With 5 days left to submit to the Image Quest 2019, we take a look at 5 phenomenal images from 2016 and hear the story of each shot, as told by the photographer.
About the shot: 5 epic images from the Masterpiece Category
The Masterpiece by EyeEm Category blurs the line between adventure and action sports and fine art photography. One of the great things about Red Bull Illume is that it allows photographers total freedom of style and method and express themselves to a global audience – this category is the pinnacle!
Andrew Burr has a photo of thick ice, in deep desert sandstone. I’ve wanted both that shot and that experience ever since seeing it. Scott Adamson is an alpine climber who long suspected that Zion National Park held wild ice flows in deep, sandstone slots.
We drove out late in the evening, bivied on a shop floor and hoped for the best. This shot tells of the ice. It was huge, one the coolest spaces I’ve ever encountered – crisp desert air, sweeping pines and solid sandstone with flowing ice for hundreds of feet.
This was the most unique moment of mountain light I have ever witnessed. It was a winter filled with struggle and scary conditions, but there were some glorious moments for those who put in the time.
We were very lucky to have this surreal light gracing the exact area we hoped to ski. By the time Tatum Monod got into position I was ecstatic – I knew we had the potential to create something special. Snow crystals were cascading from the sky and being backlit as they fell in front of my lens and onto the spines.
I decided straight away to only shoot underwater photos that morning, because the waves were perfect – completely glassy as there was no wind at all. Also, it had not rained the last few days so the water clarity was just a dream. These were the conditions I was waiting for!
I spent four hours just shooting below the surface and the show was unreal! That wave came in, I dove under as the surfer was paddling for it, just early enough to be under and get the right position. Everything lined up perfectly and I was really happy with the result!
Mich Kemeter had already rehearsed the last pitch of Marches du Temps, which even though it only gets 6a, is quite tricky and technical. The biggest problem, though, is the exposure, as it’s a 300m straight drop to the canyon floor.
By luck, a highline had been set up right above the route, so I was able to use a pulley to suspend myself over thin air and get a really unique angle, looking straight down on Mich while still being nicely separated from the wall.
Mich was lowered by his girlfriend Karine, got to the next belay and slipped out of his harness which was promptly pulled up. He was committed to climbing out, ropeless. I held my breath and kept on shooting as he climbed smoothly and efficiently, taking no more than two or three minutes for the entire pitch.
Joosep came straight from a competition he competed in the day before, bringing a friend with him to help with the shot. But these guys came straight from the party so they were pretty tired!
For this shot I knew we needed morning sun with some haze or smoke, and those tired friends were responsible for the bonfire and the smoke we needed. It took a long time to get the correct shot and the angle I wanted, and the guardians of the bonfire fell asleep!
At the end though, we managed to pull it off. Not with the first sunlight of the day, not with the perfect smoke but still enough to make it look good.
There are just five days remaining to stamp your style on the Masterpiece by EyeEm Category, submit now!