Gearing Up for Shoots

Denis Klero, winner of the Red Bull Illume Image Quest 2016 Close-Up category, recently completed a gigantic photo-mission: three weeks on the road during the Red Bull Trans-Siberian Extreme, an ultra-stage bike race from Moscow to Vladivostok. Following that, there were no days off for him, as he headed out to the Red Bull Flugtag. Two completely different photo-missions, two different approaches and he talked us through them.

© Denis Klero

What's your go-to gear setup?

First of all, we need to divide shoots into two types; Active Reporting and Staged Photography.

During Active Reporting, what really matters is mobility, accessibility of gear and a quick response time. This is why I carry all my gear to the shoot in a backpack or rolling bag, and at the site I put it on a harness I attach to my belt (Photos of this are below).

To summarize the gear: I carry two cameras, two powerful flashes and some fast lenses - all of these are crucial to this kind of reporting.

Fast lenses, wide open, allow blurring the background when it's impossible to beautifully link foreground and background because of so-called "rubbish". 

Usually, I carry two Sony A99II, two flashes and four to five lenses; a 24mm 2.0, a 50mm 1.4, a 70-200mm 2.8 a 16-35mm 2.8 and (to be safe) a 15mm 2.8 fisheye.

Staged Photography is much simpler in terms of gear. I try to use one lens: 24–70 mm 2.8.First of all, in some cases it allows you not to distort space (70 mm), and in some cases it adds an effect of viewer's presence in the photo (35 mm). Availability of a large number of intermediate focal distances is an undeniable advantage.

Secondly, I work mostly with fixed aperture, and it is easier for me to zoom on a photo rather than to go forward and back. Contrary to reporting, staged photography makes it possible to work on the scene for a much longer time and to use and elaborate backgrounds for my own purposes. All the above mainly relates to wide-shot scenes. Of course, when I shoot portraits, still life, big details, I use different optics, including prime lenses.

In both cases, I use two cameras. During reporting, they are equipped with different lenses to have a possibility to quickly change the focal distance, simply by changing camera. This takes no more than a second while changing optics on one camera may take up to 15 seconds, which is inadmissible in some cases. The second camera is also a spare one for the case of possible malfunction. During staged photography, it is used as a reserve camera. It would be very hurtful if, due to a camera malfunction, the long hours spent on preparation on arranging the shooting goes down the drain.

What never leaves your bag/what goes with you to every shoot?

My brain! Everything depends on the type of shoot. I always have my Sony A99II in my bag, regardless of what I'm shooting on that given day or during that assignment.

How do you choose gear for different projects?

Surely, it depends on the specifics or, in case of staged photography, on the idea of the project. In case of events, the site size is of importance. It is necessary to understand whether a usual "report" set is sufficient for work, whether focal distances are sufficient. Then, if upper points are available, it is possible to use such lens as tilt-shift. Another important parameter for selection of additional gear is duration. The duration of the event determines availability of time to experiment with filters, lenses and any methods used in photography (long exposure, unusual shooting angles, etc.). Depending on the time of holding the event (day or night), a decision is made to use additional studio flashlights.

And it is possible to use any type of equipment at staged photography: from smartphone camera to a full-fledged analog camera. Everything depends on the creative task.

How different is packing for an event like the Trans-Siberian Extreme and for the Flugtag?

Red Bull Flugtag in comparison with Red Bull Trans-Siberian Extreme bicycle racing is a rather short, bright, and emotional event, just manage to shoot. Creativity involves usage of unusual points for shooting, that is why I try to get in such places where shooting is not obvious. All the rest is classical reporting: it is important to quickly see the moment and push the button. And the main thing here is that the gear does not fail. So, I rely on autofocus, especially when I shoot with open aperture.

It is simultaneously simpler and more complicated for Red Bull Trans-Siberian Extreme. The event is time-stretched, and action is the same day after day, so there is a chance to reshoot if something doesn't work. Lifestyle scenes are also quite long, you have time to take in the situation and compose the photo.

