Is the athlete-photographer relationship important? Do you work together on the creative vision?
Yes and yes! Often, I have to trust what the photographer is seeing in his head, even if I can’t see it. Some of the most amazing images I’ve worked on came about even though I honestly thought the idea was stupid. But I don’t say that, I get out and do my job as an athlete, and over the years I’ve learned to really trust the photographers I work with regularly. And the opposite applies – I often have ideas about what will work well with the light or the feature, and the photographer sometimes doesn’t see it until we’re in it. But the best is when we work together, talk about what needs to happen, and then make some world-class images together. That’s as satisfying to me as doing the climb or flight sometimes.
What makes a great adventure photo?
This is a question with as many answers as shutter clicks on a pro’s camera! In a word, I love images that amaze me, rock me back on my heels and make me forget about anything else for that moment After that immediate emotion I look deeper for a few things: Unique so it grabs my eye, layers to discover, solid craft and composition, integrity, and then sometimes 200 other qualities after those first few that contradict them.
In more detail: It’s a unique view. A totally different moment, perspective, composition, something that grabs my eye from a distance and says, ‘Hey, this is different!’ Maybe it’s the composition, and I ask, ‘How did they get into that position or find that light?’ Or, more simply, ‘WTF!’ The second is that the photo holds my attention in a process of discovery. Maybe a shot with some wild sports action, but also a facial expression that says more about the situation than just the wave or rock or sky alone.