schermer /
© Thomas Schermer /

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Freezing the 400m Hurdle Champion Kariem Hussein

Red Bull Illume photographer Gian Paul Lozza recently completed a cool shoot with Kariem Hussein, the European Champion of 400m hurdles, using the broncolor Scoros.

“For some time now I was preparing this shoot with Kariem. He is an amazing guy and really cool to work with. It is obvious that we tried to capture his speed and especially his jumping over hurdles. But as always, I tried to do it differently,” says Gian Paul Lozza.

“Under the Ahtletic stadion in Zurich we found a perfect location for this shoot. There is a concrete tunnel with an indoor running track. We had different ideas of what we wanted to try out. One was to work with reflecting tape and reflective clothing. Another idea was to do something with mirrors and to finish, a classic, the all-in-one sequence.”

“As always when I want to capture something fast, I use the broncolor Scoros. This power packs together with Pulso Twin heads works perfectly if you need a lot of power and you want to freeze motion. And because I shoot everything with my Hasselblad with their bigger chip, I need even faster flash duration. The only way to control this, is bron’s cut off technichnology which is unbeatable.”

“For the sequential goal I needed power packs, which can recharge super-fast but also a lot of power, because I wanted to close aperture as much as possible to freeze the motion. For these kind of ideas, the Scoros with Twin heads are the perfect solution. Superfast recharging time with a lot of power. I’m used to capture these all-in-one sequences from my time as a snowboard photographer with natural light, but now it is cool to do the same with flashes. It opens a lot of new possibilities and I can develop new ideas to create images.”

This article originally appeared on the broncolor blog.

© Gian Paul Lozzabroncolor
© Gian Paul Lozzabroncolor
© Gian Paul Lozzabroncolor
© Gian Paul Lozzabroncolor
© Claudio Casanova

The Return Of The Ring of Fire


After recently showcasing an epic shoot by Claudio Casanova, the Red Bull Illume photographer has shared two more interesting shots with us and explained how he pulled them off with the help of his crew.

Steel wool shot:

“Roger nailed it in this session on what was arguably the smallest jump we've ever shot with this air method. This photo was taken just outside my hometown of Einsiedeln. I had the idea long before I scouted the spot and was lucky to find this tunnel just a short drive away from my house. Thanks to a very long exposure time it seems as if Roger was jumping through a ring of fire, but in reality the circle you see was drawn by myself before I snapped the picture as Roger hit the jump.

The effect of fire was simply made by a piece of burning steel wool attached to a wire whip which was tied to a rope. I triggered the camera via Pocket Wizard, fireman Deniz lit it up and I started swinging. After a couple of seconds of swinging I ran off and cleared the jump for the riders. Luck was also on our side due to the fact that we had a full moon that night, so no extra lights for the riders were needed.

Almost everything was perfect, which is rarely the case when shooting snowboarding!”


Flares shot:

“For this project the timing was really crucial as we only had 30 seconds for the whole procedure. We built a perfectly symmetrical jump and started sessioning it as I positioned the camera. After we knew the approximate height of the jump, we set up a little scaffolding on a table I could perform my display of firework magic.

For this photo of Deniz, Mike was standing by the camera to check if the flashes and camera were working and gave a 30 second countdown for me to light the flare and start the exposure. Everything from removing the scaffolding to the rider dropping in was set to happen at a certain time during this countdown. If there were any delay it would not have worked.

The only source of light for the rider in the run in was a small headlamp, which also worked as an indicator in the shot if the action was captured at the right moment. As we were clearing the jump for the rider, Deniz was already getting closer. I rushed over to my flash setup and got ready to shoot. As soon as Deniz busted out his method, I fired the flash thus freezing a single shot into the long exposure photo.

We had a good feeling about this one so we rushed down to check the photo. All we heard was, “BOOM! That's the one!”… The position of the rider inside the ring was perfect and not something to take for granted. Most likely it would’ve taken another 50 tries to get it right like that!”


Be sure to check out Claudio’s website.

© Claudio Casanova

Making of: Infrared photography

Our next throwback video features Danish photographer Esben Zøllner Olesen discussing his basic workflow when shooting infrared images with an IR-converted DSLR camera. Infrared photography may seem quite daunting, but Esben Zøllner Olesen delivers insight and tips for every stage of the process, right from gear setup to post-processing to create a nice overview of the technique which can capture some stunning results.  

Photo credits: Esben Zøllner Olesen

© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Toby Harriman

Developing a Unique Surf Photography Style

As a photographer, one of the hardest things to do is to develop your own distinct style. Photographer Toby Harriman’s goal was to do just this and in order to separate himself a little from other surf photographers he focused on creating fine art rather than journalism-style photos. The Red Bull Illume team caught up with Toby to discuss his ongoing Modern Surf collection… 

 “One day after finishing up some of my black and white architecture shots, I decided to try a similar technique on my surf photos and experiment with long exposure surf shots. I have seen it done before, so I knew it was do-able. Just needed to find my style for it. That blurred look you see is mostly created in camera, by doing a shutter drag, leaving the shutter open and basically tracking the surfer trying to keep him in focus and everything else blurred,” says Harriman.

"The surf photographer explains how he further developed his technique with post-production: “I then use software like Photoshop or Lightroom to give it that dark mono look which I like to call 'Modern.' I am always trying to perfect and adapt this style, which gets me excited to keep it going. When I look at this series, it really allows me to focus in and to see the connection between the surfer and the power of the ocean, which is what I am trying to create for the viewer. Something with deeper meaning and something that makes people look at a subject in a whole different perspective!”
 

Visit Toby Harriman’s website here and catch up with him on Facebook.

© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman

Making of: Shooting news pictures

The latest in our Throwback Videos series, sees us rejoining Romina Amato, a freelance photographer from Switzerland who specializes in news. In this vid, Romina offers her advice on launching a successful career in news photography and explains the many skills an aspiring news photographer must demonstrate. She also offers her insight on different camera lenses, image format, delivery, and most importantly, creativity.

 

Equipment

Cameras:
z.B. Canon 1D Mark 4, Canon 7D

Lenses:
z.B. Canon Fisheye 15mm f2.8 , Tokina 11-16mm f2.8, Canon 16-35mm f2.8, Canon 50mm f1.2, Canon 100mm f2, Canon 24-105mm f4, Canon 70-200 mm f2.8, Sigma f120-300mm 2.8, Canon 400mm f2.8

Memory card: SanDisk Extreme

Tools: z.B. Photoshop CS4 & CS5 , Photo Mechanic, Adobe Bridge 

 

Photographer: © Romina Amato
www.romina-amato.ch

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