The tricky thing is that during 23 days a spectator watching the race is not bored when looking at your photos. You have to use all the potential of your brain and look for not only interesting creative solutions but use different technical means and special effects to create something new, non-standard, and unusual for such race. Here, your photographer's talent is not only fully manifested, but seriously improved due to the tasks solved.

Studio, artificial light, smoke cartridges, water sprays – all this gave the possibility to diversify photos. And at night I had to use additional flashlight.

In comparison with Flugtag kit, Trans-Siberian Extreme kit was upgraded with another camera — a mirrorless system Sony A9 and almost the same set of lenses (not available in the photo). This is the newest camera that came into the market this summer, and we decided to test it in the field. There are also two tripods in the kit, mainly to use at night or to install a remote camera with the possibility to run it at a distance.

Also, in the picture we can see a 220V car voltage converter for continuous charging of batteries of different devices. An Internet router is required to promptly send photos directly from car to web-site. Both kits have a laptop, which is necessary for quickly processing and transferring photographic materials for publications.

The used lighting gear is worth discussing separately.

 

In the picture, we can see impulse light with a possibility of high-speed synchronization, a LED lamp, smoke cartridges for generating fog and other effects, two types of light stands, light generating heads, etc.

LED lamp was used for night lifestyle shootings at stops during rest and for shooting cyclists from car while they are on road. Constant light is more convenient in such cases:

it enables the autofocus to work better, and the final picture does not feature "frozen" parts of moving parts of bicycle and driver, as with impulse light. And such light is just convenient to form a light-and shadow picture, so to speak, online.

At the top of Photo 4, there is overwrap: it was used to protect the lighting gear from rain.

During the race, I used two types of light stands because each one has its advantages: Black stands are light-weighted and compact, and chrome plated C-stands are convenient for use on uneven surfaces which are typical for races.

 

Smoke cartridges made it possible to diversify boring night photos. They added volume to the photo and made the light more visible and tangible.

Sometimes, in search of an unusual shooting angle I have to climb different piles and trees. To climb trees, I typically use usual climbing irons.

If there’s only one body + lens setup you could use for an assignment, what would you use?

Sony A99II + 24-70 2.8

Do you carry anything with you that no one else has?

I think I have nothing special in my bag.

Any items you would like to add to your gear bag?

It would be nice to have additional pockets and sections.

Any tips for starting photographers?

Start small and gradually complicate and increase the number of your gear. Do not think that if you buy all types of lenses and studio light you will get genius shots. You have to know how to use this equipment, I mean not only to study manuals but to understand experimentally how this gear affects the final result. Years may pass... Everything must be gradual. Good luck!

 

To see more of Denis' work, head over to his website and give him a follow on Instagram!

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How to create 'Unseen' imagery with stop motion artist Victor Haegelin

You think you've seen everything, but then this one piece of content shows up and leaves you with nothing but 'How did the artist do it?'. French stop motion artist Victor Haegelin aka. 'Patagraph' is one of those artists that amazes us with his masterpieces. Soak in his perfect examples for the Special Image Quest category 'Unseen'!

Category Unseen submission by Victor Haegelin

In a world where it seems everything has been done already, what does “unseen” mean for you?
Wow! … This is where you can mix something technical and simple with some cool ideas.

Sometimes it’s really the simplest ideas that are actually unseen. Like this very, very simple water silhouette animation made by Kevin Parry few days ago. It is SO simple!! The idea, the technique, the realisation, all is simple, but all together it has definitely never been seen before.

How would you describe yourself as a creative?
I like to find unexpected simple ideas. Usually it comes from the everyday life surrounding us. I love to give life to still stuff. I think of imagination as a muscle, if you train it, ideas will come naturally. Even if they are not always the best. 

How did you become a stop motion artist?
By doing stop motion! Stop motion is a good way to start telling stories. It’s easy to set up on a corner of a table. You can start to make cool stuff with almost nothing. It’s easier than building up a full cinema crew with actors, DOP and stuff. So that’s what I did, what I liked and that’s why I kept doing it.

