Nice Moves on the Dachstein
As any action sport photographer knows, shooting in sometimes crazy locations is all part of the job. But what happens when it's a fashion shoot on a mountain edge and the athlete is a model in high heels?
Helge Kirchberger, who's worked with the Flying Bulls and at Hangar 7, tells us about his recent shoot on the Dachstein glacier using the broncolor Move Powerpack.
What was the idea behind the shoot?
During a job in the Dachstein ice cave (near Salzburg, Austria) I discovered a great location up there. I desperately wanted to do a shoot on this rock.
Looks like an extreme location
We were on a sloping rocky plateau just a few meters square and beyond that it was a sheer drop of a few hundred meters. The rock was also wet and loose so we had to move carefully!
How did the model enjoy that?
Our model Carina was amazing. She had to wear high-heels while we were all equipped with proper hiking boots. We had told her in advance that the location would be extraordinary and that she should definitely not be scared of heights. She did really well!
What was the idea with the birds?
During the first shoot on the Dachstein, the model had a phobia of birds and was really stressed out. That’s when I had the idea to include alpine choughs in our fashion shoot, like in Alfred Hitchcock’s film “The Birds”. To get the birds to come closer we fed them bread in the beginning. Within no time, more and more birds arrived. Those birds have become used to climbers and aren’t too shy anymore.
What equipment did you use?
In the studio, we worked with Broncolor Scoro A4 and A2 as well as grafit generators — a perfect setup in terms of performance and handling. In addition, we used two Broncolor Verso with rechargeable batteries and Broncolor Pulso G flash heads and a number of different lights.
Canon EOS 5 Mark III with EF 70-200, EF 24-70 and EF 16-35mm.
How does The Move make life easier?
The performance quality really makes the Move Powerpack stand out. It's low weight, full power and adjustability make it an essential tool for outdoor photoshoots. It’s particularly useful when you shoot on locations where electricity is unavailable but you still want to work with artificial light. With the move, you can perfectly implement all those possibilities. It’s reliable and convinces with sophisticated handling and excellent processing.
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At photokina, the Red Bull Illume team met up with many talented young action sports photographers – one of them being Argentine photographer Lucho Vidales. We asked Lucho a few questions about his style, plans & photokina…
What’s your shooting background?
As I started as a photojournalist, I like shooting action sports photos with a tele, which for freestyle action sports is not very common. I like to incorporate the landscape into the action so it plays a big part in my composition!
What are you up to these days?
Right now, my goal is to keep pushing myself to keep learning and grow doing what I do. I have recently been incorporated into Epoch Adventures as their senior contributing photographer and they are looking forward to organize some photography-related trips, so that is going to be awesome. I also just teamed up with the guys from F-stop gear, so more cool things are coming!
What was the coolest thing about photokina?
You may be surprised by this, but I was really excited about having the chance to get my hands on some awesome equipment that I have never had the possibility to try or shoot with due to the difficulties that we have in Argentina. The coolest thing was that I got to spend some time with a couple of great guys and photographers that I admire and I am lucky to be able to call them friends!
Working on any cool projects?
I’m planning to keep on shooting local young talents in my home town in Córdoba – there are a lot of talented athletes and that naturally helps when taking photos and spreading the word for them!
Be sure to check out Lucho’s work on his website and social links below:
Facebook page: https://www.facebook.com/LuchoVidalesPhoto
Talking drones with Stu Gibson
As drones become more and more affordable, an increasing number of photographers are getting in on the action. Red Bull Illume finalist Stu Gibson is one of the photographers who has been producing a lot of aerial footage recently as can be seen on his Facebook page, so we caught up with him to discuss…
What drone did you go for? What's your setup?
It changes from shoot to shoot. I use a range – from DJI Phantoms to octocopters, mostly with some home modifications.
Has it changed your approach to photography?
It’s made me very bored with normal stills, aerials are way more fun – but I can swap from stills to video on all rigs. Even on my phantom I use a Lumix for stills.
Are you getting more gigs because of it?
It’s just another piece of equipment to the kit now but I’m sure its helped get some jobs as the client knows I can do both. My drones come with me wherever I go!
Underwater Photography with Freedivers Alex & Alex
Freediving is a sport in which you should never dive alone, so it’s good to have a wingman. Ten years ago, two French freedivers Alex Roubaud and Alex Voyer teamed up and began taking every opportunity to travel to new dive spots. The pair also began Fisheye, a small association showcasing their breathtaking freedive photography from their dives.
What’s interesting are the benefits that freediving offers underwater photography: “Freediving allows us to see the world differently to a traditional scuba diver. It’s the most discreet way to get in the water, and to approach any animal in its environment. Although we can’t go as deep, we can dive faster in all directions,” explain the duo.
“We always alternate the dives, one on the surface and one in the deep – this is for security reasons but it also allows us to double the contact time with animals and get them used to our presence without undue stress for them. Working together is essential for us – we know each other perfectly and a few words are enough to understand each other.”
Enjoy the accompanying gallery of unique freedive photography from Alex & Alex, be sure to visit their website here, and hit them up on Facebook here.
To the Ends of the Earth with Krystle Wright
"I've an insatiable desire to explore with a camera. Adventure photography is a lifestyle I live and breathe. But, also a passion and obsession."
Red Bull Illume photographer Krystle Wright needs no introduction to the adventure photography community – yet the above video by Canon Austrialia showcasing the photographer’s lifestyle and philosophy will help you get to know her a little better. With stunning footage, examples of her brilliant work and some great BTS scenes, the video provides great insight into the lifestyle of an adventure photographer.
You can visit Krystle’s website here, and follow her on Facebook here.
Time to go CGI?
Creative duo Mike Campau and Tim Tadder recently created a series of commercial advertisements with sports athletes using CGI to create compelling effects.
As a concept, it is fair to say that the team nailed it with the final execution. Photography purists may be dismayed, but it’s hard to disagree with the fact that CGI creates infinite possibilities –and the eye-catching effects are what many clients will be looking for. The shoot was for tablet and phone case maker Lifeproof.
You can watch the full studio BTS video of the Lifeproof shoot here, and see the final results in the gallery.
(Thanks to Mike Campau, Tim Tadder & Lifeproof for permission to post the images)