Judging by the presence of 3D camera technology at Photokina this year, 3D is gaining some serious momentum with manufacturers. For professional photographers though, the last year has been a time of experimentation with a brand new "old" technique. Especially if you don’t have a 3D camera, how do you get the 3D effect?

Markus Berger at Red Bull Photofiles gave this video tutorial on how to perfect the photoshop method. Pro photographer Ian Coble used the other logical approach – he used two cameras. Read on to find out about his shoot with pro kayaker Tao Berman.

What brief did you get for the shoot?
What made this shoot so incredible wasn't just the sheer athleticism of Tao in front of the camera, but the amount of creativity I was afforded. When organizing the shoot, Red Bull essentially gave me free reign to shoot it however I wanted.

When did you start getting interested in 3D?
For the last few months I've been dying to try shooting something in 3D. Since I saw the James Cameron movie Avatar, I wanted to test 3D technology and see how it translated from video to still images. When this shoot with Tao came about, I knew this was the shoot to make it happen.

3D photography is still pretty new. What research did you do for the shoot?
I'd come across plenty of other 3D photos, but none of them were action or motion based. Everything I was coming across was static – whether it was a landscape, portrait or still life. Not finding any 3D (also called anaglyph) photos of sports got me really excited. This was going to be something relatively new. Also, it's always fun to be the guinea pig on new things as you never know what you're going to encounter or how it's going to turn out.

What shooting method did you use?
With new versions of Photoshop, it's now easier to create 3D images in post-production with a single camera and manipulate the single resulting image. But that's not what I wanted to do here.

With this shoot, I wanted to achieve a true 3D image, by shooting two cameras offset from one another. The advantage in using two cameras is that the resulting 3D image has more detailed depth and texture as it does not require Photoshop to extrapolate and create new information. Even with two camera method though, you still have to do some post-production editing.

When you have your two images, what post-production work is required?
The basics behind creating a 3D image in Photoshop are to stack images in layers. Once there, you have to determine the focal point of your image and align the two frames. From there, you have to remove the red channel from the right eye‘s image and remove the green and blue channels from the left eye’s image.

You can do this for example in the levels window by selecting the appropriate channel and changing the output level from 255 to 0. Once you have a right eye image (which will look green) and a left eye image (which should appear red) you need to adjust your blending mode from normal to screen. This will leave you with a 3D image that you can make any final density or color corrections to.

What camera settings did you use?
I shot these images with 2 Nikon D3’s. Both cameras were set to manual exposure mode with a shutter speed of 1/500th and an aperture of f/ 5.6. Given the dark nature of the canyon we were shooting in, I had to bump the ISO up to 1600 in order to be able to shoot at a fast enough shutter speed to freeze the action.

I set the focus of both cameras by pre-focusing on a rock near the lip of the drop. Once set, I locked the focus off so that it wouldn’t slip during the sequence.

How did you mount the camera?
I mounted one of the cameras on a Manfrotto tripod with a Manfrotto 3265 joystick head. The second camera was mounted on a Manfrotto 244 Magic Arm, which was clamped to one leg of the tripod. This positioned both cameras on a relatively even plane, which would not have been achievable with two tripods, given the rocky terrain of the river bank.

Did you have to experiment to get the right distance between the camera bodies?
Determining the distance between the camera bodies was quite tough to figure out. I had to do a lot of research online, and eventually discovered that the ideal distance apart between the cameras is determined by how far away your subject is.

An easy way to determine the distance between cameras – this isn’t 100% accurate, but it’s pretty close – is to separate the cameras by a factor of 1/30th of the distance to the focal point of your frame. The further away the subject is, the further apart the cameras must be in order to achieve a 3D affect. For this location, I worked out that a distance of about 12 inches (30 centimeters) would provide enough separation to give the resulting image enough depth.

When shooting 3D, the cameras have to be perfectly level – or at least on the same angle “off” of level – or the resulting image will cause the viewer to get a headache as their eyes try to focus on two non-corresponding horizons. To achieve a level frame on each camera, I secured my iPhone to each camera and used the iHandy Level App to zero in on the horizons.