Talk us through the process of creating your short clips – where does your inspiration come from?
When I have a new idea, I really have to go for it. I can’t stop thinking about it, until I get to shoot it. And sometimes - the moment I’m facing the project - it becomes harder than expected…

 

Are you operating alone?
I usually have my creative process alone. But I also work with Coco Di Bongo, a model maker. When I have a new assignment, I would talk to her and involve her in the creative process.

How long does one project usually take from beginning to end?
It really, really depends on the complexity of the project. I like to work on fire, keeping the idea in mind till I do it, otherwise the idea loses its fascination… in case I wrote it down, it sometimes comes back! Usually we say that 1 second of stop motion takes about an hour to shoot. This is approximately true.

Who/ what are your biggest influences?
I really learned a lot by watching the Czech Masters of Animation, like Jiri Trnka or Jan Svankmajer.

 

Any real-life situation/ person you would love to shoot with?
Oh… I don’t know, I would have to think about it for longer...

When not creating stop motions, what type of photography/ videography are you most into?
Those last months I discovered drone aerial photography, I’m really enjoying it!

What’s your favorite piece of work of your own - where can our readers find it?
I think it’s “Professor Kliq – Wire and Flashing Light”. It’s a music video I made alone over the course of 3 months with free to use electro music. I was a moment where I was thinking I needed to renew myself, so I decided to push further and finally had the idea of seeing sound.
As it was finished, I sent it to the author who didn’t know I was working on it. He was so surprised that he decided to remaster his 6-year-old piece of music to match the animation better. And as the video had some success, he decided to quit his job to only do music! You can see the video here.

Find more of Victor's work here or follow him on Instagram: @patagraph

More than just a snowboard photographer

It's not just about epic snowboard images for talented and well-known photographer Dasha Nosova. Although the sport plays a big part in her life, the Red Bull Illume finalist is constantly evolving. We caught up with her to find out what's going on in her life, what impact the current situation has had on her work and what it's like being a woman in a male-dominated profession.

Snowboarder Seamus O'Connor © Dasha Nosova

What were the three most significant things that happened to you since the Winner Award Ceremony back in November?

The first one got to be the trip to Atlanta, GA, for the Big Air World Cup back in December where I was offered a job to follow Jamie Anderson for the rest of her contest season. We’ve been on some trips before, so I was extremely excited to join the journey. It was a great few months of traveling together, shooting at every top event and doing some fun stuff in-between.

Second must be the two weeks that I spent just snowboarding in Madonna di Campiglio, Italy, over the Christmas holidays. This doesn't happen too often when I can simply go up and do some turns or shred in the park, so that was awesome, aIso because I was riding with my boyfriend Vlad and his friends. By the end of our time there I was able to hit the middle jump line which is pretty crazy for me! We also got a really cool sunset session going one day. I was pretty hyped to shoot at a new location and see a 9-year-old talented shredder, Nico Bondi, in person.

Last, I would say our experience volunteering during the outbreaks of COVID-19. A random circumstance brought Vlad and me to Novosibirsk in March (right when all the international snowboard events got cancelled), and none of us expected getting stuck there. So, we joined the organisation in early April after we watched the newscast covering some students who were helping elderly people in the city. It’s been an amazing and fulfilling experience being able to give back to seniors. It is something that has always been on our minds and that we would periodically bring up in conversations with each other. I’m happy we did it. If you have the opportunity, research some local organisations and try it yourself.

How did Red Bull Illume affect your professional (and personal) life?

In 2016, Red Bull Illume gave me a lot of motivation and showed me that people value my work. My submission 2019 kind of woke me up and reminded me that it’s not about the event photography, it’s about those meaningful journeys and a love for the sport and nature. Plus, the ceremony was such a good vibe, Red Bull knows how to throw a good event and bring so many talented people together. I got to see many friends I had not seen in a long time and meet new people. It was fun! Many of us kept in touch and we still support each other.

Where do you usually find inspiration/motivation for your images?

