How did the idea come to life?
I guess it’s all about the natural evolution of my photography and the constant need of improving and getting to the next level. It’s also about the concept of the brotherhood between skiers and snowboarders, we always shred together and we never understood that rivalry that some people have, we are all into this because we love the sports, the mountains, the snow, and this lifestyle, and I wanted to create an image that represented this brotherhood. Two weeks before, I got together with the boys and we talked about the shot we wanted and how we could achieve it, drawing some sketches that resulted in the final shot.
Also, since I first heard of Red Bull Illume I set it as a goal and personal challenge in my photography and if you really want to have your work recognized in this awesome contest you need to explore and innovate as much as you can, that also helped me to come up with the idea for the photo.

How important was the relationship with the athlete?
I’d say it is essential but not only for this image, but for my whole portfolio. It’s mandatory to have an intense rapport with the athlete, when that feeling exists, difficult things seem to be easier, you feel safer, we both have confidence in each other. The relationship with the athlete has a tremendous effect. But also their attitude, for me to go on a shooting with someone, there are some things I need beyond friendship and that person’s quality as an athlete, such as patience and passion.

Good athletes are good photographers, even without realizing it, we often study the locations together and we dream together about the perfect conditions. That is when I realize that they also have a photographic eye, they help a lot in terms of framing, composition, interpretation of light.

Great photos are rarely a coincidence, they are the result of teamwork and I have the privilege that my friends are very good at the sports we practice and they are always willing to get the shot.

Did the shooting process go smoothly? Were there any difficulties?
Getting to take this type of photo demands a lot of previous experience. I put a huge amount of hours into it, I’d say that this is the most difficult shot I’ve ever planned. It’s also a challenge to get both the riders and the moon decently in focus. I wanted to have them creating that precise composition inside the moon and calculating that took a lot of time. There´s nothing random in this shot.
We worked for a week preparing the terrain, we had to carry a lot of photographic gear and the specific mountain gear we needed to work on the features and to be safe up there.

Once we got to the place we had to build two kickers and two starters since the location was a high mountain ridge with limited room to get the speed we needed, and this is maybe the hardest part of the planning, if you fail in the exact location of the kickers you miss the shot. Once you have the scenery ready you just have to wait for the moment and pray for a bluebird sky that day, along with being confident in the riders to synchronize the jump and the handplant. That’s the real challenge.

On the day, we went for an epic sunset session, testing the kickers and training for the moon shot. When the moon was rising I went to my place 300m away, communicating via walkie talkies. Once in position I had trouble finding the exact point where I was supposed to be and I became very nervous, I wandered around for 10 minutes with the snow almost around my waist and thinking that we would miss the photo but at last I found the place I was looking for.

How did you find the location for this image?
The shot was taken on our home mountain, the Malacara Peak in the Spanish Pyrenees next to Villanúa, the village where I live. I know this terrain very well, I’ve always seen the moon rising behind that mountain. This shot is the result of chasing the moon for seven years. I first planned a Moon Shot in 2015 and after that I’ve been working to keep on improving and innovating and always trying to include action sports in the final image.

Check out the behind-the-scenes video from Yhabril below!

Amazingly, Rod is not a professional photographer but a chemistry teacher in Rotorua, New Zealand. But he has had a passion for photography for many years, in particular, whitewater kayaking photography.

Rod didn’t just win the sponsored trip. He also took home a Leica Q2 camera which he absolutely loves, a Yoga 9i PC from Lenovo, a Workflow Bundle from SanDisk Professional, and his winning shot printed and framed by WhiteWall and outdoor gear from Black Diamond.

But the best part was the trip to India. As well as the festival, he also spent a week travelling around Kolkata, visiting a mangrove forest which he says was amazing. “I've been photographing for a really long time. I like to get that one shot that explains everything,” he told his local paper, the New Zealand Herald. “It's like hunting and trying to chase to get that one photo where everything lines up.” Check out the images Rod’s captured in India below!

If you haven’t seen Rod’s Red Bull Illume winning shot and the story behind it, check it out here!

Has your life or work changed since?
Well, I don’t think I’ll stop living in a van for a while, though maybe I’ll upgrade to one I can stand up in eventually! On a more serious note, winning has definitely opened up some doors. In such a competitive industry with so many talented photographers, the exposure from being a part of Red Bull Illume has been really impactful.

How was it to see your shot illuminated at the exhibition in Aspen?
It was surreal to see one of my images displayed at an exhibition. My family always prioritized visiting art museums when I was little, and I think it was always impressed upon me that art deserves to be viewed in a way that forces you to slow down and really look. Even the simple act of walking a few steps between images gives each the space it deserves to be appreciated more fully.

What did you make of the other images?
This year’s contest has so many incredible images, it’s inspiring to see the level that so many photographers are operating at. The standard is so high, which makes me so stoked to get out and shoot more.

Any shots in particular that stood out for you?
I really loved Carolin Unrath’s photo of the surfer catching the train. The concept is clever and I really enjoy the composition.

