Both venues are ideal places to check out the incredible winning images of Red Bull Illume and be awe inspired by the world’s greatest adventure and action sports photography. If you happen to be in either of the two cities be sure to explore the exhibits.

Here are the upcoming tour stops throughout the SES Spar European Shopping Centers if you can't make it to Slovenia.

Which equipment did you take with you?

In addition to my camera equipment and my drone, I also had my new Leica Q2 (category winner prize) with me, which I had received from Red Bull Illume a few days before starting the trip. The Iceland project was of course the perfect playground to test this 47mp camera. I always had it with me at every location because it is very light and compact. The low weight was a great advantage on the sometimes long ascents. I also didn’t have to worry about the constantly changing weather conditions (snow, wind, rain, cold) due to the robustness of the camera. The 28mm lens was a great focal length for me, although there is also a 35mm, 50mm and 75mm crops mode. For me it is a perfect allround camera, which I will always have with me for future projects!

What’s important to consider when shooting in such extremes?

When shooting in such extreme conditions, planning and equipment is of course very important. This certainly begins in advance, when you study the weather forecast through to choosing the right clothing and equipment. Some of the climbs are long, and the weight of the equipment means you have to be in good physical shape to keep up with the pro athletes. In most cases, the equipment is reduced to the essentials, so you can save a few kilos in weight. I always carry the batteries directly on my body to protect them from the cold.

Walk us through the creative process

The first step is always the selection of the location. If I find an inspiring location, then I think about what activity could be combined with a shoot here. The next step is then to contact an athlete to discuss the feasibility of the project. Then a team is put together (usually with a filmmaker, etc.) and the project is put on paper. At the end, the partners/brands will be contacted. The process of planning is always teamwork. It has happened that a global campaign has emerged from an initially free project when the brands have recognized the potential.

Why ice climbing?

There is something very fascinating about watching Dani Arnold ice climbing. Every movement is very considered, you have to be very strong mentally and physically to climb at this high level. In addition, there is always the cold, which certainly doesn't make it any easier to call up the full performance. Compared to other sports, the movements are relatively slow, which is often an advantage when taking photos, as the photographer has time to move and can shoot a route from many different angles and perspectives. I also find the element of ice very fascinating, as it is constantly changing. There are beautiful ice structures, the nature is just fantastic!

Where do you find inspiration for your work?

I usually find the inspiration for my work in nature and when researching on the internet. There are also numerous artists who I find very inspiring.

What was the reaction to being a Red Bull Illume category winner?

The feedback was really overwhelming. So many people have congratulated me, written to me and sometimes simply approached me, even if I thought they wouldn’t be that interested in photography. Personally, it was a very nice experience and in some way a confirmation that the path I had taken was the right one and that the work of the last few years had paid off. I noticed that Red Bull Illume has a very high status in the scene, which is noticeable on a professional level.

Anything else coming up?

After Iceland we flew almost immediately afterwards for a five-week project to the Maldives. At the moment I am at home in South Tyrol, where I will also spend the summer. A few local projects are planned here. We don't have any concrete plans for next winter, but in all probability there will be a new project with Dani Arnold and co.

Check out Thomas' website and follow him on Instagram for more fascinating imagery!

Talk us through your prep?

I bring my camera with me when I go to the river. I try to make sure my shit is charged and the cards are formatted but I am usually forgetting something. Kayakers are often bringing cameras down the river with them in waterproof bags which provide a bit of protection for the gear. Sometimes we are running waterfalls and the cameras take the same hits that our bodies do so we need to protect them. I love a great photo and I try to observe and learn from the elements of how other people work so I will be motivated to move around on the river more to capture something that I and the kayaker will be happy to have to post, share, or sell – or have a memory of a cool moment.

Do you prefer being behind the lens or in front of it?

I am way better at whitewater kayaking than I am at whitewater photography! It is better for me, career-wise, to be in the photo than to take the photo. We can make some extra cash selling photos but I am more stoked to be in a photo in the Red Bull Illume book than to have taken a photo which made it into the book. Nice for the ego either way!

You’ve kayaked the Zambezi. Why’s it special?

The Zambezi river is a live winding border between Zambia and Zimbabwe. The river falls around 100 metres over Victoria Falls and into the Batoka Gorge. As kayakers we have all known about and planned trips to the Zambezi for years. Just to be able to travel to Africa is an incredible privilege and experience. Too often taken for granted. Sitting underneath Victoria Falls every day for a month and running some of the baddest rapids on the planet, I understand that privilege differently because I've worked hard on the skillsets required specifically to spend time beneath the falls. It is unique to paddle through a canyon or gorge like the Batoka with such easy access.  River Right and River Left provide ample opportunities for a kayaker with a camera to hop out to shoot photos or film something. While there are no hippos in the classic whitewater section because they don't survive falling off Victoria Falls, there are many crocodiles who have done just that. Small baby crocs survive the plunge and grow up in the gorge adding elements of curiosity and danger to the kayaker's journey every day.