Back in the days it was the good old snowboard and skateboard magazines and movies that fueled my inspiration. Now it’s more about new destinations, people and other sports, or even something that doesn’t have anything to do with sports. New equipment also helps me to go out there and play more.

Have you ever thought about shooting other action sports or do you stick to snowboarding?

Before snowboarding, I was taking photos of BMX and skateboarding, because it was more realistic to make these happen in my hometown of Moscow which is a concrete jungle. Nowadays, I get to shoot other action sports in summer when I have time. I think it’s so much fun to explore and shoot other sports and it’s definitely something that I would look more into. Maybe even more music, urban or fashion maybe. Hit me up!

What makes your images unique in your opinion?

The colors, I would assume. This is just the most common thing that people ask me about. Also, minimalism. I can’t say all of my photos follow this style, but I’m certainly a big fan of keeping it simple.

You already talked about your personal experience during the last few months. What impact has the global situation had on your work? Is it still possible for you to shoot?

It has had a big impact. Almost all my jobs are outside Russia and my job as an action sports photographer literally depends on being able to travel. I haven’t really picked up my camera for work since February 29th. That was the last day of the Burton US Open in Vail, CO. Given the situation in Russia at the moment it’s not really possible to shoot the way I used to. It forces me to be creative and find new opportunities. While we wait it’s a good time to learn new skills and maybe explore different sports and different industries even. Though, the most important thing now is that my family and friends are staying safe and healthy.

Under "normal" circumstances: What would your plans for this year be? Any projects along the way?

Snowboard-wise, I would try to go to one of my favorite places - Folgefonna in Norway, we usually go there in late May - early June. A mandatory surf trip would’ve happened, of course. My idea was to go to California and maybe finally Hawaii, but at this point I would be glad to go to any country that reopens its borders to tourists and that has waves. There are some non-snowboard projects scheduled that I’m keeping my fingers crossed that some of them will take place later in the year.

In the Top 260 images from the Image Quest 2019 were only 4 female photographers, you included. How do you feel about the male dominated action sports photography scene?

It always depends on the people and the setting. Some days it would not even cross my mind that I’m pretty much the only girl, but other days it can be frustrating, and guys throw comments that are not ok. Some guys can be sceptical at first, having this image in their head that all girls are just drama and having a girl in the crew would ruin the “dude-vibe”.  If you really mess it up, guys will be like, "Oh, girls…" and that can definitely add some pressure. Earlier this year, I was shooting at one of snowboarding’s most prestigious events, and one guy came to me and said something like “I’ve always been curious - how do you travel so much? I see you everywhere. Like, do you get paid for your photos?”. I don’t think this guy would walk up to another guy and ask the same question. I would say it’s a bit more challenging and uncomfortable, however it keeps me on my toes. It’s so cool to see that there are far more people and companies who are stoked to invite and work with girls now than it was even five years ago. Hopefully, we will see more girls in the industry in the near future!

Find more of Dasha's work on her Instagram!

Here's what you can win if you enter Red Bull Special Image Quest 2020

There are so many reasons to enter Red Bull Illume Special Image Quest 2020, among the top ten have to be all the prizes you can win!

Take your content creation to the next level with the amazing prizes to be won when you enter Red Bull Illume Special Image Quest 2020. Every week a set of category finalists are selected through the Red Bull Illume internal jury and put to a community vote. These weekly finalists each receive a full license for Luminar 4 photo-editing suite by Skylum. A tool that can be used to make even more amazing adventure and action sports content.

That’s just the weekly winners, as one of the three overall winners you will win an out-of-this-world experience from Red Bull; a COOPH gift card valued at €250 for stylish photography apparel and accessories for your next shoot; furthermore, your content will be added to the current Red Bull Illume Exhibit Tour where it will be shared with the world.

Red Bull Illume Special Image Quest 2020 is the perfect opportunity to get your work recognized by a community of like-minded creators and the prizes are designed to give you that extra headstart. Go on, enter today and share your adventure and action sports creativity with the world.