Did the cameras have the same lenses?
Yes, both cameras had the same lenses on them (a Nikon 28-70mm f/2.8 AFS lens). Both cameras have to have an identical field of vision for 3D to work, so both lenses need to be the same.

How did you trigger the cameras at the same time?
I triggered my cameras with two Nikon MC-30 remote trigger releases. I sandwiched the two releases together and pressed down on the triggers at the same time. I practiced this at home prior to the shoot in order to make sure that both cameras would fire at exactly the same time.

I experimented with a few other methods, including remote triggering with pocket wizards, but the MC-30 route gave me the most reliable results. Right now, I’m in the process of re-wiring the MC-30’s for future shoots so that one trigger will fork off to each camera and eliminate the need to press two triggers simultaneously.

What challenges did you have on the day?
Given the inherent danger in running waterfalls, and not wanting to subject Tao to any more danger than necessary, we only had a few attempts to make the shoot work. Just to make sure, we used 3 cameras at all times. I had two cameras shooting 3D and one camera shooting an alternative angle to ensure we had maximum coverage and guarantee differing angles and vantage points.

The other challenge was the inability to check our results in the field. Given the remote location, the limited amount of daylight we had to work with and the amount of time it takes to process a 3D image, we weren’t able to review the 3D image on location. All our research had to be done in advance and we had to trust that what we were doing was accurate. In this age of digital, it’s tough to go back to the times when you can’t check your work in the field and make adjustments.

Were you happy with the final results? What could be enhanced or experimented with?
In the end, the shoot turned out great. The 3D image turned out better than I could have hoped.

For future shoots, in addition to re-wiring my MC-30 remote triggers, I’m also trying to fabricate a sliding mounting bracket that allows two cameras to be mounted on the same tripod. This will allow me to make quick adjustments to the separation distance between the cameras. The method I employed on this shoot worked, but it wasn’t really efficient for making quick changes.

Additionally, I’d love to shoot at a location that has more depth to it. The location of this waterfall didn’t have a lot of separation between the foreground and background. I’d love to experiment more with a location that provided more depth to it, as I think the resulting 3D image would turn out even better.

I'm excited to put this technology to use again on some more shoots in the near future, stay tuned!

www.iancoble.com

Red Bull Illume 2021 Photobook - Limited Edition

This limited-edition photobook features the top 256 images of the Image Quest 2021.
Be the first to see those inspiring images printed and order your exclusive copy now!

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What was the inspiration behind your winning image?
My own dreams were my inspiration for this shoot, I’ve been dreaming of moon shots and epic action sports shots since I started in photography and those dreams have been getting bigger and bigger, resulting in this image.

Red Bull Illume 2021 Yhabril 1 — © Yhabril

How did the idea come to life?
I guess it’s all about the natural evolution of my photography and the constant need of improving and getting to the next level. It’s also about the concept of the brotherhood between skiers and snowboarders, we always shred together and we never understood that rivalry that some people have, we are all into this because we love the sports, the mountains, the snow, and this lifestyle, and I wanted to create an image that represented this brotherhood. Two weeks before, I got together with the boys and we talked about the shot we wanted and how we could achieve it, drawing some sketches that resulted in the final shot.
Also, since I first heard of Red Bull Illume I set it as a goal and personal challenge in my photography and if you really want to have your work recognized in this awesome contest you need to explore and innovate as much as you can, that also helped me to come up with the idea for the photo.

Red Bull Illume 2021 Yhabril 2 — © Yhabril

How important was the relationship with the athlete?
I’d say it is essential but not only for this image, but for my whole portfolio. It’s mandatory to have an intense rapport with the athlete, when that feeling exists, difficult things seem to be easier, you feel safer, we both have confidence in each other. The relationship with the athlete has a tremendous effect. But also their attitude, for me to go on a shooting with someone, there are some things I need beyond friendship and that person’s quality as an athlete, such as patience and passion.