Steve Fisher is a big inspiration right?

Steve Fisher was the best all-around kayaker on the planet when I was growing up. His career is still very relevant and impressive. When he was in his late teens or early twenties he went to the Zambezi River to work as a guide and video/photo kayaker. He and a group of kayakers living on the Zambezi started making videos and as a kid I devoured them. It influenced how I kayak, how I navigate rivers and how I see high volume whitewater and big lines.

Scott Lindgren was also an influence?

Years after the Wicked Liquid movies by Steve Fisher and Alex Nicks were out, Steve started shooting with Scott Lindgren. Scott brought together footage from around the world for the Burning Time movies and created some really beautiful work on the Zambezi River. It was a lot higher quality than anything we had seen from the area so we could understand the river better. Steve was peaking in his skill and sendinees in the big water as well. Excellent combination.  Steve’s big water style affected me for sure and Scott being willing to invest time and money into quality equipment and kayaking movies was great for the sport.

When are the perfect conditions for shooting the Zambezi?

It is always good, rain or shine.

Check out the incredible behind-the-scenes video here!

Follow Benny on Instagram and check out his website to see more of his work.

Heading into the mountains

The Schilthorn is a well-known, much visited mountain in the Bernese Alps, which rises 2,970 meters above sea level. Located at its peak is the Piz Gloria revolving restaurant, which Tino Scherer photographed at sunset from a helicopter. This picture was taken during a photo shoot for the Schilthornbahn AG train. Taking photographs from a helicopter demands concentration, precise planning and a steady hand – fortunately the Leica SL2’s image stabilizer helped counter the considerable shaking. It can also be cold but Tino was able to work the SL2 while wearing gloves, thanks to its design.

Out on the water with a Swiss Wakeboard Champion  

In September 2019, Tino shot the Swiss wakeboard champion, Sam Lutz on Zurich’s Obersee. Perfect preparation is key for shooting action, but Tino also studied all the details for this project with great care: optimal lighting conditions at sunset, a Super Air Nautique G23, a boat that forms the perfect kind of wakeboard wave, and, of course, a boarder who can produce a spectacular trick at the perfect time. You need a lot of patience before everything comes together like it does in these pictures and a camera that does exactly what you have in mind helps a lot too. Tino is a photographer who, on principle, focuses manually, so the challenges in this case were great. He was taking pictures using a Summilux-SL 50 f/1.4 ASPH. The individual function buttons of the Leica SL2 proved very useful. With one of the two function buttons on the front side, which Tino used with the detail magnification to focus manually, it was possible to focus very precisely – even with a virtually fully open aperture and a very low level of sharpness.

Europe’s oldest cheeses

Tino Scherer then found himself in his home-country, Switzerland, where he photographed every one of Sbrinz’s 26 cheese types. The traditional Sbrinz hard cheese (AOP) is among the oldest cheeses in Europe. It is made by hand using traditional methods, primarily in the cantons of Obwalden, Nidwalden and Lucerne. The number of locations, the diversity of the landscapes, the different light conditions, the moods and even the motifs, were enormous. He took on these specific challenges using the universal Leica Vario-Elmarit-SL 24-90 f/2.8-4.0 ASPH. He was also able to capture razor-sharp, low-noise images with the Leica SL2’s high light sensitivity of 800-1600 ISO and was even able to produce cropped, different format images in post because of the camera’s sensor. In contrast to high-speed action, this shoot was all about capturing the slowness of cheese production and the individuals who dedicate their lives to it.

Whether you’re shooting portraits or action, on the move or indoors, the Leica SL2 is the perfect tool for the job. It’s one of the most advanced professional photography systems on the market and helps photographers them to capture award winning and incredible action shots.

"Doing personal projects you are passionate about is a great way to develop your own identity."

What does a photographer need nowadays to stand out from the crowd?

When it comes to mountain photography, the new generation needs to be versatile and creative to be able to stand out from the crowd. They need to be able to move as fast as the athletes in several sports and be able to master new technologies. Photographers always need to be on the run, capable of creating quality content in a short time period without disturbing the athlete.

What are your favorite locations for your photo projects?

I live in Chamonix, France, so my backyard is already pretty awesome to explore and take photos in. Nature at my home is astonishing, the whole valley is vertical with the best viewpoints for mountaineers and photographers. You can find pretty much all types of landscapes and playgrounds. I usually love going to South America, like Chile, Peru or Bolivia. You can find a real energy that is difficult to recreate elsewhere, meeting locals and taking the time to appreciate the moment.

You can watch the official "Out of Frame" trailer here!

Follow Jordan @jordan_manoukian for more mind blowing images and visit his website to see his other projects!