It’s super easy to enter, click here to find out how!

Meet the all-new 'Homework' category!

The 'Homework' category is specifically for adventure and action sports content that is created in or around your home. Do you have images or videos that fit these criteria? Then read more and find out how to submit your content below!

© Matthias Dandois and dog @arianatherocket filmed by Constance Jablonski

© Matthias Dandois and dog @arianatherocket filmed by Constance Jablonski

The categories for the Red Bull Illume Special Image Quest 2020 are specific, but still give content creators the freedom to share their own interpretation of the category. Homework is specifically for adventure and action sports content that is created in and around your home.

People all over the world have had to turn their home into their office, their gym, and ultimately their playground. The Homework category is for the creators who looked at their bed covers and saw the perfect wave, turned a tree in the back garden into an 8B climbing boulder, or realized that their dining chairs are great for parkour practice. As long as you are being creative at home, you can submit your content into this category.

Simply follow these easy steps to enter the Homework category:

1)    Share your best still and moving images (up to 1 minute) on your public Instagram feed.
2)    Tag @redbullillume, use the hashtag #rbi20submission and the category #rbi20homework
3)    Tag a friend to invite them to take part too.

Got the shot? Submit your content to Red Bull Illume Special Image Quest 2020 and you could have your work featured in the current Red Bull Illume Exhibit Tour and stand the chance to win a full Skylum Luminar 4 editing suite, plus a money-can’t-buy experience from Red Bull.

Well, what are you waiting for? Stop reading this and go make great content!

 

Isolation Skateboarding with finalist Markus Berger

Multiple time Red Bull Illume finalist Markus Berger set out on a mission to capture skateboarding now and then, throwing it back to a time when the streets of Salzburg were completely abandoned. Let yourself be inspired for the all new 'Throwback' category!

"Isolated Skateboarding in Salzburg with Philipp Josefu during Covid-19, March/April 2020. A series of photos that document an empty town and unusual ambience. Salzburg is a highly touristic destination with crazy numbers of tourists especially during spring time. Yet even during rush hour completely empty and quiet. Skateboarding through the streets and bringing a piece of life back outside to document this unique time for later generations. 

The reason behind this project is quite simple and then also not quite so obvious at the same time. The Covid-19 pandemic triggered a worldwide stop of the life we were used to have. Suddenly restrictions for moving outside and limited freedom in general. It was not too tough to adjust to stay home because usually I am working from home anyway. Yet as time goes by I realized that things changed and being home for such a long time without social contacts is quite a challenge. Then also reality hits and with zero money coming in and no job bookings all the way until summer, I started wondering how I am going to adjust and amply to survive this situation. There is no way to panic because life goes on one way or the other. So I sit at home wondering what I can do. Scribbling ideas and concepts for the time after Corona and setting up my workspace and archiving systems new. Cleaning my desktop and gear and then… then what. After a couple of weeks all is done. Slowly but surely the inner wish to capture this special situation on camera grew. Yet I also didn’t want to violate the regulations and be a part of the solution together with everybody else. Eventually I concluded that it is more important to create those images than staying home and saving lives. Those images might be a reminder for later generations to be careful and remember those Corona days. Of course all security measures like keeping distance and wearing a mask I took care of and it was only Philipp and me hitting the streets together and looking for spots to skate where you usually could’t because of masses of people. The goal was to bring back something that connects this surreal scenery with something that was there before. The message is „Skateboarding is still alive and so are you!“ and skateboarding can also be representing any other sport or art people were performing outside in the streets before this pandemic stopped the life outdoors."

Words by Markus Berger

One week extension of Red Bull Illume Special Image Quest 2020

The contest for adventure and action sports content creators extends the competition by a week to celebrate their creativity in 2020 on Instagram.