Good athletes are good photographers, even without realizing it, we often study the locations together and we dream together about the perfect conditions. That is when I realize that they also have a photographic eye, they help a lot in terms of framing, composition, interpretation of light.

Great photos are rarely a coincidence, they are the result of teamwork and I have the privilege that my friends are very good at the sports we practice and they are always willing to get the shot.

Red Bull Illume 2021 Yhabril 3 — © Yhabril

Did the shooting process go smoothly? Were there any difficulties?
Getting to take this type of photo demands a lot of previous experience. I put a huge amount of hours into it, I’d say that this is the most difficult shot I’ve ever planned. It’s also a challenge to get both the riders and the moon decently in focus. I wanted to have them creating that precise composition inside the moon and calculating that took a lot of time. There´s nothing random in this shot.
We worked for a week preparing the terrain, we had to carry a lot of photographic gear and the specific mountain gear we needed to work on the features and to be safe up there.

Once we got to the place we had to build two kickers and two starters since the location was a high mountain ridge with limited room to get the speed we needed, and this is maybe the hardest part of the planning, if you fail in the exact location of the kickers you miss the shot. Once you have the scenery ready you just have to wait for the moment and pray for a bluebird sky that day, along with being confident in the riders to synchronize the jump and the handplant. That’s the real challenge.

On the day, we went for an epic sunset session, testing the kickers and training for the moon shot. When the moon was rising I went to my place 300m away, communicating via walkie talkies. Once in position I had trouble finding the exact point where I was supposed to be and I became very nervous, I wandered around for 10 minutes with the snow almost around my waist and thinking that we would miss the photo but at last I found the place I was looking for.

Red Bull Illume 2021 Yhabril 4 — © Yhabril

How did you find the location for this image?
The shot was taken on our home mountain, the Malacara Peak in the Spanish Pyrenees next to Villanúa, the village where I live. I know this terrain very well, I’ve always seen the moon rising behind that mountain. This shot is the result of chasing the moon for seven years. I first planned a Moon Shot in 2015 and after that I’ve been working to keep on improving and innovating and always trying to include action sports in the final image.

Check out the behind-the-scenes video from Yhabril below!

The Energy category came with the prize of a trip sponsored by Red Bull Photography, and was won by the New Zealand photographer Rod Hill for his shot of a whitewater kayaker. In October he got the chance to claim the main prize – an all-expensed trip to northeast India to shoot the Megha Kayak Festival, a four-day international event on the Umtrew river.

Rod said it was an incredible experience and opportunity – made possible by Red Bull Illume. “India is a one-stop shop for light, colour, sound, festivals, food and total chaos,” he said. “It’s definitely a bucket list country for anyone with a camera. It's not a relaxing holiday though – it's a total body experience!” But he added it was real fun. “You've got 100 kayakers there – it was some really picturesque stuff.”

Red Bull Illume 2021 Rod Hill India 2 — © Rod Hill

Amazingly, Rod is not a professional photographer but a chemistry teacher in Rotorua, New Zealand. But he has had a passion for photography for many years, in particular, whitewater kayaking photography.

Rod didn’t just win the sponsored trip. He also took home a Leica Q2 camera which he absolutely loves, a Yoga 9i PC from Lenovo, a Workflow Bundle from SanDisk Professional, and his winning shot printed and framed by WhiteWall and outdoor gear from Black Diamond.

Red Bull Illume 2021 Rod Hill India 9 — © Rod Hill

But the best part was the trip to India. As well as the festival, he also spent a week travelling around Kolkata, visiting a mangrove forest which he says was amazing. “I've been photographing for a really long time. I like to get that one shot that explains everything,” he told his local paper, the New Zealand Herald. “It's like hunting and trying to chase to get that one photo where everything lines up.” Check out the images Rod’s captured in India below!

If you haven’t seen Rod’s Red Bull Illume winning shot and the story behind it, check it out here!