Did you deliberately shoot a climber whose hair color perfectly matched the rock?
A lot of photographers are smart enough to think of details like that, I’m just lucky.

Is it important to capture a real moment?
I think it’s situational, a lot of incredible climbing photos take a vision from the photographer and willingness from the climbers to capture. Light that makes a great photograph isn’t usually the conditions that makes for great climbing, and it’s not often that the photographer just happens to be in the most epic position to get the perfect photo. But the images where I’m lucky, where I happen to be in the right place at the right time, are the images that I generally love the most. When a genuine moment aligns with the opportunity for an epic photo, that is what I am always seeking.

The KTM Motohall is located in the center of Mattighofen. The museum, spread over an area of around 10,000 square meters, provides visitors with an opportunity to immerse themselves in the world of KTM. The imposing building architecture symbolizes the impressive dynamics of the now world-famous motorcycle company. In an interactive exhibition over three floors, visitors can learn all about the history and design processes of KTM motorcycles and get a good look at all the technical details. Special highlights include the KTM motorcycles exhibited on a recreated banked curve and the Heroes floor – an exhibition showcasing the most successful KTM riders of all time and their bikes including a 360-degree video installation. In addition to a varied range of activities for children, classic motorcycles are given a new lease of life in the living workshop in the basement of the KTM Motohall, as well as a fan store. The KTM Motohall is also the ideal location for corporate events with up to 350 people.

From October 1, there’s another reason to visit, and that’s the chance to see the 56 winning images of the Red Bull Illume Image Quest. With its high-octane heritage, the KTM Motohall is the perfect venue to showcase all the action from Red Bull Illume.

Since the Exhibit Tour kicked off in the US, it has traveled across Europe, thanks to a long-term partnership between Red Bull Illume and SES Spar European Shopping Centers, visiting various cities across Austria, Croatia, Slovenia, Hungary and Italy. In September, the Red Bull Illume Exhibition was presented during Berlin Photo Week. Eight more tour stops are planned between now and the beginning of 2023 with the exhibition set to come to MURPARK, Graz, Austria, and HUMA ELEVEN in Vienna, Austria.

Can't make it to Mattighofen? Here's the full list of the upcoming tour stops!

What was the most difficult part?

There were several challenges during this project. The first one was how to build a set with 8 big beamers. We had to mount them under the ceiling to keep space free without any cables (hundreds of meters) or stands. Beamers are quite heavy, ceiling-high and we had no heavy machines, only ladders. This took us two nights. The second challenge was how to light up Max with strobes while not disturbing the projection in the background. I had to be very precise with strobes and use grids and reflectors.

And the most rewarding part?

The best part was when we turned off all the lights in the Maxspace and turned on the projectors. We felt like we were in a video game. It was crazy!

What equipment did you use?

I was shooting with lenses from 16mm to 200mm and I used external battery powered flashes with reflectors and grids. These were important so I only lit the skaters and didn't interfere with the video mapping.

How did you work the light?

Light played a very important role. It was necessary to find the ideal ratio of light between projections and flashes. There must have been very little light in the hall because of the projection. It made skateboarding very difficult.

How did you get into photography?

My parents had a bluegrass band growing up and my mom would hand me her 35mm camera while they played shows and I ran around taking pictures at a pretty young age. I guess that would be the start, but years later I took a photography class in high school and was pretty hooked on it. My teacher gave me a lot of flexibility to go shoot the team sports. I was also into mountain biking at that time and just put it together one day to shoot mountain bike. That's when it really all came together and could see that it was something I was really interested in doing. By the time I was headed to college, I realized I could possibly make a career out of photography so I went to photo school in Seattle. Now, 12 years later, it's the only job I've held.

How do you build important relationships that help you professionally?

I treat everyone with respect and make no judgements of someone; they could be your next client. I've been great friends with one of my biggest clients for nearly ten years and had some great times together. Just being a fun person and a quality human goes a long way in the professional world.

How do you reach out to potential new clients?

I've tried most of the methods, I’m not really sure what works the best, but I really believe in more of an in-person approach. I just get a lot more done out of a conversation than sending emails into space that someone might never see. I've had good luck going to trade shows and chatting up potential companies I would want to work with.

What sets your images apart?

I like to shoot big scenes and show nature, elements, scenery around the action. I don't think it sets me apart from anyone else, but I just like to convey the feeling of where I'm at and hope that someone can feel like they are right there experiencing the moment.

How important is the relationship between athlete and photographer?
Communication is key for both the athlete and the photographer, if the rider is planning to do a trick only once, it’s important for me to make sure I know what trick they’re doing and then figure out which angle shows that trick the best. If I have an idea for a shot, I’ll run it by the athlete so that we’re on the same page before they drop in.

When are you happy with your images?
When light, riding, composition all comes together, that’s definitely when I’m the happiest.

What’s up next for you? Any exciting projects you can share with us?
I can’t give away too much but I’m just finishing up a bigger project that will hopefully be released next month. And then a couple smaller shoots in the next couple weeks, I’m excited for a busy summer!

If you want to see more of Toby's work follow him on Instagram @tobycowley or check out his website!