Photographer: Jaanus Ree Red Bull Illume 2016 Category: New Creativity Athlete: Erik Orgo Location: Tallinn, Estonia

© Jaanus Ree / Red Bull Illume

The extension of Red Bull Illume Special Image Quest by another week is an opportunity for creators to try out every angle. How many times have you thought of an even greater idea after a submitting something amazing? Sometimes after a week of brainstorming, the very best ideas come out, that’s why the submissions phase is now open until July 12, 2020 at 23:59 CEST.

That doesn’t mean wait until the last minute because there will still be a set of finalists announced every week. One week of the submission phase has already passed, however the first round of community voting will now take place next week, from June 18 till June 21, 2020. Remember, there are three categories for still and moving images of up to one minute and a completely new category dedicated to the most original Instagram stories.

The external panel of judges consists of photo editors, digital experts, and world-renowned athletes that decide category winners and choose the overall winners for still, moving, and stories. As an overall winner, you become an official Red Bull Illume Winner and receive a tailor-made experience from Red Bull. Your content will also be added to the Red Bull Illume Exhibit Tour that’s currently travelling all around the world, gaining great exposure with a community of people passionate about the adventure and action scene.

Share your epic content with the world in Red Bull Illume Special Image Quest 2020. Stay tuned to redbullillume.com and follow us on your favorite social media channels to get the latest news.

Get all the details here!

 

Red Bull Illume Special Image Quest 2020 is here!

A contest for adventure and action sports content creators to celebrate their creativity in 2020 on Instagram.

 

© Thomas Morel / Red Bull Illume

It’s official! Red Bull Illume is hosting a new contest, bringing you more of the world’s greatest adventure and action content with the Red Bull Illume Special Image Quest. It’s a celebration of all the outstanding creativity that is coming out on Instagram in 2020 and submissions open on June 1, 2020. Red Bull Illume wants to showcase the passion and dedication of photo- and videographers pushing the boundaries of content creation.

The Special Image Quest 2020 has three categories you can submit your still or moving images into, as well as a fourth and totally new one which calls for your most creative adventure and action sports Instagram stories. It doesn’t matter whether you’re a professional photographer or a first-time content maker, it’s the idea and execution that counts.

See all 4 categories and descriptions

 

The competition runs for 5 weeks from June 1, 2020 at 00:00 CET until July 5, 2020 at 23:59 CET. The Red Bull Illume jury will select the 5 still and 5 moving images per category, plus the 5 best stories every week. This selection will be displayed on our website. where the community will have the power to vote for their weekly finalists in each category and the winners are announced every Monday from June 15, 2020. An external panel of judges comprised of photo editors, digital experts, and world-renowned athletes will then select the category winners and thereafter the overall winners.

Full timeline and submission details

 

For the first time there will be 3 overall winners because still and moving content will be adjudicated separately. Each category (with the exception of Storytale) will have a moving image winner and a still image winner, resulting in: 1 Overall Still Image Winner, 1 Overall Moving Image Winner, and 1 Overall Storytale Winner. The winners will be announced on July 30, 2020.

As an overall winner, you’ll earn the title of being an official Red Bull Illume Winner and receive a tailor-made and out of this world experience from Red Bull. Your content will also be added to the Red Bull Illume Exhibit Tour that’s currently travelling all around the world, gaining great exposure with a community of people passionate about the adventure and action scene.

Get ready to show the world your adventure and action creations! Start by checking out your existing footage or finally making that content you’ve been thinking about because submissions open on June 1, 2020.
 
Stay tuned to redbullillume.com and follow us on your favorite social media channels to get the latest news!
 

Red Bull Illume is back in 2020

A brand-new contest from Red Bull Illume kicks off on June 1, 2020, to celebrate your extraordinary imagery.

People become more creative when faced with a challenge, that’s a fact. Right now, no matter where you are in the world, you have probably found yourself finding new ways to stay relevant and do what you do best. The result? A variety of unbelievable, unforgettable, and we believe, award-winning content. It’s for this reason that Red Bull Illume is happy to announce a special contest, starting next Monday, June 1, 2020.

Red Bull Illume celebrates the world’s best adventure and action sports imagery content creators with Illume Image Quest; this special contest is no different. With all the amazing creative work coming out in 2020, this additional special contest aims to provide a platform for you to showcase your originality on Instagram.
 