Where are you now and what are you up to?
I’m currently in Lander, Wyoming, USA, soaking up the fall colors of the Aspens and enjoying some fun limestone sport climbing. I’ll be here for a little bit longer before heading back to Oregon to spend the rest of the fall at Smith Rock.

What have you been doing since winning last December?
This past year has been filled with loads of traveling, climbing, and my best attempt to capture it all. I’ve been fortunate to be able to continue my tour around the western United States, climbing in some rad spots with some lovely folks. Living on the road makes life simple for me, I get to hone in on creating images I’m proud of and climb as much as possible.

Red Bull Illume 2021 Victoria Kohner Flanagan 1 — © Victoria Kohner-Flanagan

Has your life or work changed since?
Well, I don’t think I’ll stop living in a van for a while, though maybe I’ll upgrade to one I can stand up in eventually! On a more serious note, winning has definitely opened up some doors. In such a competitive industry with so many talented photographers, the exposure from being a part of Red Bull Illume has been really impactful.

How was it to see your shot illuminated at the exhibition in Aspen?
It was surreal to see one of my images displayed at an exhibition. My family always prioritized visiting art museums when I was little, and I think it was always impressed upon me that art deserves to be viewed in a way that forces you to slow down and really look. Even the simple act of walking a few steps between images gives each the space it deserves to be appreciated more fully.

Red Bull Illume 2021 Victoria Kohner Flanagan 10 — © Natalie Starr / Red Bull Content Pool

What did you make of the other images?
This year’s contest has so many incredible images, it’s inspiring to see the level that so many photographers are operating at. The standard is so high, which makes me so stoked to get out and shoot more.

Any shots in particular that stood out for you?
I really loved Carolin Unrath’s photo of the surfer catching the train. The concept is clever and I really enjoy the composition.

Did you deliberately shoot a climber whose hair color perfectly matched the rock?
A lot of photographers are smart enough to think of details like that, I’m just lucky.

Is it important to capture a real moment?
I think it’s situational, a lot of incredible climbing photos take a vision from the photographer and willingness from the climbers to capture. Light that makes a great photograph isn’t usually the conditions that makes for great climbing, and it’s not often that the photographer just happens to be in the most epic position to get the perfect photo. But the images where I’m lucky, where I happen to be in the right place at the right time, are the images that I generally love the most. When a genuine moment aligns with the opportunity for an epic photo, that is what I am always seeking.

Red Bull Illume 2021 Victoria Kohner Flanagan 2 — © Victoria Kohner-Flanagan

What makes a great climbing photo?
I tend to look for a photo that captures interesting movement, the expression of the climber, and an angle that represents the line of the climb itself. Climbing photography is interesting because of all the moving parts: the climber, the landscape, and the climb. The best climbing images in my opinion find a way to showcase those elements.

Which photographers or images inspire you?
Tara Kerzhner’s images of Smith Rock continually inspire me. The way she sees and captures light is something I aspire to.

How has the athlete Jack responded to winning?
Jack gives me a lot of sh*t for the exposure he has gotten, but I think he secretly likes it. What he might not absolutely love is the nickname “BD Jack” that our friends have fondly bestowed on him since the photo was posted on Black Diamond’s Instagram [offical partner of the Emerging category, Ed.]. After the post went viral he got a lot of attention.

Where do you want to go with your photography?
My current goal with photography is to create images that get people really psyched for rock climbing, and hopefully that will eventually lead to opportunities to work with athletes that are on the cutting edge of the sport. I think the eventual goal is to lean into editorial photography in the realm of adventure sports and the outdoor industry. But mainly I just want to continue to seek opportunities to learn and push myself to grow as a photographer.

Red Bull Illume 2021 Climbing Photography Tips with Will Saunders 1

Climbing photography is a specialist art. Of all the genres of action sports photography there is something especially challenging about it. For one thing photographers can’t move around and change positions like they can with both feet on solid ground. Getting into position means being able to haul themselves up a rope. And then there’s the small matter of vertigo. Clearly, this is a genre for those with a good head for heights – and personal safety.

