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LIFESTYLE Category (© Patrick Camblin // Athlete: Ben Marr // Location: Kalinga Province, Philippines)

Choosing the Right Category

With only a couple of weeks until submissions open, we take a closer look at the different categories to help photographers decide where to submit their images. Below, we describe each one, and also provide a gallery with prime examples from the 10 categories.

LIFESTYLE
Images that visually capture the creativity of the lifestyle, music and culture that surrounds action and freesports, or represents what happens before, between, and after the action.

PLAYGROUND
Images that showcase the landscapes, locations, platforms, and environments in which athletes play.

ENERGY
Images that demonstrate the force that powers an action and show the energy, speed and strength required for an athlete to perform.

SPIRIT
Images that portray the spirit or personality that athletic performances produce, as well as the pain, emotion and struggles that go along with trying to achieve one's goals, whether due to injury, failure or simply being in the wrong place at the wrong time.

CLOSE UP
Images that show extreme detail of one or more aspects of an athletic feat: a tight shot of the action, the equipment, the body, the face, etc.

WINGS
Images that capture the point in a performance in which the athlete jumps, catches air, free falls, soars.

SEQUENCE
Images that tell the whole story in a single frame and capture the progression of an action at every stage.

NEW CREATIVITY
Images that reveal a unique angle, a visual idea, a different format, light and flash effects... something never seen before! It's the purely creative image without digital alterations.

EXPERIMENTAL
Images that have been enhanced digitally or in the darkroom through alterations made in the production or digital editing process.

ILLUMINATION
Images that illuminate your artistic skill, your personal best, your unique style; this is an open category so anything goes - give us your best shot!

Check out the gallery below for some examples from each category... 

LIFESTYLE Category (© Devon Balet // Athlete(s): Chad Chaney and John Bailey // Location: Durango, CO, USA)
LIFESTYLE Category (© Vincent Perraud // Athletes: Alex Baret and friends // Location: Tallinn, Estonia)
PLAYGROUND Category (© Tim Korbmacher // Athlete: Stefan Lantschner // Location: Krefeld, Germany)
PLAYGROUND Category (© Ricky Adam // Athlete: Owain Clegg // Location: Dungeness, Kent, United Kingdom)
ENERGY Category (© Rutger Pauw // Athlete: Mark Vos // Location: Rotterdam, Netherlands)
ENERGY Category (© Jed Weingarten // Athletes: Luke Spencer // Location: Outlet Falls, WA, USA)
ENERGY Category (© Alessio Barbanti // Athletes: Taddy Blazusiak // Location: Città di Castello, Perugia, Italy)
SPIRIT Category (© Mike Killion // Athlete: Brad Tunis // Location: Hammond, IN, USA)
SPIRIT Category (© Tim McKenna // Athlete: Hira Teriinatoofa // Location: Teahupoo, French Polynesia)
SPIRIT Category (© Adam Kokot // Athlete: Michal Krol // Location: Spisske Tomasovce, Slovakia)
CLOSE UP Category (© Christian Pondella // Athlete: Tao Berman // Location: White Salmon, WA, USA)
CLOSE UP Category (© Tim Kemple // Athlete: Renan Ozturk // Location: Trango Towers, Pakistan)
CLOSE UP Category (© Pablo Azócar // Athlete: Bevan Hall // Location: Cardrona Valley, New Zealand)
WINGS Category: (© Rutger Pauw // Athletes: Daniel Ilabaca // Location: Mumbai, India)
WINGS Category (© Camilla Stoddart // Athlete: Josie Symons // Location: Rob Roy Glacier, Mt Aspiring National Park, New Zealand)
WINGS Category (© Marcel Lämmerhirt // Athlete: José Eber Pava Ordoñez // Location: Hamburg, Germany)
SEQUENCE Category (© Christian Pondella // Athlete: Mat Rebeaud // Location: Payerne, Switzerland)
SEQUENCE Category (Miguel Angel López Virgen // Athlete: Alfredo Salcido // Location: Guadalajara, Mexico)
SEQUENCE Category (© Agustin Munoz // Athletes: Orlando Duque // Location: Negril, Jamaica)
NEW CREATIVITY Category (© Rutger Pauw // Athlete: Ben Lewis // Location: Rotterdam, Netherlands)
NEW CREATIVITY Category (© Gian Paul Lozza // Athlete: Gian Simmen // Location: Davos, Switzerland)
EXPERIMENTAL Category (© Daniel Grund // Athletes: Alex Maclean, Nicolas Ivanoff // Location: Monument Valley, UT, USA)
EXPERIMENTAL Category (© Ray Demski // Athlete: Julius Brink, Jonas Reckermann // Location: Fuerteventura, Spain)
EXPERIMENTAL Category (© Marcelo Maragni // Athletes: Bruno Dias // Location: São Tomé das Letras, Brazil)
ILLUMINATION Cateogry (© Mattias Fredriksson // Athlete: Espen Linnerud // Location: Stranda, Norway)
ILLUMINATION Category (© Grant Gunderson // Athlete: Bryce Phillips // Location: Alta, UT, USA)
ILLUMINATION Category (© Gian Paul Lozza // Athlete: Markus Keller // Location: Soelden, Austria)