Have you challenged yourself to create something totally new? It’s time to go through your 2020 content or perhaps even plan the next shoot. Start now, because the contest opens for submissions next Monday! All the details will be announced and shared this Thursday, May 28, 2020. Mark it in your calendar and keep a look out on redbullillume.com and our social media channels.

Gallery: Epic self-portraits that made the Red Bull Illume finals

You heard right, there are “Selfies” that made it into the Red Bull Illume Image Quest final in the past. Now obviously we’re not talking about your average mirror snapshot, but photographs that took a different, surprising approach, no matter if they were spontaneous snaps or well planned creations. Get inspired to be your own subject with these 6 images from the past 10 years of Red Bull Illume!

Social Media 101 with Fabien Maierhofer

Social Media has become one of the most important creative outlets, especially for photographers who want to share their work with the world. But what does a picture need to perform well on Instagram? How do you choose what to post and how can it help your work as a professional photographer? Red Bull Illume 2019 finalist and social media expert Fabien Maierhofer gives us some insight on how (and why!) he uses social media.

The Image Quest 2019 saw a completely new category, Best of Instagram by SanDisk, which reflects how important social media has become for photographers over the past few years. With the fascinating image of a skier without snow french freeskier Fabien Maierhofer was one of the finalists of this category. With his award-winning web series "Bon Appetit" on YouTube Maierhofer has shifted his perspective more towards content creation online. With us he talked about this transition and more.

Your iconic shot of the skier made it to the final stage of the Image Quest 2019 in the Best of Instagram by SanDisk category. How important is social media for your work as a photographer?

Social Media is a big opportunity to show my work and for a lot of great photographers this is the best tool to show their pictures to the world. Previously, it was really hard to share what you created with a large number of people.

Why did you choose to submit to this category?

Submitting to Best of Instagram was the easiest way for me and it also meant that I could submit a little bit earlier.

Can you tell us a little bit more about the shot? How did it come about?

Although the shot looks out of this world, it was actually taken at the Col d’Izoard, a mountain pass in the Hautes-Alpes region in France. The image was captured while I was filming a behind the scenes video for one of my projects. When I saw the skier with the suit and the rocks I just took a quick snapshot for my Instagram. It’s funny because it looks so unrealistic and it made me question if skiing will look like that in the future due to climate change.  

Your transition from a professional freestyle skier to a content creator seems pretty smooth. Were there any challenges for you?

The real challenge is to be good in both! I’m still a professional skier and need to perform well on my skis but I also need to work on my photography skills. When I’m skiing the first thing I do is ski down the mountain and then, when I’ve reached the bottom I try to take pictures for practice. The only bad thing though, is that now I have to carry a heavy bag when I’m skiing.

What are you more passionate about: skiing or photography?

I think nowadays it’s 34% skiing, 33% film making and 33% photography. No, I’m just kidding, I don’t want to choose between my passions.

What inspires you to create?

Mountains always inspire me. Outdoor sports take up a lot of my free time and it’s crazy to see all of those colors, landscapes and adventures you can find there. I just love the mountains.

What do you usually look for in an image? What makes the “perfect” image for you?

The first thing I look for is a good landscape even before I look for the action. The perfect image is the right move in the right place. And if you have great light as well, you will make a really awesome picture.

What does an image need to perform well on social media?

If you want your picture to perform well on social media I think it has to be vertical. It also helps if it’s a bright shot that is understood by everyone.

What’s your favorite social media platform and why?

Definitely YouTube! You are able to tell a story and you can take your time with it as well. If people want to see behind the scenes material I redirect them to my Instagram. That’s where I usually show that kind of stuff. That’s also a great way to connect the different social media platforms.

Where can we find more of your work?

I share video content, tutorials and podcasts on my YouTube channel. Right now, you have to speak French to understand it, but I’m working on subtitles. On my Instagram account I constantly share images of my adventures.