Since he won Red Bull Illume with his spectacular climbing shot, we thought it would be fun to invite US-based Will Saunders over to the Austrian mountains to show us how he works. We also invited the Austrian freeskier and climber Nadine Wallner to be his model.

As he explains in the video, Will says a great climbing shot begins behind a screen. “I did a lot of research, seeing where the sun is going to be,” he says. “Another thing that’s super important is working with the athlete, making sure they’re comfortable and they’re climbing something within their grade. Nadine has climbed this before a bunch of times so it was the perfect opportunity for me to go up and find the best angle and have her work it a few times.”

Going up involved ascending a fixed rope set up by another climber. But once in position – Will was able to work his magic in the evening light. Because you can’t move around, he says it’s a good idea to focus on nailing one climbing shot, then think about the portraits and lifestyle shots when you’re back on the ground.

After putting the camera down, it was time to pick up the laptop and download the shots. For this, Will used Lenovo’s Yoga 9i Gen 7 (14”) flagship convertible laptop. Thanks to its up to 4K OLED touchscreen display, colors come out more vivid and the blacks also come out more inky for a life-like resemblance which is so important for photographers.

Conveniently for the kinds of places Will works, its curved comfort design makes it easier to carry and use for longer periods. Its 360-degree multi-mode hinge also makes the Yoga 9i Gen 7 super versatile for people who are on the road, whether tapping away on their lap or using it like a tablet.

For great deals on the Lenovo Yoga 9i Gen 7 laptop, head over here.

If you haven’t seen Will’s Red Bull Illume winning shot and the story behind it, check it out here and get more inspiration for your climbing photography. We look forward to seeing the results.

There is something special about climbing photography. It shows us perspectives and vantage points that few, if any of us, are brave enough to reach. It calls on us to admire not only the climber and the physical strength and poise required to move in this vertical terrain – but the photographer too. Not only have they shared the suffering to get into position, they’ve also held their nerve to frame, compose and get the shot – often with few options to move around, or change a battery. That takes something. To celebrate this unique art form, we went through submissions to bring you the best climbing photography from Red Bull Illume 2021. Sit back and enjoy.

Red Bull Illume 2021 Exhibit Tour Stop KTM Motohall 1

The Red Bull Illume Exhibition, which showcases the world’s greatest adventure and action sports imagery, is to be displayed at the KTM Motohall, Mattighofen, Upper Austria, from October 1 to November 1, 2022. The opening night is timed to coincide with Austria’s “ORF-Long Night of Museums”, when hundreds of museums open their doors until 1AM, and can all be visited with a single ticket. The event has been taking place for 22 years and the KTM Motohall is one of the museums taking part.

Red Bull Illume 2021 Exhibit Tour Europark Salzburg 3 — © Wildbild

The KTM Motohall is located in the center of Mattighofen. The museum, spread over an area of around 10,000 square meters, provides visitors with an opportunity to immerse themselves in the world of KTM. The imposing building architecture symbolizes the impressive dynamics of the now world-famous motorcycle company. In an interactive exhibition over three floors, visitors can learn all about the history and design processes of KTM motorcycles and get a good look at all the technical details. Special highlights include the KTM motorcycles exhibited on a recreated banked curve and the Heroes floor – an exhibition showcasing the most successful KTM riders of all time and their bikes including a 360-degree video installation. In addition to a varied range of activities for children, classic motorcycles are given a new lease of life in the living workshop in the basement of the KTM Motohall, as well as a fan store. The KTM Motohall is also the ideal location for corporate events with up to 350 people.

From October 1, there’s another reason to visit, and that’s the chance to see the 56 winning images of the Red Bull Illume Image Quest. With its high-octane heritage, the KTM Motohall is the perfect venue to showcase all the action from Red Bull Illume.