Read the latest stories

Freezing the 400m Hurdle Champion Kariem Hussein

Red Bull Illume photographer Gian Paul Lozza recently completed a cool shoot with Kariem Hussein, the European Champion of 400m hurdles, using the broncolor Scoros.

“For some time now I was preparing this shoot with Kariem. He is an amazing guy and really cool to work with. It is obvious that we tried to capture his speed and especially his jumping over hurdles. But as always, I tried to do it differently,” says Gian Paul Lozza.

“Under the Ahtletic stadion in Zurich we found a perfect location for this shoot. There is a concrete tunnel with an indoor running track. We had different ideas of what we wanted to try out. One was to work with reflecting tape and reflective clothing. Another idea was to do something with mirrors and to finish, a classic, the all-in-one sequence.”

“As always when I want to capture something fast, I use the broncolor Scoros. This power packs together with Pulso Twin heads works perfectly if you need a lot of power and you want to freeze motion. And because I shoot everything with my Hasselblad with their bigger chip, I need even faster flash duration. The only way to control this, is bron’s cut off technichnology which is unbeatable.”

“For the sequential goal I needed power packs, which can recharge super-fast but also a lot of power, because I wanted to close aperture as much as possible to freeze the motion. For these kind of ideas, the Scoros with Twin heads are the perfect solution. Superfast recharging time with a lot of power. I’m used to capture these all-in-one sequences from my time as a snowboard photographer with natural light, but now it is cool to do the same with flashes. It opens a lot of new possibilities and I can develop new ideas to create images.”

This article originally appeared on the broncolor blog.

© Gian Paul Lozzabroncolor
© Gian Paul Lozzabroncolor
© Gian Paul Lozzabroncolor
© Gian Paul Lozzabroncolor
© Claudio Casanova

The Return Of The Ring of Fire


After recently showcasing an epic shoot by Claudio Casanova, the Red Bull Illume photographer has shared two more interesting shots with us and explained how he pulled them off with the help of his crew.

Steel wool shot:

“Roger nailed it in this session on what was arguably the smallest jump we've ever shot with this air method. This photo was taken just outside my hometown of Einsiedeln. I had the idea long before I scouted the spot and was lucky to find this tunnel just a short drive away from my house. Thanks to a very long exposure time it seems as if Roger was jumping through a ring of fire, but in reality the circle you see was drawn by myself before I snapped the picture as Roger hit the jump.

The effect of fire was simply made by a piece of burning steel wool attached to a wire whip which was tied to a rope. I triggered the camera via Pocket Wizard, fireman Deniz lit it up and I started swinging. After a couple of seconds of swinging I ran off and cleared the jump for the riders. Luck was also on our side due to the fact that we had a full moon that night, so no extra lights for the riders were needed.