Red Bull Illume 2021 Exhibit Tour Stop KTM Motohall 2 — © Timo Bischof

Since the Exhibit Tour kicked off in the US, it has traveled across Europe, thanks to a long-term partnership between Red Bull Illume and SES Spar European Shopping Centers, visiting various cities across Austria, Croatia, Slovenia, Hungary and Italy. In September, the Red Bull Illume Exhibition was presented during Berlin Photo Week. Eight more tour stops are planned between now and the beginning of 2023 with the exhibition set to come to MURPARK, Graz, Austria, and HUMA ELEVEN in Vienna, Austria.

Can't make it to Mattighofen? Here's the full list of the upcoming tour stops!

Red Bull Illume 2021 From dusk til dawn 1

The action doesn't stop at sunset – it continues throughout the night until the sun eventually appears in the morning. The best photographers will be there waiting for the moment. In this gallery we've pulled together some of the best Red Bull Illume shots taken between dusk and dawn from Wayne Reiche's shot of BMX rider Murray Loubser in Cape Town to Daniel Rönnbäck's shot of Tof Henry jumping a gap on a Norwegian peak. There are nighttime long exposures, dawn climbs under headlamp and surfers relaxing at the end of the day. The one constant? Somebody with a camera thinking, this would make a great shot. And you know what? They were right.

Tell us a little bit more about your shot.

I love combining different things together and this time it was skateboarding and video mapping. I had this idea in my head for quite a long time. I did one small successful test but I was busy with commercial projects and traveling to make it on a bigger scale. In 2021 I contacted Maxim Habanec and my friends from Lunchmeat studio (the video mapping company) and explained them my idea and they were happy to cooperate with me. Most of the jobs were canceled because of COVID so it was great opportunity to spend some extra free time.

Red Bull Illume 2021 Dan Vojtech 2 — © Dan Vojtech

What was the most difficult part?

There were several challenges during this project. The first one was how to build a set with 8 big beamers. We had to mount them under the ceiling to keep space free without any cables (hundreds of meters) or stands. Beamers are quite heavy, ceiling-high and we had no heavy machines, only ladders. This took us two nights. The second challenge was how to light up Max with strobes while not disturbing the projection in the background. I had to be very precise with strobes and use grids and reflectors.

And the most rewarding part?

The best part was when we turned off all the lights in the Maxspace and turned on the projectors. We felt like we were in a video game. It was crazy!

Red Bull Illume 2021 Dan Vojtech 3 — © Dan Vojtech

What equipment did you use?

I was shooting with lenses from 16mm to 200mm and I used external battery powered flashes with reflectors and grids. These were important so I only lit the skaters and didn't interfere with the video mapping.

How did you work the light?

Light played a very important role. It was necessary to find the ideal ratio of light between projections and flashes. There must have been very little light in the hall because of the projection. It made skateboarding very difficult.

Red Bull Illume 2021 Dan Vojtech 4 — © Dan Vojtech

How did you explain your vision with the athlete?

I think it's very important to explain to skateboarders exactly what you intend to do. It's always good to be familiar with the sport, then you understand what is possible. First we always agree on what obstacle we are going to shoot on. I then choose a suitable angle and light the place. The skateboarders then ride and I try to capture the best moments. I always consult with them on the final photos.

How did you get the idea for the image?

I love video mapping and have had a similar idea in my head for a long time. When the opportunity came up to use it for the Maxspace it was only a matter of time.

Any other exciting projects you can tell us about?

I definitely plan to continue similar projects. Now I'm experimenting with using a drone for light-painting and Infrared photography, so stay tuned!

Check out the behind-the-scenes video of Dan's awesome project here!

To see more of Dan's work check out his website and his Instagram here.

How did Red Bull Illume change things for you?

My first image in Red Bull Illume in 2013 still gets brought up by people today almost ten years later. It left a mark and I’m pretty fortunate to be able to share such a special image.

Red Bull Illume 2021 Paris Gore 2 — © Paris Gore / Red Bull Illume

How did you get into photography?

My parents had a bluegrass band growing up and my mom would hand me her 35mm camera while they played shows and I ran around taking pictures at a pretty young age. I guess that would be the start, but years later I took a photography class in high school and was pretty hooked on it. My teacher gave me a lot of flexibility to go shoot the team sports. I was also into mountain biking at that time and just put it together one day to shoot mountain bike. That's when it really all came together and could see that it was something I was really interested in doing. By the time I was headed to college, I realized I could possibly make a career out of photography so I went to photo school in Seattle. Now, 12 years later, it's the only job I've held.

How do you build important relationships that help you professionally?

I treat everyone with respect and make no judgements of someone; they could be your next client. I've been great friends with one of my biggest clients for nearly ten years and had some great times together. Just being a fun person and a quality human goes a long way in the professional world.

Red Bull Illume 2021 Paris Gore 1 — © Paris Gore

How do you reach out to potential new clients?

I've tried most of the methods, I’m not really sure what works the best, but I really believe in more of an in-person approach. I just get a lot more done out of a conversation than sending emails into space that someone might never see. I've had good luck going to trade shows and chatting up potential companies I would want to work with.

What sets your images apart?

I like to shoot big scenes and show nature, elements, scenery around the action. I don't think it sets me apart from anyone else, but I just like to convey the feeling of where I'm at and hope that someone can feel like they are right there experiencing the moment.

Red Bull Illume 2021 Paris Gore 3 — © Paris Gore

Where do you find inspiration for your work?

From the other photographers that I've looked up to for years and new ones. It just puts the fire in me to do better and get out of my comfort zone.

What tips do you have for young photographers?

Photography will evolve with experience, so just keep shooting what you like to shoot and the rest will follow. Put yourself out there, meet new people, athletes, industry marketing folks, be apart and stick out in your community, be humble and don't get dejected. It takes a long time to make it happen but it's sure worth it in the long run.

Check out Paris' website and follow him on Instagram to see more of his professional work.

Where does your photography passion come from?
I don’t think it can be summed up as one thing, there’s a lot to be inspired by everyday (light, color, people, nature) that makes me want to pick up a camera and take a photo. And there’s always more to learn and improve on that keeps me intrigued.

Why do you focus on biking?
It’s just what I know, I’ve followed and been around two wheels for as long as I can remember and it’s how my career as a photographer began. As much as I love shooting biking, I definitely try to spend time photographing outside of my niche.

Red Bull Illume 2021 Toby Cowley 1 — © Toby Cowley

How do you capture the perfect moment?
These days with cameras that shoot 30fps it has become a lot easier to get the timing right on a shot. Unless I’m shooting film, and then it’s a combination of knowing the sport/trick and luck.

Tell us a little bit more about the image you submitted to the Image Quest 2021. How did it come about? Was it spontaneous or planned in detail?
One of my favorite things about photography is playing with light and shadows, so when I noticed the shadow spilling onto the sphere it seemed like a good opportunity to get some separation between Brandon and the feature.

How long did it take you to get the shot?
It only took a few takes, there was a pretty small window where there was just the right ratio of shadow to light. So fortunately Brandon was able to ride the sphere pretty consistently every time and everything came together relatively quick.

Check out how this incredible image came together and watch the behind-the-scenes video featuring athlete Brandon Semenuk here!

Red Bull Illume 2021 Toby Cowley 2 — © Toby Cowley

How important is the relationship between athlete and photographer?
Communication is key for both the athlete and the photographer, if the rider is planning to do a trick only once, it’s important for me to make sure I know what trick they’re doing and then figure out which angle shows that trick the best. If I have an idea for a shot, I’ll run it by the athlete so that we’re on the same page before they drop in.

When are you happy with your images?
When light, riding, composition all comes together, that’s definitely when I’m the happiest.

What’s up next for you? Any exciting projects you can share with us?
I can’t give away too much but I’m just finishing up a bigger project that will hopefully be released next month. And then a couple smaller shoots in the next couple weeks, I’m excited for a busy summer!

If you want to see more of Toby's work follow him on Instagram @tobycowley or check out his website!