Almost everything was perfect, which is rarely the case when shooting snowboarding!”


Flares shot:

“For this project the timing was really crucial as we only had 30 seconds for the whole procedure. We built a perfectly symmetrical jump and started sessioning it as I positioned the camera. After we knew the approximate height of the jump, we set up a little scaffolding on a table I could perform my display of firework magic.

For this photo of Deniz, Mike was standing by the camera to check if the flashes and camera were working and gave a 30 second countdown for me to light the flare and start the exposure. Everything from removing the scaffolding to the rider dropping in was set to happen at a certain time during this countdown. If there were any delay it would not have worked.

The only source of light for the rider in the run in was a small headlamp, which also worked as an indicator in the shot if the action was captured at the right moment. As we were clearing the jump for the rider, Deniz was already getting closer. I rushed over to my flash setup and got ready to shoot. As soon as Deniz busted out his method, I fired the flash thus freezing a single shot into the long exposure photo.

We had a good feeling about this one so we rushed down to check the photo. All we heard was, “BOOM! That's the one!”… The position of the rider inside the ring was perfect and not something to take for granted. Most likely it would’ve taken another 50 tries to get it right like that!”


Be sure to check out Claudio’s website.

© Claudio Casanova

Making of: Infrared photography

Our next throwback video features Danish photographer Esben Zøllner Olesen discussing his basic workflow when shooting infrared images with an IR-converted DSLR camera. Infrared photography may seem quite daunting, but Esben Zøllner Olesen delivers insight and tips for every stage of the process, right from gear setup to post-processing to create a nice overview of the technique which can capture some stunning results.  

Photo credits: Esben Zøllner Olesen

© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Esben Zøllner OlesenRed Bull
© Toby Harriman

Developing a Unique Surf Photography Style

As a photographer, one of the hardest things to do is to develop your own distinct style. Photographer Toby Harriman’s goal was to do just this and in order to separate himself a little from other surf photographers he focused on creating fine art rather than journalism-style photos. The Red Bull Illume team caught up with Toby to discuss his ongoing Modern Surf collection… 

 “One day after finishing up some of my black and white architecture shots, I decided to try a similar technique on my surf photos and experiment with long exposure surf shots. I have seen it done before, so I knew it was do-able. Just needed to find my style for it. That blurred look you see is mostly created in camera, by doing a shutter drag, leaving the shutter open and basically tracking the surfer trying to keep him in focus and everything else blurred,” says Harriman.

"The surf photographer explains how he further developed his technique with post-production: “I then use software like Photoshop or Lightroom to give it that dark mono look which I like to call 'Modern.' I am always trying to perfect and adapt this style, which gets me excited to keep it going. When I look at this series, it really allows me to focus in and to see the connection between the surfer and the power of the ocean, which is what I am trying to create for the viewer. Something with deeper meaning and something that makes people look at a subject in a whole different perspective!”
 

Visit Toby Harriman’s website here and catch up with him on Facebook.

© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman
© Toby Harriman

Making of: Shooting news pictures

The latest in our Throwback Videos series, sees us rejoining Romina Amato, a freelance photographer from Switzerland who specializes in news. In this vid, Romina offers her advice on launching a successful career in news photography and explains the many skills an aspiring news photographer must demonstrate. She also offers her insight on different camera lenses, image format, delivery, and most importantly, creativity.

 

Equipment

Cameras:
z.B. Canon 1D Mark 4, Canon 7D

Lenses:
z.B. Canon Fisheye 15mm f2.8 , Tokina 11-16mm f2.8, Canon 16-35mm f2.8, Canon 50mm f1.2, Canon 100mm f2, Canon 24-105mm f4, Canon 70-200 mm f2.8, Sigma f120-300mm 2.8, Canon 400mm f2.8

Memory card: SanDisk Extreme

Tools: z.B. Photoshop CS4 & CS5 , Photo Mechanic, Adobe Bridge 

 

Photographer: © Romina Amato
www.romina-amato.ch

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